Afbeelding auteur

Chandler Brossard (1922–1993)

Auteur van Who Walk in Darkness

25+ Werken 232 Leden 3 Besprekingen Favoriet van 1 leden

Over de Auteur

Bevat de naam: Brossard Chandler

Werken van Chandler Brossard

Who Walk in Darkness (1952) 60 exemplaren
The Bold Saboteurs (1953) 47 exemplaren
The Double View (1965) 21 exemplaren
Wake up. We're almost there (1971) 20 exemplaren
As the Wolf Howls at My Door (1992) 13 exemplaren
All Passion Spent (1954) 8 exemplaren
The Spanish scene (1968) 6 exemplaren
A Man For All Women (1971) 5 exemplaren
The First Time (1957) 4 exemplaren
Raging Joys, Sublime Violations (1981) 4 exemplaren
The Girls In Rome 4 exemplaren
Did Christ Make Love? (1973) 4 exemplaren
Desire in the Suburbs (1962) 3 exemplaren
Love Me, Love Me! (1966) 3 exemplaren
I Want More of This 2 exemplaren
Closing the Gap (1986) 2 exemplaren
Wives and Lovers (1965) 2 exemplaren
A Chimney Sweep Comes Clean (1985) 1 exemplaar
The Double Dealers 1 exemplaar

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18 Best Stories by Edgar Allan Poe (1965) — Redacteur, sommige edities484 exemplaren
The Cool School: Writing from America's Hip Underground (2013) — Medewerker — 80 exemplaren

Tagged

Algemene kennis

Geboortedatum
1922-07-18
Overlijdensdatum
1993-08-29
Geslacht
male
Nationaliteit
USA
Geboorteplaats
Idaho Falls, Idaho, USA
Plaats van overlijden
Bronx, New York, USA
Woonplaatsen
Washington, D.C., USA
Manhattan, New York, USA
Opleiding
self-educated
Beroepen
editor
educator
novelist
short-story writer
Korte biografie
Chandler Brossard was born in Idaho Falls, Idaho, in 1922 and grew up in Washington, DC. He left school at an early age and was largely self-educated. During the 1940s he worked for a variety of newspapers and magazines, including the Washington Post, Time, and American Mercury. He published numerous books of fiction and nonfiction over a forty-year period, many of which were translated into other languages. For most of his life he lived in New York City. Chandler Brossard died in 1993.

Leden

Besprekingen

In the introduction by Steven Moore, this work is referred to as "America's first existential novel", due to its stripped down, Camus-esque narrative (which according to Susan Sontag, [via Sartre:] in her essay "On Style", can be described as "impersonal, expository, lucid, flat"). This novel is a film noir of James Dean and Natalie Wood and their small circle of friends, now in their late 20's, minus any Cinemascope sensationalism. Written by a contemporary of the Beatniks, it depicts the lives of this Greenwich Village group (vaguely-sketched characters who are writers of one type or another) during 1 month in the spring/summer of 1948. They attend a wild party with jazz musicians whose guests are smoking "charge" (the party ends with a rumble); a boxing event at Madison Square Garden; and are treated to dinner at an uptown restaurant by a gangster friend of one of the dames. Grace undergoes a covert abortion--her boyfriend Henry Porter is an arrogant, ambitious writer who "passes for white" (supposedly his character is based upon that of Anatole Broyard, a critic who years after this era relished trashing William S. Burroughs' books in the New York Times). Harry Lees has a pad on Cape Cod, where the group spend a weekend, but he's having an identity crisis. Harry thinks he might be gay--he was too "sissy" to make it into the Army and is subsequently guilt-ridden. The entire novel is conveyed to us by the groups's "voice of reason", Blake Williams. This paperback version is referred to on the cover as "the classic underground novel in its suppressed original version". Not to diminish its merits--but there would be nothing polemical about it now. The book ends abruptly in a way that contrasts with all the preceding flatness--the author left me wanting more. And of course I was attracted to the romantic notion of living in New York City in a time when the streets were full of hoods and television was still in its infancy. The Big Apple was so much simpler then-or probably not. I will close by saying: this assortment of artists/bohemians--they were so lucky. If only they had known.… (meer)
 
Gemarkeerd
stephencbird | 2 andere besprekingen | Sep 19, 2023 |
An exquisite, hip novel that captures, through flat, reportorial style, Greenwich Village bohemia prior to codification by the Beats. Through fictionalized names, the late-1940s San Remo is featured, along with Anatole Broyard, who is outed as being conflicted over his mixed-race ethnicity, and WIlliam Gaddis. Initially published in France by Gallimard. That the French understood the book is salient -- in his own way, Brossard anticipated the tone captured by the New Wave directors, if you think of Godard's "Breathless" as being removed and almost documentarian. The absence of this novel on lists of best American fiction is a massive, inexplicable void.… (meer)
 
Gemarkeerd
Fnarkle | 2 andere besprekingen | Nov 12, 2015 |
What really struck me about this book is how well developed its characters are, which in Beat literature is not always the case. And although the plot is very loose, the story's very tightly written. If you're into Beat literature, I would recommend it.
½
 
Gemarkeerd
fanoula | 2 andere besprekingen | Nov 9, 2008 |

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Statistieken

Werken
25
Ook door
2
Leden
232
Populariteit
#97,292
Waardering
3.8
Besprekingen
3
ISBNs
28
Talen
1
Favoriet
1

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