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"The ancient kingdom of Benin lies in the tropical rain forest of West Africa, in present-day Nigeria. During its classical age, from the fourteenth to the nineteenth century, it produced one of the continent's most glorious artistic legacies. To reflect the splendor of the royal court, the Oba (king) commissioned highly skilled artisans to create rare and beautiful works of cast brass and carved ivory. These included human and animal figures, relief plaques, elephant tusks, pendants, bracelets, life-size commemorative heads of Obas and queen mothers, and ceremonial objects to adorn the royal palace and the altars honoring Obas of the past. The exquisite brass heads were intended to function as objects celebrating ancestors, as war trophies, and as focal points for sacrificial ceremonies. This volume presents a superb selection of artifacts from the Museum für Völkerkunde in Vienna, home to one of the world's foremost collections of Benin art. Most of these artifacts were acquired at the end of the last century, when the influx of Benin objects into Europe after the destruction of Benin City caused a sensation among art experts and caught the interest of museum representatives and private collectors. Of the more than one hundred works reproduced here in full color, the majority have never been seen as a group in the U.S. Most celebrated are the cast brass sculptures--including the two figures of dwarfs--which have no parallel in sub-Saharan Africa. A history of the kingdom of Benin up to the British punitive expedition of 1897 provides insight into the politics and culture of one of Africa's greatest civilizations. Further chapters discuss the court hierarchy, the art of brasscasting, the art of Benin and its symbolism, and the history of the Benin Collection in Vienna. To interpret the rich symbolism in Benin art, the book furnishes detailed analyses of the works that are reproduced. In his description of myths and ritual observances, the author presents a fascinating cosmology, in which animals were assigned magical and medicinal powers, and the Oba was seen as an intermediary between the earth and the world of spirits." -- Publisher's description… (meer)
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
Für Kristin und Philippine. In memoriam Margriet
Eerste woorden
Citaten
Laatste woorden
Ontwarringsbericht
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
Please note that this is a translation of "Benin trésor royal collection du Museum für Volkerkunde Vienne" published by the Musée Dapper in Paris. It has new "prefaces" and more important a significant introduction by the famous Italian Africa specialist Ezio Bassani.
However, it should not be merged with another catalogue titled "Bénin, art royal d'Afrique" (Dutch version: "Benin: hofkunst uit Afrika"). This catalog presents both the Vienna and Leiden Benin collections. Some libraries have mixed these up!
Uitgevers redacteuren
Auteur van flaptekst/aanprijzing
Oorspronkelijke taal
Gangbare DDC/MDS
Canonieke LCC
▾Verwijzingen
Verwijzingen naar dit werk in externe bronnen.
Wikipedia in het Engels
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▾Boekbeschrijvingen
"The ancient kingdom of Benin lies in the tropical rain forest of West Africa, in present-day Nigeria. During its classical age, from the fourteenth to the nineteenth century, it produced one of the continent's most glorious artistic legacies. To reflect the splendor of the royal court, the Oba (king) commissioned highly skilled artisans to create rare and beautiful works of cast brass and carved ivory. These included human and animal figures, relief plaques, elephant tusks, pendants, bracelets, life-size commemorative heads of Obas and queen mothers, and ceremonial objects to adorn the royal palace and the altars honoring Obas of the past. The exquisite brass heads were intended to function as objects celebrating ancestors, as war trophies, and as focal points for sacrificial ceremonies. This volume presents a superb selection of artifacts from the Museum für Völkerkunde in Vienna, home to one of the world's foremost collections of Benin art. Most of these artifacts were acquired at the end of the last century, when the influx of Benin objects into Europe after the destruction of Benin City caused a sensation among art experts and caught the interest of museum representatives and private collectors. Of the more than one hundred works reproduced here in full color, the majority have never been seen as a group in the U.S. Most celebrated are the cast brass sculptures--including the two figures of dwarfs--which have no parallel in sub-Saharan Africa. A history of the kingdom of Benin up to the British punitive expedition of 1897 provides insight into the politics and culture of one of Africa's greatest civilizations. Further chapters discuss the court hierarchy, the art of brasscasting, the art of Benin and its symbolism, and the history of the Benin Collection in Vienna. To interpret the rich symbolism in Benin art, the book furnishes detailed analyses of the works that are reproduced. In his description of myths and ritual observances, the author presents a fascinating cosmology, in which animals were assigned magical and medicinal powers, and the Oba was seen as an intermediary between the earth and the world of spirits." -- Publisher's description