L. Frank Baum (1856–1919)

"Rinkitink in Oz: Wherein is Recorded the Perilous Quest of Prince Inga of Pingaree and King Rinkitink in the Magical Isles that Lie Beyond the Borderland of Oz." is the tenth book in the Land of Oz series written by L. Frank Baum. Published on June 20, 1916, with full-color and black-and-white illustrations by artist John R. Neill, it is significant that no one from Oz appears in the book until its climax; this is due to Baum's having originally written most of the book as an original fantasy novel over ten years earlier, in 1905. Most of the action takes place on three islands – Pingaree, Regos, and Coregos – and within the Nome King's caverns. Since the original ruler of the nomes, Roquat – who later renamed himself Ruggedo, was deposed in 1914's "Tik-Tok of Oz", Baum had to cleverly rework the tale to accommodate his successor, the well-intentioned – but politically motivated – Kaliko.… (meer)

Of all the Oz books I've read, this is the one I remembered the most clearly, aside from The Wizard of Oz, and it was a delight to re-read it again.

Growing up, I was obsessed with the 1985 film Return to Oz, which drew heavily from this book (and the next one, I believe), and it was fun to recognize all the bits and pieces that made it into the film.

Maybe it shouldn't be that surprising since this was written during the Women's Suffrage movement, but it's quite a remarkable book to read in 2020 with several of its key plot points revolving around gender politics which surprisingly subvert the expectations that we might have of a novel written for children in 1904. There were a few moments that started making me cringe only for it it take a positive turn. In the end, the women are the heroes and the villains, and the men are kind of just along for the ride and happy to be there, so, honestly, I was living for it.

As a side note, it's actually incredible depressing to see how the women in Land of Oz are so compelling and given so much agency, only to remember how that awful, soulless dumpster fire of a movie from a few years ago – Oz the Great & Powerful – completely shortchanges the women in favor of Franco's insufferable, punchable-faced bro-dude of a Wizard... I'm still bitter... but I digress...

Also, Tip is also a wonderfully surprising character to find in a children's book that is over a century old, and I won't tell you why, but I've always found it incredibly fascinating and wonderful.

The book continues the quirky and whimsical yet darker tone of the books, which may surprise those only familiar with the Garland film (which I also love, but it's definitely its own thing). The returning characters' personalities and mannerisms continue to develop, and the new characters are charming and imaginative.

I've read a few others of the First Fourteen, but I don't remember them as well as the first two, so I'm excited to work my way through the rest.

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I re-read The Wonderful Wizard of Oz for the February prompt of the Buzzwords reading channel (positive words; "wonderful), and decided to read this Usborne illustrated edition that I bought a while back.

Obviously the story itself is 5 stars for me, because I have a life-long Oz fixation, but 5 stars for this particular edition because it's so stunning. The illustrations by Lorena Alvarez Gomez are so bright and expressive, and feature really gorgeous interpretations of the characters. The pages are a thick, glossy paper to really make those colors pop, and it comes with a rich green bookmark ribbon.

It's a really special edition that isn't too big or too expensive that you feel you can't actually read it, but is still a wonderful keepsake that will look lovely on a shelf too.… (meer)