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Hilton Als

Auteur van White Girls

33+ Werken 845 Leden 13 Besprekingen

Over de Auteur

Hilton Als is an American writer and theater critic born in New York City, New York in 1960. He began contributing pieces to The New Yorker magazine in 1989 and later worked as a staff writer and theater critic. He worked as a staff writer for The Village Voice, an Editor-at-large at Vibe and wrote toon meer articles for The Nation. He collaborated on film scripts for "Swoon" and "Looking for Langston." He edited the exhibition catalog for The Whitney Museum of American Art, "Black Male: Representations of Masculinity in Contemporary American Art," His first book, The Women, was published in 1996. His awards included, the New York Association of Black Journalists first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for Creative Writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. He won the 2016 Windham-Campbell Literature Prize in nonfiction for White Girls (2013) and The Women (1996). The 2016 Lambda literary awards presented him The Trustee Award for Excellence in Literature He has taught at Yale University, Wesleyan, and Smith College. (Bowker Author Biography) toon minder

Bevat de namen: Hilton Als -, ed. Hilton Als

Fotografie: Columbia University

Werken van Hilton Als

White Girls (2013) 397 exemplaren
The Best American Essays 2018 (The Best American Series ®) (2018) — Redacteur — 115 exemplaren
The Women (1734) 103 exemplaren
My Pinup (2022) 33 exemplaren
Peter Doig: No Foreign Lands (2013) 27 exemplaren
Alice Neel: Uptown (2017) 23 exemplaren
Joan Didion: What She Means (2022) — Redacteur — 19 exemplaren
Elizabeth Peyton: Ghost (2011) 14 exemplaren
Lorna Simpson: Works on Paper (2013) 9 exemplaren
(Nothing but) Flowers (2022) 8 exemplaren
Christopher Knowles: In a Word (2018) 7 exemplaren
T.J. Wilcox: Films (2007) 6 exemplaren
Catherine Opie (2021) 6 exemplaren

Gerelateerde werken

If He Hollers, Let Him Go (1945) — Voorwoord, sommige edities584 exemplaren
Let Me Tell You What I Mean (2021) — Voorwoord — 466 exemplaren
Life Stories: Profiles from the New Yorker (2000) — Medewerker — 299 exemplaren
The 40s: The Story of a Decade (2014) — Medewerker — 276 exemplaren
Without Sanctuary: Lynching Photography in America (1600) — Reaction — 263 exemplaren
The Best American Essays 2011 (2011) — Medewerker — 227 exemplaren
Fashion Climbing: A Memoir with Photographs (2018) — Voorwoord — 156 exemplaren
The Best American Essays 1997 (1997) — Medewerker — 155 exemplaren
McSweeney's Issue 35 (McSweeney's Quarterly Concern) (2010) — Medewerker — 114 exemplaren
The Matter of Black Lives: Writing from The New Yorker (2021) — Medewerker — 92 exemplaren
Hokum: An Anthology of African-American Humor (2006) — Medewerker — 66 exemplaren
The Warhol Look: Glamour, Style, Fashion (1997) — Medewerker — 61 exemplaren
Lorna Simpson (2006) — Medewerker — 46 exemplaren
Satchmo: The Wonderful World and Art of Louis Armstrong (2009) — Voorwoord — 38 exemplaren
Nothing Personal {2017 reprint} (2017) — Introductie — 33 exemplaren
Robert Gober: The Heart Is Not a Metaphor (2014) — Medewerker — 32 exemplaren
Kara Walker: Dust Jackets for the Niggerati (2013) — Medewerker — 19 exemplaren
Peter Schlesinger: A Photographic Memory 1968-1989 (2015) — Introductie — 10 exemplaren
Glenn Ligon: Stranger (2001) — Medewerker — 10 exemplaren
David Salle: Bears/Interiors (1999) — Medewerker — 8 exemplaren
Grand Street 63: Crossing the Line (Winter 1998) (1900) — Medewerker — 7 exemplaren
Lynette Yiadom-Boakye: Verses After Dusk (2015) — Medewerker — 7 exemplaren
Kara Walker: The Black Road (2010) — Medewerker — 4 exemplaren
Andy Warhol at Christie's: Photographs (2012) — Medewerker — 3 exemplaren

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Algemene kennis

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Besprekingen

Exquisite writing, abrupt ending.
 
Gemarkeerd
monicaberger | 2 andere besprekingen | Jan 22, 2024 |
This is such an incredibly curious two-part essay on, yes, Als on Prince—but also the so-much-more behind and beyond that fascination. Maybe I'd just describe it as strange and wonderful in the way that love, or at least infatuation and wanting to be loved or even to be absorbed by someone, and if you're lucky, being self-reflective about it, often is.
 
Gemarkeerd
KatrinkaV | 2 andere besprekingen | Sep 21, 2023 |
The best I could really hope for - horny, desperate, haughty and vain.
1 stem
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adaorhell | 2 andere besprekingen | Apr 19, 2023 |
The artistic career of Christopher Knowles (born 1959) began at the age of 13, when his writings and recordings came to the notice of avant-garde theater director Robert Wilson. Still a teenager, Knowles went on to write the libretto for Wilson and Philip Glass’ opera Einstein on the Beach, and his collaborations with Wilson would continue for decades. His practice spans many mediums―text, sound, painting, sculpture and performance―and exhibits a fascination with the materiality of language. In a Word is the most comprehensive look at Knowles’ work to date, published for his exhibition of the same name, organized by Anthony Elms and Hilton Als. Containing an autobiographical text by the artist himself, new texts by Elms and curator Lauren Digiulio and a personal reflection by Als, this is an essential resource on an under-recognized artist.… (meer)
 
Gemarkeerd
petervanbeveren | Aug 5, 2021 |

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Statistieken

Werken
33
Ook door
29
Leden
845
Populariteit
#30,259
Waardering
3.9
Besprekingen
13
ISBNs
43
Talen
1

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