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Bigger than Ben-Hur : the book, its adaptations, and their audiences

door Barbara Ryan (Redacteur), Milette Shamir (Redacteur)

Andere auteurs: Jefferson J.A. Gatrall (Medewerker), Ina Rae Hark (Medewerker), David Mayer (Medewerker), Howard Miller (Medewerker), Hilton Obenzinger (Medewerker)5 meer, Eran Shalev (Medewerker), Neil Sinyard (Voorwoord), Thomas J. Slater (Medewerker), Jon Solomon (Medewerker), Richard Walsh (Medewerker)

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First published in 1880, Ben-Hur: A Tale of the Christ became a best-seller. The popular novel spawned an 1899 stage adaptation, reaching audiences of over 10 million, and two highly successful film adaptations. For over a century, it has become a ubiquitous pop cultural presence, representing a deeply powerful story and monumental experience for some and a defining work of bad taste and false piety for others. The first and only collection of essays on this pivotal cultural icon, Bigger Than ?Ben-Hur? addresses Lew Wallace's beloved classic to explore its polarizing effect and to expand the contexts within which it can be studied. In the essays gathered here, scholars approach Ben-Hur from multiple directions--religious and secular, literary, theatrical, and cinematic--to understand not just one story in varied formats but also what they term the ?Ben-Hur tradition.? Drawing from a wide range of disciplines, contributions include the rise of the Protestant novel in the United States; relationships between and among religion, spectacle, and consumerism; the ?New Woman? in early Hollywood; and a ?wish list? for future adaptations, among others. Together, these essays explore how this remarkably fluid story of faith, love, and revenge has remained relevant to audiences across the globe for over 130 years.… (meer)
Onlangs toegevoegd doorarafat, ebr_vts, sharporg
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This book is not intended for readers whose main interest is classical reception. It is a study of American popular culture. A classicist who teaches ancient Rome in film will want to look at some of the chapters, but probably does not need to read them all. More of the chapters deal with the novel than with the adaptations, and sometimes they expect a reader who has read Wallace’s novel carefully. I have done so, because I felt obligated to do so; I find much of it tedious, but the contributors mostly seem to regard it with considerable admiration. Also, it bothers me throughout that contributors sometimes seem to accept Wallace’s research at the valuation of Wallace himself and his contemporaries. He was very careful about typography, but that does not mean that he understood either Rome or Second Temple Judaism very deeply.
 

» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Ryan, BarbaraRedacteurprimaire auteuralle editiesbevestigd
Shamir, MiletteRedacteurprimaire auteuralle editiesbevestigd
Gatrall, Jefferson J.A.MedewerkerSecundaire auteuralle editiesbevestigd
Hark, Ina RaeMedewerkerSecundaire auteuralle editiesbevestigd
Mayer, DavidMedewerkerSecundaire auteuralle editiesbevestigd
Miller, HowardMedewerkerSecundaire auteuralle editiesbevestigd
Obenzinger, HiltonMedewerkerSecundaire auteuralle editiesbevestigd
Shalev, EranMedewerkerSecundaire auteuralle editiesbevestigd
Sinyard, NeilVoorwoordSecundaire auteuralle editiesbevestigd
Slater, Thomas J.MedewerkerSecundaire auteuralle editiesbevestigd
Solomon, JonMedewerkerSecundaire auteuralle editiesbevestigd
Walsh, RichardMedewerkerSecundaire auteuralle editiesbevestigd
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First published in 1880, Ben-Hur: A Tale of the Christ became a best-seller. The popular novel spawned an 1899 stage adaptation, reaching audiences of over 10 million, and two highly successful film adaptations. For over a century, it has become a ubiquitous pop cultural presence, representing a deeply powerful story and monumental experience for some and a defining work of bad taste and false piety for others. The first and only collection of essays on this pivotal cultural icon, Bigger Than ?Ben-Hur? addresses Lew Wallace's beloved classic to explore its polarizing effect and to expand the contexts within which it can be studied. In the essays gathered here, scholars approach Ben-Hur from multiple directions--religious and secular, literary, theatrical, and cinematic--to understand not just one story in varied formats but also what they term the ?Ben-Hur tradition.? Drawing from a wide range of disciplines, contributions include the rise of the Protestant novel in the United States; relationships between and among religion, spectacle, and consumerism; the ?New Woman? in early Hollywood; and a ?wish list? for future adaptations, among others. Together, these essays explore how this remarkably fluid story of faith, love, and revenge has remained relevant to audiences across the globe for over 130 years.

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