Officiële naam: Bonander Noer, Jane
Pseudoniemen en naamsvarianten: Bonander, Jane
Geslacht: female
Nationaliteit: USA
Woonplaatsen: Minnesota, USA
California, USA
Korte biografie: Jane has always had a flare for the dramatic. Just ask her mother. When she was five, she ran home from kindergarten and scrambled under her parents’ bed, hiding there until her mother came looking for her which was longer than Jane had anticipated, for she fell asleep. When her mother woke her, she told her that a big, hairy monster had chased her home. Since over an hour had passed, the drama of the moment was gone. She sold her first novel, SECRETS OF A MIDNIGHT MOON, to St. Martin’s Press in 1990. Since then she has published twelve more novels and novellas. Although Jane lived in California for nearly twenty years and wrote most of her novels there, she returned to her roots in Minnesota in 1997, where she makes her home in St. Paul. After the death of her first husband, Alan Bonander, she remarried with Richard Noer in the fall of 1998. The new man in her life is an avid skiier and for the past twenty six years has been on the ski patrol at a local ski area. Although she doesn’t ski and refuses to start now, she does “chalet” and enjoys people watching as she does so! Her oldest son, Jason, who obtained his PhD from Brown University in Providence, RI, is living in Atlanta, GA with his wife, Melissa, who has recently graduated from Emory University with a law degree. She is employed with the ATF. Ross, her younger son, is also a writer. He teaches at the Berlitz School in San Francisco where his new bride, Amber, works in Product Publicity for Levi Strauss.

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Dancing on Snowflakes door Jane Bonander

Dancing on Snowflakes is the first book in one of Jane Bonander’s frontier/western series. However, that series title seems to be strongly in question. Amazon has it listed as the Wolf McCloud series, while GoodReads calls it Blazing Frontier, and FictionDB says it’s Indian Hearts. Take your pick, I guess. [Shrug] In any case, it’s the emotional story of Susannah, a young mother who was severely abused by her husband whom she killed in self-defense. Knowing no one would believe her side of the story, she took her three-year-old son and fled to Nevada, where she’s been trying to lay low, using her maiden name and telling the locals that she’s waiting for her husband to return from the war. Our hero Nathan is, himself, a war veteran, who lost his wife and child to marauding Indians while he was serving. Needing money to fix up his ramshackle ranch on the California/Oregon border but not eager to return home because of the memories, he’s been hiring himself out for odd jobs, the most recent of which is as a bounty hunter. He’s been sent to find Susannah and bring her back to her ne’er-do-well brother-in-law, but from the moment he meets her, he senses that she’s not all he was led to believe she is. As they spend time together, they begin to fall in love, but her greedy brother-in-law is still out for her blood along with certain things she took with her that he wants back.

The story opens with Susannah being physically and verbally abused by her drunken husband, Harlan. It’s something she’s put up with for years, but when he goes after their three-year-old son, Corey, something he’s never done before, she can’t allow him to hurt the little boy, so she stabs him with her sewing scissors. Believing him dead and certain that she’d lose her son or much worse if she stays, she flees for her life to Nevada, where she’s been living a quiet, secluded life, working as a seamstress. However, her solitude is disrupted when Nathan, a handsome stranger, comes to her rescue one day when the town drunk starts pawing at her. Then he shows up at her cabin, offering to chop wood and later fix her porch in exchange for food. At first, she’s reluctant to let him into her life, but she gradually comes to trust him and a bond begins to form between them. She’s never known a man to be kind or gentle, so when she sees how good he is with Corey and how he treats her with respect, she can’t help falling for him. But since she knows that her brother-in-law, Sonny, is still out there and probably looking for them, she plays things close to the vest. Susannah is a classic tortured heroine who slowly blossoms from a tightly closed bud into a fully formed flower under Nathan’s tenderness. The only thing that gave me pause is that once Susannah is all in with Nathan, she never really wavers from that even when he starts to distrust her and is even rough with her a couple of times. It seems to me that a woman in real life who’d been through all that she had would probably have regressed under this treatment, so the fact that she didn’t seemed a bit off to me. Otherwise, though, I really liked Susannah. Despite her tragic and abusive past, she’s a good mother and kind to others, even those who society often wouldn’t have accepted.

