Enrique Anderson Imbert (1910–2000)
Auteur van Literatura Hispanoamericana
Over de Auteur
Werken van Enrique Anderson Imbert
Woven on the Loom of Time: Stories by Enrique Anderson-Imbert (Texas Pan American Series) (1990) 9 exemplaren
El mentir de las estrellas. Las pruebas del caos. El grimorio. El gato de Cheshire. (1900) 1 exemplaar
Ibsen y su tiempo 1 exemplaar
Esas bufandas de sangre y otros cuentos 1 exemplaar
Paginas de Enrique Anderson Imbert (Coleccion Escritores Argentinos de Hoy) (Spanish Edition) (1985) 1 exemplaar
El realismo magico, y otros ensayos 1 exemplaar
Veinte Cuentos Hispanoamericanos del Siglo XX 1 exemplaar
Las comedias de Bernard Shaw 1 exemplaar
Análisis de Fausto 1 exemplaar
"Chesterton en Borges" [Offprint Anales de literatura Hispanoamericana No 2-3, pp. 469-494 (1973-1974)] 1 exemplaar
Diez estudios sobre Rubén Darío 1 exemplaar
Genio y Figura de Sarmiento 1 exemplaar
Gerelateerde werken
Cuentos breves latino americanos/ Latin American Short Stories (Spanish Edition) (1998) — Medewerker — 16 exemplaren
Tagged
Algemene kennis
- Geboortedatum
- 1910-02-12
- Overlijdensdatum
- 2000-12-06
- Geslacht
- male
- Nationaliteit
- Argentina
- Land (voor op de kaart)
- Argentina
- Woonplaatsen
- Córdoba, Argentina
La Plata, Buenos Aires, Argentina
Buenos Aires, Argentina - Opleiding
- University of Buenos Aires
- Beroepen
- literary critic
professor (university) - Organisaties
- University of Michigan
University of Harvard
Leden
Besprekingen
Misschien vindt je deze ook leuk
Gerelateerde auteurs
Statistieken
- Werken
- 47
- Ook door
- 4
- Leden
- 216
- Populariteit
- #103,224
- Waardering
- 3.6
- Besprekingen
- 2
- ISBNs
- 43
- Talen
- 3
The second novel, Fuga (Fugue), covers some of the same thematic ground as Vigilia, though more compellingly. In this story, the protagonist is, Miguel Sullivan, a young man of Irish descent who moves from Tucuman to Buenos Aires to pursue a career as a journalist at a left-wing newspaper. Somewhat unsatisfied with the work he is producing, he enrolls in classes at the university to further his understanding of the world. At the university, Miguel meets two people who will have a strong impact on him. The story covers some of the same thematic ground as Vigilia--realism vs. fantasy in art, the finding of a literary voice, romantic passion--but also brings in some interesting Gothic themes, such as the doppelgänger and the ghostly lover, to liven things up a little. While I had to force myself to finish Vigilia, once I got into Fuga, I found it very fascinating.… (meer)