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Myth and Politics in Ancient Near Eastern Historiography

door Mario Liverani

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The essays included in this volume analyze important historical texts from various regions of the Ancient Near East. The distinguished Italian historian Mario Liverani suggests that these historiographical texts were of a "true" historical nature and that their literary forms achieved their intended results. Liverani focuses on two central themes in these texts: myth and politics.There is a close connection, Liverani finds, between the writing of history and the validation of political order and political action. History defines the correct role and behavior of political leaders, especially when they do not possess the validation provided by tradition. Historical texts, he discovers, are more often the tools for supporting change than for supporting stability.Liverani demonstrates that history writing in the Ancient Near East made frequent use of mythical patterns, wisdom motifs, and literary themes in order to fulfill its audience's cultural expectations. The resulting nonhistorical literary forms can mislead interpretation, but an analysis of these forms allows the texts' sociopolitical and communicative frameworks to emerge.… (meer)
113Muwatalli (king of Hatti) 74 (1) 120 Index 211Zidanta I (king of Hatti) 28-9 (1) 12066 Zirtaya (Syrian refugee) 75Zidanta II (king of Hatti) 54 Zuru (I littitc courtier) 38 (1) 142Saul (king of Israel) 161-2 (1) 153Tuthmosids (Egyptian dynasty) 165Tuthmosis rV (king of Egypt) 88Umman-Haldash (kingofElam) 164Urhi-Tcshub (king of Hatti) 147 (1) 155-6Nabu-bcl-shumatc (Babylonian personage)164Nikkalmati (queen of Hatti) 35Niqmcpa (king of Ugarit) 74Paddatishu (king of Kizzuwatna) 55 (1) 155-6Shcba (commoner from Benjamin) 164Shunashura I (king of Kizzuwatna) 54Shunashura II (king of Kizzuwatna) ix (1) 155-6Shuttarna (king of Mitanni) 155Tahurwaili (king of Hatti) 35 (1) 156Wcn-Amun (Egyptian messenger) 15Yapah-Adda (Rib-Adda's enemy) 103 (1) 175Anamushta (town in Kizzuwatna) 66Anatolia (modern Turkey) 12-3 (1) 190-1Akhet-Aten (capital city of Akhenaten (1) 191-2Samuel (Israelite prophet) 161Sargon (king of Akkad) 96Sennacherib (king of Assyria) 175Shapili (king of Amurru) 155-6Shattiwaza (king of Mitanni) 71 (1) 37Tclipinu (king of Hatti) viii (1) 46-7Tawananna (Hittitc queen and title) 33 (1) 46DEITIES AND MYTHICAL BEINGSAdam (biblical first man) 21-3 Gizzida (Mesopotamia!) god) 4 (1) 46Talmi-Sharruma (king of Aleppo) 33 (1) 46Tarushhu (Hittitc courtier) 38 (1) 46Tudhaliya II (king of Hatti) 35 (1) 51Murshili II (king of Hatti) 75 (1) 55Tcttc (king of Nuhashc) 75Tcumman (kingofElam) 165Tittiya (I littitc prince) 38 (1) 55Tudhaliya IV (king of Hatti) 34 (1) 60;(Hittitc courtier) 38 (1) 66Piyashili (king of Karkemish) 156Ptahhotcp (Egyptian sage) 13Rahab (biblical character) 16Ramcsscs II (king of Egypt) 67 (1) 74Ramcssidcs (Egyptian dynasty) 13Rekhmirc (Egyptian official) 12Rib-Adda (king of Byblos) x (1) 74Tanuwa (Hittitc courtier) 38 (1) 771'.11i.iin.ui (Egyptian official) 141Papahdilmali (Hittitc personage) 37Piliura (Egyptian official) 107Pilliya (king of Kizzuwatna) 54 (1) 78-81Shuppiluliuma I (king of Hatti) 55 (1) Geschiedenis (3) Xi (2) Zimrida (king of Sidon) 103 (1)
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The essays included in this volume analyze important historical texts from various regions of the Ancient Near East. The distinguished Italian historian Mario Liverani suggests that these historiographical texts were of a "true" historical nature and that their literary forms achieved their intended results. Liverani focuses on two central themes in these texts: myth and politics.There is a close connection, Liverani finds, between the writing of history and the validation of political order and political action. History defines the correct role and behavior of political leaders, especially when they do not possess the validation provided by tradition. Historical texts, he discovers, are more often the tools for supporting change than for supporting stability.Liverani demonstrates that history writing in the Ancient Near East made frequent use of mythical patterns, wisdom motifs, and literary themes in order to fulfill its audience's cultural expectations. The resulting nonhistorical literary forms can mislead interpretation, but an analysis of these forms allows the texts' sociopolitical and communicative frameworks to emerge.

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