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At the Jerusalem

door Paul Bailey

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48Geen535,133 (3.58)5
'A very funny book, but never jeering, full of pity, but unsentimentally harsh with the tragedy of old age which institutional kindness cannot cushion' Financial Times. Following the death from leukaemia of her daughter, Celia, Mrs Gadny goes to live with her sullen stepson Henry. But she finds little affection or contentment either with him, or with his selfish wife Thelma, or with their ungrateful children. She is sent to an old people's home, 'The Jerusalem', a converted workhouse, green-and-white-tiled. Mrs Gadny is repulsed and humiliated by the home and its inmates: women like acid-tongued Miss Trimmer, the vulgar toothless Mrs Affery, and Mrs O'Blath with her hysterical laughter. Retreating from the kindness offered her by the nurses and the friendly Mrs Capes, she withdraws into her memories, but even their fragmented recollection provides small comfort. Mrs Gadny's only escape from 'The Jerusalem' lies in her own crumbling consciousness. Paul Bailey is sensitive to the exact nuance of conversation, the precise detail that can create an environment or a mood, and draw the reader into it. His book is an exquisitely defined miniature whose impression will not easily be forgotten. With an introduction by Colm Tóibín.… (meer)
Onlangs toegevoegd doorrudycos, gregcarew, MCMULLIN, KeithGold, Manny4321
Nagelaten BibliothekenGraham Greene
  1. 10
    Mrs. Palfrey at the Claremont door Elizabeth Taylor (KayCliff)
    KayCliff: Both novels are set in old people's residential homes.
  2. 00
    Quartet in Autumn door Barbara Pym (KayCliff)
  3. 00
    Memento mori door Muriel Spark (KayCliff)
    KayCliff: Both novels deal with the problems of old age.
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    Na de overdracht door Paul Scott (KayCliff)
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At the Jerusalem remains a striking example of what Philip Hensher, on the dust jacket, calls “imaginative empathy” – a young man’s journey through an old woman’s mind.... Bailey captures Mrs Gadny through her dialogue and her letters, through the observations of other characters, through small pieces of visual description and the quick-fire notation of her thoughts. For a first-timer his command of technical resources is bizarrely smooth, if not virtuoso.... I would struggle to name a novel by a living English writer more worthy of republication.
 
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Then there was a dazzle of green and white, white and green.
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Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
This is what you come too: you live for 70 years and you find one night you're stuck in a room, in a chair, and your body's beneath you, waiting for the chill to strike it, till your eyes see only black and no sound to remind you. You've memories of rooms and faces and all manner of things but they go as quickly as they come.
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'A very funny book, but never jeering, full of pity, but unsentimentally harsh with the tragedy of old age which institutional kindness cannot cushion' Financial Times. Following the death from leukaemia of her daughter, Celia, Mrs Gadny goes to live with her sullen stepson Henry. But she finds little affection or contentment either with him, or with his selfish wife Thelma, or with their ungrateful children. She is sent to an old people's home, 'The Jerusalem', a converted workhouse, green-and-white-tiled. Mrs Gadny is repulsed and humiliated by the home and its inmates: women like acid-tongued Miss Trimmer, the vulgar toothless Mrs Affery, and Mrs O'Blath with her hysterical laughter. Retreating from the kindness offered her by the nurses and the friendly Mrs Capes, she withdraws into her memories, but even their fragmented recollection provides small comfort. Mrs Gadny's only escape from 'The Jerusalem' lies in her own crumbling consciousness. Paul Bailey is sensitive to the exact nuance of conversation, the precise detail that can create an environment or a mood, and draw the reader into it. His book is an exquisitely defined miniature whose impression will not easily be forgotten. With an introduction by Colm Tóibín.

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