Isabel Cañas
Auteur van The Hacienda
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Werken van Isabel Cañas
The Hacienda (English Edition) 1 exemplaar
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Tagged
Algemene kennis
- Gangbare naam
- Cañas, Isabel
- Geslacht
- female
- Nationaliteit
- Mexico
USA - Land (voor op de kaart)
- USA
Leden
Besprekingen
Lijsten
Prijzen
Misschien vindt je deze ook leuk
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Statistieken
- Werken
- 3
- Ook door
- 2
- Leden
- 1,485
- Populariteit
- #17,291
- Waardering
- 3.8
- Besprekingen
- 33
- ISBNs
- 14
- Talen
- 1
To start, the additional marketing line that The Hacienda is at all similar to Mexican Gothic is just that - and laughable, too. They're both haunted house stories set in Mexico, but that's about it. I found Mexican Gothic much more sinister, and thrilling, and more pointed in its treatment of colonialism, religion, and the other usual Gothic themes.
The Hacienda has some very good, evocative sections but mostly falls flat for me. I quit when on page 110, we get this paragraph:
Up to this point, there has been no indication that the house resents Beatriz because of her plans for it. In fact, we know that the housekeeper and Beatriz's husband's sister do as much as they can to avoid being in the house, but not that they have any plans for it. Though it's not stated outright, it's suggested that they are also harmed by the house - in fact, the housekeeper doesn't spend time in the kitchen without spells of protection.
So where is this coming from, that the house resents people with plans for it? Does Beatriz completely ignore everyone else in San Isidro who says the house is bad news? She certainly seems to have a lot of disdain for absolutely everyone she meets, without much textual reason why. The paragraph above isn't much different from chapter 2, which I had to read three times before I could spot in the text indications that Beatriz was hungry to be in charge, and assumed she was hated by the residents of San Isidro for being the new patróness. (It was just so... mild, I didn't pick up on the grasping greed at all!)
Most of the writing style is the same breathless short sentences for emotional emphasis, but it generally feels flat for me, without any real stakes behind them, thus far. Beatriz doesn't need to be a likable character, but I do want to care about what happens to her. Unfortunately, I don't. Juana, the patrón's older sister now displaced from her position in charge, is far more interesting to me than the bland new wife who doesn't seem to care about anything but shoving her new position into her aunt's face.
This book could have been so interesting and compelling, but it has no real stakes and treats the more interesting secondary characters as not interesting, actually. (At least, as of page 110.)
Such a pity.… (meer)