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The Flood door Zola
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The Flood (1880)

door Zola

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Louis Roubien has much to be thankful for. Now an old man, the head of a large family, his many hard years of work on the land have transformed him from a peasant farmer into a prosperous and satisfied freeholder, distributing his largesse among his relatives and the local community. But with success has come hubris, and when the rains, hitherto a harbinger of plenty, come, and the banks of the River Garonne swell and burst, Roubien sees everything for which he has striven swept away by the raging waters of the flood. His livelihood taken from him in one fell blow, it remains to be seen whether Roubien will at least be left his life, and the lives of those he holds dear. The Flood, along with the complementary stories presented here, the celebrated ‘Blood’ and ‘Three Wars’, is a fascinating example of Zola experimenting with surrealist styles, in a departure from the dark realism for which he is more commonly known. The eternal theme of man versus nature writ large, it is a timely reminder of our fragility and impermanence before the unyielding elements.  … (meer)
Lid:billharriss
Titel:The Flood
Auteurs:Zola
Info:Publisher Unknown
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The Flood door Émile Zola (1880)

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Depressing naturalist short story with clear and vivid writing that recreates the tragic situation (based on a real life flood in the region) well, though it's decidedly a slight and minor work in the grander Zola corpus. ( )
  franderochefort | Aug 5, 2023 |
"The Flood" (aka "L'Inondation") is a short story by Émile Zola published in 1880. It takes place in a rural village on the Garonne River near Toulouse revolving around an actual flooding incident there in 1875. Although not a religious story, it has some biblical imagery, beginning with the stories title. The main character is a 70 year old patriarch who sits down to a Last Supper of sorts with his family of 11 to give thanks for his many blessings. His daughter will soon to be married, and he plans to add another floor to the top of the house for the expanding brood. But after supper, the rains begin, and the nearby river overflows its banks. Like an Ark, the families wooden house provides shelter. But this is no ordinary flood; first the animals, then the servants are swept away, described in the type of realism Zola is renowned for. The family, moving heavenly upwards, eventually take refuge on the roof, watching the refuse of the land swept away and made smooth like the surface of a pond. One tragic incident after the next occurs bringing to mind the Raft of the Medusa, or a feeling like Edvard Munch's painting "The Scream."

It reminds me of a 19th century Cormac McCarthy or Flannery O'Connor for its bloodbath. In a few short pages he kills off an entire family of men, women and children in detail. This translation is poor, somewhat stilted, and would greatly benefit from a modern update, but still manages to move in the end.

The text is available as "The Flood" on Internet Archive, a scanned edition of the first English translation.
An audiobook version is available as "The Flood" by LibriVox, read by R. S. Steinberg.

--Review by Stephen Balbach, via CoolReading (c) 2008 cc-by-nd ( )
  Stbalbach | Dec 4, 2009 |
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Louis Roubien has much to be thankful for. Now an old man, the head of a large family, his many hard years of work on the land have transformed him from a peasant farmer into a prosperous and satisfied freeholder, distributing his largesse among his relatives and the local community. But with success has come hubris, and when the rains, hitherto a harbinger of plenty, come, and the banks of the River Garonne swell and burst, Roubien sees everything for which he has striven swept away by the raging waters of the flood. His livelihood taken from him in one fell blow, it remains to be seen whether Roubien will at least be left his life, and the lives of those he holds dear. The Flood, along with the complementary stories presented here, the celebrated ‘Blood’ and ‘Three Wars’, is a fascinating example of Zola experimenting with surrealist styles, in a departure from the dark realism for which he is more commonly known. The eternal theme of man versus nature writ large, it is a timely reminder of our fragility and impermanence before the unyielding elements.  

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