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Million Dollar Bash: Bob Dylan, The Band,…
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Million Dollar Bash: Bob Dylan, The Band, and the Basement Tapes (editie 2007)

door Sid Griffin (Auteur)

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812332,106 (3.8)1
It's 1967, the Summer of Love, and Bob Dylan is holed up in Woodstock with a group of musicians once known as The Hawks, laying down a set of recordings that will soon turn the music world on its head. These recordings - the Basement Tapes - would not be released commercially by Dylan at first, but would emerge in the form of cover versions by acts such as The Byrds, Manfred Mann, and Peter Paul & Mary. Together, they would inspire a homespun, back-to-basics approach in the work of The Beatles, the Stones, the Grateful Dead, and many others, while also kick-starting the entire Americana genre. It's 2014, the summer of the ice-bucket challenge, and author and musician Sid Griffin is holed up in the Dylan office in New York City, where he has been invited to listen to hours of never-before-heard Basement Tapes recordings. The result is this fully revised and expanded edition of Million Dollar Bash - published to coincide with the release of dozens of those recordings as part of the Bootleg Series, for which the author contributed liner notes, plus Lost Songs: The Basement Tapes Continued, a major new documentary about the period, and the new T Bone Burnett-produced Lost On The River album - in which Griffin shines even greater light on this pivotal yet often misunderstood moment in popular music history.… (meer)
Lid:Jimbookbuff1963
Titel:Million Dollar Bash: Bob Dylan, The Band, and the Basement Tapes
Auteurs:Sid Griffin (Auteur)
Info:Jawbone Press (2007), 336 pages
Verzamelingen:Jouw bibliotheek, Aan het lezen, Te lezen
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Trefwoorden:to-read

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Million Dollar Bash: Bob Dylan, The Band, and the Basement Tapes door Sid Griffin

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Toon 2 van 2
This book was quite different from what I normally read, and quite fascinating. Dylan, having in many ways spearheaded the civil rights and protest movements of the 1960's took a step back, long before the rest of the country did. The Basement Tapes music and this book show his attraction to domesticity, his American roots and the roots of American music. He teemed together with mostly Canadian musicians and retreated from the electric music and psychodelia then popular with most of the audience. Other forward-looking musicians such as Eric Clapton admired and joined this move.

The book will have an appeal mostly to Band or Dylan cognocenti. I read it both as a lover of those groups and a history buff. ( )
  JBGUSA | Jan 2, 2023 |
I read this because I splurged and bought myself The complete Basement Tapes and wanted to read along as I listened. Nergasmic. The prose is woolly, though sometimes very very funny but the individual song entries are interesting and I liked Griffin's ideas about the impact the tapes made on other artists.

His heart is definitely in the right place. ( )
  laurenbufferd | Nov 14, 2016 |
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It's 1967, the Summer of Love, and Bob Dylan is holed up in Woodstock with a group of musicians once known as The Hawks, laying down a set of recordings that will soon turn the music world on its head. These recordings - the Basement Tapes - would not be released commercially by Dylan at first, but would emerge in the form of cover versions by acts such as The Byrds, Manfred Mann, and Peter Paul & Mary. Together, they would inspire a homespun, back-to-basics approach in the work of The Beatles, the Stones, the Grateful Dead, and many others, while also kick-starting the entire Americana genre. It's 2014, the summer of the ice-bucket challenge, and author and musician Sid Griffin is holed up in the Dylan office in New York City, where he has been invited to listen to hours of never-before-heard Basement Tapes recordings. The result is this fully revised and expanded edition of Million Dollar Bash - published to coincide with the release of dozens of those recordings as part of the Bootleg Series, for which the author contributed liner notes, plus Lost Songs: The Basement Tapes Continued, a major new documentary about the period, and the new T Bone Burnett-produced Lost On The River album - in which Griffin shines even greater light on this pivotal yet often misunderstood moment in popular music history.

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