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Bezig met laden... The Invisible Man: The Life and Liberties of H.G. Wellsdoor Michael Coren
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. This biography is unusual in my experience in that it comes across as an anti-hagiogrphic documentary. That does not take away from the exploration of significant details of the life of this famous author; however, the nastiness does bring into question the selection ans prioritization of events exlpored in relating the life of Wells. ( ) A harsh book and a direct one, which spares no time in letting you know precisely where it stands. Although I prefer a biography with a strong sense of narrative voice, this one comes dangerously close to being something else entirely. Coren dislikes Wells, although he suggests this only happened as a result of his research, and the book is very much geared toward Wells' human faults, which are many. The first half of the book (loosely) focuses on his use and abuse of an entire cavalcade of young women, among them two wives and a steady stream of mistresses, who were meant to support Wells' every high-minded belief and self-absorbed tendency. The second half throws into sharper focus his fascination with eugenics and the concept of a "higher order" beneficently but militantly controlling a lower one, with some final spirals into the specifics of his anti-Catholic and anti-Semitic polemics. Heavy stuff. Wells' own works and letters are quoted to such an extent that it's very hard to deny Coren his thesis that Wells has, out of popular sentimentality, been afforded a rose-tinted tolerance the man didn't actually deserve. What Coren doesn't consider (and probably never meant to) is why a tiny, three-year patch of writing early in Wells' career - the years that gave us The Time Machine, The War of the Worlds, The Invisible Man, and The Island of Dr. Moreau - so infused the public imagination with iconography that his memory has been kept alive through those same icons for the past seventy-five years. Those books take up a handful of pages, and as other reviewers have commented, some of his more gentle but lesser works have been ignored entirely to favor the controversial ones. I have no real problem with taking down Wells the man, particularly as he seems to have repeated his social and ideological transgressions over and over again, fully aware of the pain he caused. But there are many authors, writers, and other creative people who are quite, quite brilliant in their own areas without being particularly nice human beings. For whatever reason, the work that they leave behind can have a positive, lasting legacy even though they are frail, flawed, even disturbing individuals. Coren's biography barely touches on that positive legacy, and so while his is an interesting book, it is hardly a definitive examination of wells. If nothing else, it needs to be read in tandem with other analyses, and without knowing what those should be, I think any reader will feel that the book is frustratingly incomplete. Coren's book is prosecutorial in intent, rather than interpretive or informative. Important facts and passages bearing on his subject are passed over in silence while others are accumulated and presented with vehemently prejudicial comment. This book is not a reliable guide to Wells's views and willfully distorts the spirit that animates his work. Wells's most recent biographer, Michael Sherborne, points out how Coren often twists remarks to make them seem to mean the opposite. This mistreatment is all the more regrettable in that a fair-minded discussion of the subjects Coren discusses would be useful and welcome. geen besprekingen | voeg een bespreking toe
"For almost half a century H.G. Wells was an international phenomenon, the only writer of his time who could command an audience with both Roosevelt and Stalin. His circle of friends included George Bernard Shaw, Rudyard Kipling, G.K. Chesterton, Somerset Maugham and, of course, the young Rebecca West, with whom he had a long-term affair--perhaps the most tempestuous and sparkling literary liaison of the century. Equally illustrious was his circle of enemies, including the indomitable Hilaire Belloc, who destroyed Wells in a vicious and public argument. Unlike any previous biographer, Michael Coren shows that while many have considered Wells to be on the side of the angels, he was in fact invariably on the wrong side in the major political and literary debates of the age. Drawing on eye-opening new material, The Invisible Man delves deep into the paradoxes that characterized Wells--the utopian visionary and staunch advocate of women's suffrage who was also a misogynistic womanizer; the epitome of liberal tolerance who was also a social engineer and thoroughgoing anti-Semite. Wells has hitherto remained untouched by charges of anti-Semitism, but Coren reveals for the first time his disturbing views on "the Jewish problem" (for instance, he called Jews "termites in the civilized world"), views he defended vehemently even through the 1930s. The avuncular author of Kipps and The Time Machine is depicted, shockingly, as one who advocated concentration camps, racial eugenics and the incarceration or execution of those who did not "fit in." The Invisible Man is one of those iconoclastic biographies that change our perception of their subjects forever."--Publisher description. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.912Literature English & Old English literatures English fiction Modern Period 1901-1999 1901-1945LC-classificatieWaarderingGemiddelde:
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