James Campion

There are fewer than a dozen books out there about a single song, and that's not an accident. It's an impossible task to undertake: is there enough to talk about? don't get too technical! don't read too deeply into things that aren't there! don't bore us!!

Well, Campion does none of these things. This book is an outright success, from the first page to the last. And while the book IS about the song Hey Jude of course, it covers much more than that. His device of using song lyrics simultaneously as chapter names and to frame the chapter's topic (inspiration, family, Beatles history, song structure, social upheaval, etc) is very, very clever, and sets you up for what you will be reading over the following pages.

Campion is a true expert on pop culture and pop music—you only have to read his other books or listen to his and Adam Duritz's Underwater Sunshine Podcast to find that out—but he never comes across as overbearing or lecturing here. Instead, he is more that happy to let the dozens of experts he interviewed for the book tell the story, deftly weaving their thoughts and observations together with his own research.

If you like the song Hey Jude, or any song, or The Beatles, or any other band, or music in general, or the 60s, or your mom, read this book.… (meer)

In the Beatles canon, there is one composition, one performance that stands up and takes notice of the world. Since 1968, that song has been ‘Hey Jude.’

Author James Campion elongates the timeline from then to now with ‘Take A Sad Song: The Emotional Currency of “Hey Jude”’ (Backbeat Books, 2022). If one questions why this song has come to define how we feel - deeply - about ourselves and globally, each other, he details those passages to great effect and empathy.

Campion brings together several noted musicologists, journalists, and musicians whose love for and knowledge of The Beatles helps to describe the far-flung reasons and reactions that bind ‘Hey Jude’ to our collective DNA and the shared elements of the individual who miraculously brought it all together.

Paul McCartney’s childhood is well documented with the loss of his mother to cancer and the hardships that followed. The ensuing years saw the rise of The Beatles with not only their popularity as a band, but as songwriters, Lennon and McCartney ascended to the top of the charts with their catchy memorable tunes and distinctive sound.

But what really happened went far deeper. While the struggle to maintain a normal life was in fact an everyday occurrence for those involved, McCartney processed his soul into a song. As early-to-mid 1968 has shown, his personal life started to unravel: the trip to Rishikesh proved insightful but fractured his relationship with Lennon, and his longtime girlfriend Jane Asher broke off their engagement. What else could he do but pour all this into an elegy?

Campion’s book is not so much a studious laundry list of how ‘Hey Jude’ came to be and where it went. The uniqueness of the times, as many interviewees noted, demanded to be heard and then have it propelled forward. The mechanics of the composition are unmatchable. McCartney - as has been noted in a previous blog entry - was surrounded and imbibed with music. His mind was constantly spinning, never slowing down in absorbing breath and emotion coming from his environment. Whether he intended to construct what has become an epic, relatable anthem is only up for reflection by McCartney himself.

The frequently told and legendary story surrounding ‘Hey Jude’ is not hard to fathom: as Lennon became involved with Yoko Ono and left behind his wife Cynthia and young son Julian, McCartney traveled out to see them. During the car trip, the germination of the song came to him and while the conversation with Cynthia was lighthearted, he knew immediately the sense of loss and abandonment that was coming soon, especially for a boy whose circumstances mirrored his own.
Instead, the implied autobiographical details infused in ‘Hey Jude’ elicited personal empathy from Lennon. While also losing his mother months after McCartney’s mother's passing, Lennon refused to live with the scenario that she was gone. Hence his blocked emotion at explicitly revealing this in song… until ‘Hey Jude.’ It was his comment to McCartney about leaving in the placeholder sentence ‘the movement you need is on your shoulder’ that gave his junior partner the confidence that this song was relatable to not only him… but anyone.

Two areas that are especially interesting are the recording of the song and the filming of the video. While noting that the band switched over to the then-new Trident Studios (with the intention of using their 8-track recording system), once completed and taken back to EMI Studios, the dissimilar operational logistics and control settings between the two seemed insurmountable. Campion explains those defeating circumstances and the fixes utilized by the team at EMI (including the brief return of engineer Geoff Emerick) to the great relief of everyone who had believed it was a lost cause.

With humor, the story behind the filming of the video is decidedly more intriguing. In fact, there are two filmings that Campion covers. The first was the rehearsals of the song at EMI. Filmed by the National Music Council of Great Britain for the documentary ‘Music!,’ this footage is notable for the fact of George Harrison’s presence in the control room with George Martin and Ken Scott. McCartney’s specific demands led to a spat and Harrison exited the studio below. The bassist’s attitude toward perfection was an open secret that would lead to further friction in the coming months.

