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Washing the Dead door Michelle Brafman
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Washing the Dead (editie 2015)

door Michelle Brafman

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5416483,854 (3.87)6
"Intimate, big-hearted, compassionate and clear-eyed, Brafman's novel turns secrets into truths and the truth into the heart of fiction." --AMY BLOOM, author ofLucky Us andAway "From roots in one religious tradition, comes a tale of emotional redemption for all of us. Michelle Brafman's astonishing compassion for all human frailty infuses this story about the need for truth and the promise of forgiveness." --HELEN SIMONSON, author ofMajor Pettigrew's Last Stand "Heartfelt and genuine, Washing the Dead never betrays the complicated truths of family and tradition." --DAVID BEZMOZGIS, author ofNatasha and Other Stories andThe Betrayers "Like a Jewish Anne Lamott, Brafman reels you in with warmth, depth and heart." --SUSAN COLL, author ofThe Stager andAcceptance Three generations of women confront family secrets in this exquisitely wrought debut novel that examines the experience of religious community, the perilous emotional path to adulthood, and the power of sacred rituals to repair damaged bonds between mothers and daughters.… (meer)
Lid:bb007rn
Titel:Washing the Dead
Auteurs:Michelle Brafman
Info:Prospect Park Books (2015), Paperback, 344 pages
Verzamelingen:Jouw bibliotheek
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Washing the Dead door Michelle Brafman

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1-5 van 16 worden getoond (volgende | toon alle)
Sorry, but I found the narrative exhausting. Yes, the mother probably upset the daughter’s life but to carry the schism so long into adult life wasn't realistic to me. Found the details of Orthodox Judaism interesting. ( )
  LindaB8 | Dec 19, 2016 |
Deze bespreking is geschreven voor LibraryThing Vroege Recensenten.
What a great story about the always complicated relationships between mothers and daughters. I didn't know much about the Orthodox Jewish Community in which this story is both set and entwined. The story goes back and forth between the 70s and 2009. At some points when the storyteller, Barbara, was a teenager, I could see the appeal of having something clear to reject and also return to. This theme repeated itself as the religion of her childhood was no longer practiced, but was never forgotten. The resiliency of the mother daughter relationship astonishes me. ( )
  poolays | May 19, 2016 |
Deze bespreking is geschreven voor LibraryThing Vroege Recensenten.
We are all part of communities. It can be reassuring to be a part of a community, whether it be one we chose or one we were born into. We feel belonging and acceptance in communities. We understand and cherish the traditions and rituals of the groups to whom we belong. In fact, often times our communities define us. So if we are exiled from a community, we find ourselves adrift, hurt, and rejected. In Michelle Brafman's new novel, Washing the Dead, main character Barbara Blumfield must examine the severed bonds of community in order to find forgiveness for her mother and for herself.

Alternating mainly between the mid-1970s and 2009, Barbara Pupnick Blumfield tells the story of her Orthodox Jewish youth, the rupture that pushed her family away from their community, her strained relationship with her mother, and the more secular Jewish life she's created as an adult. As Barbara struggles to mother her own troubled teenaged daughter Lili, she must examine the things that influenced her to become the woman and mother that she is. She reflects on the way that her own mother failed her, abandoning the family through depression and the sadness of her unshared, secret past, and the way that her mother continues to abandon her, disappearing into an ever increasing Alzheimer's fog. It is in examining her memories of her teenaged years that she faces the life-altering rupture from the Orthodox community she knew and loved and all the reasons behind her long exile from that safe and comfortable community of her childhood. When the rebbetzin of the shul in Milwaukee calls on the middle-aged Barbara, telling her that her mentor Mrs. Kessler has died and offers to have Barbara participate in washing the body, a final act of love, preparing Mrs. Kesssler for burial, it allows Barbara to start her search for answers about her own youth even as she deals with Lili's rebellion in the face of a season ending sports injury.

This is a coming of age novel, even though Barbara long ago became an adult. But in the present, she can see how the early inversion of the mother-daughter dynamic between she and her mother colored so much of her life. As a girl she tried to protect her mother from sorrows and trespassings without understanding the impetus behind any of it. And as her mother loses her memories to the ravages of disease, she cannot fully piece together the secret history of her family that exacerbated her mother's descent into deep depression without the help of those whom she holds liable for so much hurt. The narrative moves fluidly forwards and backwards through time, detailing the long ranging impact and the ripples that continue to push outward even in Barbara's present. The story is a quiet one. Barbara as a character sometimes comes across as far younger than she really is, still just learning to accept imperfections in those she loves. The storyline with Lili is very secondary and therefore doesn't quite compliment the whole as well as it might have. But Brafman has given us a well developed inside look at an orthodox community and the women in it, their failings and their love, in the primary storyline. Writing movingly of connection, the pain over a loss of culture, and the power of forgiveness, this book offers an unusual insight into a complex, generally reserved, and separate community. ( )
  whitreidtan | Jul 13, 2015 |
Deze bespreking is geschreven voor LibraryThing Vroege Recensenten.
This book is about the relationships between women, especially mothers and daughters. Not being familiar with the Orthodox Jewish religion, much was lost for me in this book. The symbolism and rituals were not understood. As is true with most mothers and daughters, there were difficulties and misunderstandings that were never fully resolved in this book. Admittedly, it took me quite a while to read this one. ( )
  nmaners | Jul 13, 2015 |
Deze bespreking is geschreven voor LibraryThing Vroege Recensenten.
Thanks to LibraryThing Early Reviewers and Prospect Parks for providing me with a finished copy of Washing the Dead to read and review. Washing the Dead details the struggle of Barbara Blumfield to come to grips with her mother's perceived abandonment of the family and to try to reconcile their relationship. There are several other issues that she's dealing with that make this goal difficult to achieve which are her daughter's struggle with a sports injury and her ADD and also her mother's Alzheimers which becomes progressively worse throughout the book. The book moves back and forth from the present day to Barbara's teen years in the seventies. The flashbacks in the book help the reader learn what lead up to Barbara's break from Orthodox Judaism as well as what caused the rift in the relationship with her mother. I thought Washing Dead was at its best when it was detailing the traditions and rituals of the church but fell a little flat when it came to Barbara and her personal relationships. I felt so frustrated with Barbara at times because she seemed to be more focused on all the negative things in her life rather than focusing on the positive. Also, at times I thought her character was a bit petty and came off as being a bit immature for a middle aged woman. Overall the book was well written and I enjoyed it enough that I would check out other titles by this author. ( )
  68papyrus | Jun 24, 2015 |
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"Intimate, big-hearted, compassionate and clear-eyed, Brafman's novel turns secrets into truths and the truth into the heart of fiction." --AMY BLOOM, author ofLucky Us andAway "From roots in one religious tradition, comes a tale of emotional redemption for all of us. Michelle Brafman's astonishing compassion for all human frailty infuses this story about the need for truth and the promise of forgiveness." --HELEN SIMONSON, author ofMajor Pettigrew's Last Stand "Heartfelt and genuine, Washing the Dead never betrays the complicated truths of family and tradition." --DAVID BEZMOZGIS, author ofNatasha and Other Stories andThe Betrayers "Like a Jewish Anne Lamott, Brafman reels you in with warmth, depth and heart." --SUSAN COLL, author ofThe Stager andAcceptance Three generations of women confront family secrets in this exquisitely wrought debut novel that examines the experience of religious community, the perilous emotional path to adulthood, and the power of sacred rituals to repair damaged bonds between mothers and daughters.

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