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Bezig met laden... The Mark of Abeldoor George Slade
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There is action of a subtle, gestural kind in Panas' photographs. At her best, she has a technical mastery and sense of visual space that activates the reader's imagination and invites interrogation of her images. In The Mark of Abel where family groups are depicted (without captions or explanatory text) this is particularly acute – what can we glean about these people and their relationships? How are they similar and how different?
"Lydia Panas' ability to capture and convey the complexity of human relationships has made her a rising star in contemporary portraiture."--Conor Risch, 'Photo District News' For three years in hot weather and cold, Lydia Panas invited families to stand before her lens. She was curious to see what would happen. These groups stood graciously before her as the series unfolded. Lydia Panas has exhibited widely throughout the United States, and is gaining attention in Europe and Asia. Her work is included in numerous collections including those of the Museum of Fine Arts, Houston; Brooklyn Museum; and Center for Photography at Woodstock. Geen bibliotheekbeschrijvingen gevonden. |
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