Another surprising revelation (to this reviewer) was the Michael Lindsay-Hogg-directed version of ‘Hey Jude.’ As presented to the UK public, one surmised it was specifically done for exclusivity for David Frost - hence his introduction. However, Campion unearths the hysterical reasons why Frost shouldn’t have been there and then delves into the unspoken visual nuances of the performance, the band’s interaction with the invited audience, and the “cosmic kinship’ as described by Campion between Lennon and McCartney.

But what really drives this narrative along are the numerous observations from Campion’s interviewees and his own personal examination of the crucial four-plus minute coda. Initially, told that ‘it just wasn’t done,’ what does one think if you’re The Beatles? You go ahead - and do it.

Na… na… na… na na na na will in fact, become more than an ending to a long song. At the time, it is a rule-breaking, non-conformist leader that disrupts the leftover hippy-dippy AM sounds of summer and reaches out in a soul-searching, personal call-to-arms as 1968 explodes in domestic and worldwide chaos. Several scholars note that where McCartney succeeded was reaching back from childhood and leaning on the Christian hymn ‘Te Deum.’ And to add: a fourth-century canticle that he subconsciously meshed with The Drifters’ 1962 soulful ‘Save The Last Dance For Me’ (a Beatle favorite) is not an unreal possibility.

As Campion notes several times (and with the comments and remarks from his respondents), ‘Hey Jude’ is not just about Paul McCartney inheriting a character (one of his songwriting traits) and offering a manufactured tale. This was a Paul McCartney who passionately cared that this creation succeeds on the ‘everyman’ level: from a TV audience in 1968 to the countless world tours to young non-English speaking musicians such as Korean pop band BTS who when asked what their favorite Beatles song was, jumped up and began Na… na… na… na na na na.

The impact of ‘Hey Jude’ from a song to an event is incalculable. By definition or perhaps default, this milestone in music has come to define the personal and professional attainments one feels - whether it be a comforting lyric in a time of mourning or a place that thousands of artists aspire to reach every time they compose. Campion has fashioned a unique testament to the power of one song to countless individuals.… (meer)

You wanted the Best, You got the Best, The greatest band in the world...KISS

Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon by James Campion is the history of Kiss up to and including the making of Destroyer. Campion is the Managing Editor of The Reality Check News & Information Desk and the author of Deep Tank Jersey, Fear No Art, Trailing Jesus, and Midnight For Cinderella.

It's hard to believe that Destroyer was released forty years ago. I was introduced to Kiss by a school friend when I was in that musical stage of moving out of AM Gold and into progressive rock. Eventually Kiss and Led Zeppelin posters covered most of the empty wall space in my room, and CREEM magazine replaced MAD as I began to take music seriously. A good part of growing up in the 1970s included quite a bit of KISS. It was hard, loud, and its simple message. Today, however, the music seems tame. The rhymes and lyrics are almost humorous at times:

You were distant, now you're nearer
I can feel your face inside the mirror
The lights are out and I can feel you, baby, with my hand.
~ C'mon and Love Me

Still I manage to listen to KISS with fond memories of youth.

Shout it Out Loud tracks Kiss from its early roots to finally making it big with Destroyer. It's hard to believe that KISS almost didn't make it. Their early albums floundered which is difficult to believe with songs like "Deuce", "Strutter", and even "Rock and Roll All Night". KISS created a frenzy at live shows with pyrotechnics and Gene Simmons spitting fire and "blood." The act, however, did not transfer into studio success. The band was tanking and released "Alive" as an act of desperation in 1975. The impossible happened. The live album sold, and sold, and sold. The same studio songs that fizzled now sold. Kiss was about the act as much as it was about the music. "Alive" captured some of the act and saved the band so that Destroyer could be produced.

The making of Destroyer reveals much about the band and its members. From the drinking and drug use of two members and the unexpected tea toddler to the songs that made it to the album, Campion writing and history will capture any fan's attention. Alice Cooper fans will also enjoy this book as both bands shared producer Bob Ezrin who left his mark on their music. KISS moved from being a raw power band to a more refined rock band under Ezrin drill instructor type leadership.

Shout It Out Loud is an excellent look at the evolution of one of the most recognizable bands in rock history. It is not an easy ride and there are more challenges than most people can expect. It was not an easy way to the top for KISS and their contemporaries in Australia, AC/DC, may just as well be singing about KISS when they played:

Ridin' down the highway
Goin' to a show
Stop in all the byways
Playin' rock 'n' roll
Gettin' robbed
Gettin' stoned
Gettin' beat up
Broken-boned
Gettin' had
Gettin' took
I tell you, folks
It's harder than it looks

It's a long way to the top if you wanna rock 'n' roll




… (meer)