Nathan was a Union soldier during the Civil War, but now he’s a broken man. While he was away fighting he received word that his beloved wife and child were killed by marauding Indians. Ever since, he’s closed himself off and become a man for hire, taking on just about any job that pays well. This time, he’s been hired by Sonny to track down Susannah. He knows that she supposedly killed her husband, but when he meets her, she seems so sweet it’s hard to comprehend her doing what she’s accused of. At first, he tries to tell himself that it’s none of his business. It’s just a job and he desperately needs the money. But as he sticks around her cabin, doing every odd job he can think in order to stay longer, the more convinced he becomes that she isn’t guilty. However, he struggles with the feelings he still has for his dead wife and child. Despite that, he eventually realizes he’s fallen for Susannah, but before he can make an honest woman of her, he has to clear his debt to Sonny by paying back the advance he was given.

IMHO, Nathan was a very uneven character. During the first half of the story, I absolutely fell in love with him. He’s tender and patient with Susannah, very intuitive of her past abuse even though she doesn’t really say much about it and a gentle lover. He’s also kind and fatherly toward Corey. Seeing how fearful Susannah is, he doesn’t believe she’s capable of murder, or if she did it, she had just cause. But after he goes off to earn the money to pay Sonny back and meets up with the guy, he suddenly starts buying into the pack of lies and half-truths that Sonny feeds him about Susannah. He’s irrationally angry at her, thinking that she lied to him, when he, himself, lied to her as well, something that wasn’t very well addressed. It was definitely a case of the pot calling the kettle black. In fact, he didn’t even give her much of a chance to explain herself. Then when he reunites with her, he’s rough with her for a short while, saying some pretty mean things, grabbing her chin hard enough to leave a bruise, and later having angry sexual contact with her that I feared might lead to rape. Thankfully it didn’t, but I did start to lose some respect for him at this point. Then during the last few chapters, he magically goes back to being the tender, sweet Nathan from the first half of the book, which kind of gave me whiplash. I loved the beginning and ending Nathan, but I didn’t really know who the guy in the middle part of the story was.

In addition to Nathan’s odd behavior, there were a few other things that bugged me a bit. I was disappointed that Susannah never really tells Nathan a whole lot about her past. Most of his knowledge comes from his own intuition and later from him talking with her best friend, Louisa, who knew her while she was married to Harlan. Although I never really doubted Nathan and Susannah’s emotional connection, I think it could have gone even deeper if they’d shared more about their respective pasts and sought comfort from each other in the moment. I also thought the story occasionally lacked focus, veering away to address other things, such as the fate of Nathan’s family. The story he was told about their deaths turned out to be false, but the revelation never really went anywhere and as a result, I wasn’t sure why it was included as it only distracted from the rest of the story.

However, the biggest issue I had with the book was the excessive use of racist language. This was extremely confusing to me, because the author includes people of color in supporting roles. Susannah’s friend, Louisa, is black, and she also befriended Kito, the black smithy in Angel’s Valley. These two characters end up having a secondary romance and are the only people Susannah really trusts. Later, we’re also introduced to Wolf, a man of mixed white/Native American heritage who basically changes everything for Nathan in a good way and who he ends up hiring as a ranch hand. The author seemed to be giving these characters decent secondary storylines, but it all felt very backhanded because of the sheer volume of racial epithets that were uttered or thought throughout the story, sending deeply mixed messages. I can handle this if it’s a book that is specifically addressing racial issues or if it’s just a few times and being done by villainous characters, but when the heroic characters are saying these things, too, that’s very problematic for me. IMHO, it simply wasn’t necessary at all, and I don’t believe I’ve ever read a book with this many instances of this type of foul language before. It got to the point that I was literally cringing at the offensiveness of it. If this wasn’t bad enough, there were also ablest insults, when Louisa made a couple of biting comments toward Kito regarding his walking with a limp. I felt they were unnecessarily cruel, and it didn’t make any sense to me that a woman who is romantically interested in a man would say something so terrible to him. Louisa was a very feisty and outspoken woman, but nothing would have been taken away from her character by eliminating these vicious words.

Ultimately I settled on a four-star rating for Dancing on Snowflakes but with strong reservations due to the racially charged language. If not for that, I could have seen the book possibly earning keeper status from me. Despite a few weaknesses in the story and characterizations, I generally liked both Susannah and Nathan. Their romance gave me all the feels I’ve come to expect from the genre, while the love scenes were tender and sensual. The book introduces two supporting characters who go on to get their own stories in the series. Wolf becomes the hero of the next volume, Wild Heart, and Nathan’s son, Jackson, grows up to become the hero of the fourth and final book, Warrior Heart. I really liked both characters and a part of me would like to read their stories. However, in spite of that and my overall liking for this book, I’m sad to say that I honestly don’t think I’m likely to continue the series or read any of the author’s other work because of her excessive use of offensive racial slurs.… (meer)

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mom2lnb | Nov 29, 2020 |

Her Sister's Bridegroom door Jane Bonander

Too much plot in too few pages and a serious need for proofreading left me annoyed and frustrated.

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BillieBook | 1 andere bespreking | Apr 1, 2018 |

Her Sister's Bridegroom door Jane Bonander

Her Sister’s Bridegroom by Jane Bonander

As I read I thought:
* Perfect plot for a black and white silent movie
* Written in a similar vein to books Published in the early 1900’s
* Melodramatic
* Really?
* Hmm…
* A lot happened in 200 or so pages
* Could anyone be so stupid? (at times for more than one character)

I am on the fence about this one. I enjoyed the story as it ambled along but I kept finding it very difficult to believe or invest in.

The twins:
Robbie – darker hair, smarter, more aware, always in the background of her more vibrant sister
Birdie – the more vibrant redhead coquette that attracted men to her as bees are attracted to pollen – but – a total user and useless all in one

The “other” woman:
Faith has had a hankering for the main character for a long time and is not as sweet as he thinks she is – an actress out for herself

Best Friends (one is the hero…sort of)
Gavin Elliott - is a brilliant in some ways and not so much in others. He can remember the ancients but not the names of those more recent – in fact – the reason he proposed to Robbie is he got the twins names wrong. His head is in the clouds but he can keep his feet on the ground from time to time and when he finally realizes his accident might have been a blessing…things might turn out alright
Dr. Colin Innes – liked him till he succumbed to Birdie…much as those bees I mentioned earlier. He is scarred but in so many ways a good man and a good friend to many.

So…easy to read, plausibility iffy, writing style sedate and modest (mostly) with snippets of naughty writing Robbie gets paid to write and a few interactions that take place between Gavin and Robbie a bit warmer, a LOT going on for the characters to deal with and in the end…I was glad I finished the story and hoped the characters would manage to have enjoyable lives… I guess it was hard for me to put myself into any of the characters shoes or want to be any of them or with any of the men mentioned.

Thank you to NetGalley and Diversion Books for the ARC – This is my honest review.

3-4 Stars… (meer)

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CathyGeha | 1 andere bespreking | Jan 20, 2018 |

The Scoundrel's Pleasure: The MacNeil Legacy - Book… door Jane Bonander

Secrets exposed!

The MacNeil Legacy, where the 1860's Highlands and the New World intersect continues with Fletcher's younger half brother Duncan MacNeil. Since his arrival at the Isle of Hedabarr, Duncan has been out of step; a misplaced, bored, half Commache lad who's as handsome as sin, and as ready to indulge in as much of that as the young women of the island will allow. A recipe for disaster! In the end Fletcher, Duke of Kintyre reluctantly allows Duncan to return to the land he's missing. Just before leaving Duncan spends a few hours after the village fair with a gullible young woman Isobel Dunbar. Alcohol and experimentation equal seduction. Personally I find the young Duncan to be a thoughtless scoundrel.
Isobel falls pregnant from that unwise moment. A husband lost at sea is invented and all goes well for ten years.
Duncan returns from Texas ready to take up the family business. Looking for a site for a cannery that will provide work for the locals, Duncan fixes his sights aonthe run down property owned by Isobel. And so the two meet again. That leads of course to Duncan discovering Isobel's secret. I know, things eventually work out, but I still find the more mature Duncan is high handed and insensitive even with the flashbacks to his part in the civil war in Texas.
I frankly did not like Duncan as a youngster and am not that fond of him now. Even after Duncan's return to the Island with an obvious maturity and emotional growth, I wasn't that pleased with him. Duncan and Isobel's story, and the secondary stories feel somewhat contrived. That include events and entanglements involving secondary characters. Mysteries are uncovered and neatly tied coincidences trip over each other too neatly.
Still the family continues to be of interest and I still find Fenella to be my favourite character.

A NetGalley ARC… (meer)

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eyes.2c | 1 andere bespreking | Feb 14, 2017 |

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