Meg Clothier

In der Zeit der Renaissance haben noch die Männer die Herrschaft. Sie wollen nicht, dass kluge Frauen ihnen die Macht streitig machen. Die junge Nonne Beatrice ist Bibliothekarin in einem Kloster, wo sie sehr zurückgezogen lebt. Eines Tages werden zwei schwer verletzte Frauen vor den Klostertoren gefunden. Ihnen kann nicht mehr geholfen werden, aber eine der beiden überreicht Beatrice kurz vor ihrem Tod ein Buch. Doch die Vertreter der Kirche waren den Frauen schon auf den Fersen, denn sie wollen unbedingt dieses Buch haben. Beatrice jedoch will dieses Buch unter allen Umständen schützen
Zunächst einmal hat mich dieses wunderschöne Cover angezogen und auch der Klappentext war ansprechend. Die Autorin Meg Clothier hat sich bei diesem Roman von der Geschichte des mittelalterlichen Voynich-Manuskripts inspirieren lassen. Der Schreibstil an sich ist blumig und toll, allerdings ist die Geschichte recht sachlich erzählt. Sie hätte eine gute Portion mehr Emotion vertragen können. Außerdem wurde es doch streckenweise etwas langatmig.
Nonnen leben an sich schon sehr zurückgezogen, aber Beatrice ist besonders kontaktscheu. Ihr sind die Bücher und das Unterrichten der alten Sprachen wichtig, nicht aber so sehr das Miteinander. Für die Vertreter der Kirche ist das Buch die Schrift eines Ketzers. Das Buch hat auf Beatrice eine ganz besondere Anziehungskraft, und sie will dieses mysteriöse Buch, das lebendig zu sein scheint, schützen – um jeden Preis. Die anderen Charaktere sind individueller gezeichnet und haben mir daher mehr zugesagt, als diese unnahbare Beatrice. Die Oberin setzt sich für Frauen ein, womit sie sich einerseits beliebt, aber andererseits auch einen Feind macht. Die Männer kommen in diesem Buch nicht besonders gut weg.
Das Leben im Orden ist nicht nur frömmlerisch, sondern auch dort gibt es Eifersucht, Abneigung und Intrigen.
Ich hatte aufgrund der Beschreibung eine interessante und spannende Geschichte erwartet, das Potenzial war vorhanden, doch so wirklich konnte sie mich dann doch nicht wirklich packen.… (meer)

An historical fiction novel inspired by the Voynich manuscript? Yes please! For those needing a refresher, the Voynich manuscript is a handwritten book on vellum in an unknown script dated to the early 15th century. The book has some botanical illustrations - including some fictitious plants - but the contents have never been successfully de-coded, despite some of the best minds and scholars all over the world doing their best to uncover the mystery. The Voynich manuscript is now available in full and is free online, making it available to the public to view and solve at their leisure.

The Book of Eve by Meg Clothier is set in Renaissance Florence, where Sister Beatrice is the librarian in a convent. Beatrice feels safe in her library with her prayerbooks and scrolls until the arrival of two women desperately seeking sanctuary one night changes things at the convent irreparably. One of the women hands Beatrice a book, and Beatrice realises this is no ordinary book when men come looking for the women.

After falling in love with the cover design of this book - it might even end up being one of my favourite covers of the year - next to impress me was the writing skill of this new-to-me author.

"'Did you hear that, Beatrice? What do you say to that?' There are many things I should like to say, but none that will do me credit. I swallow a mouthful of pie, and find that my thoughts are in danger of spoiling its flavour." Page 31

I just love that double-barrelled quote, don't you? The convent was a terrific setting, and I greatly enjoyed meeting some of the other sisters and learning the rhythms of life within the veritable safety of the convent walls. The political climate of the time in Italy was relatively familiar, having recently read other books set in Renaissance Florence, largely One Illumined Thread by Sally Colin-James (April 2023); The Brightest Star by Emma Harcourt (2022); and The Marriage Portrait by Maggie O'Farrell (2022).

As the pressure rises and Beatrice finds herself in danger, the author was able to capture unique character insights, like this gem:
"And so, compelled by fear, not buoyed by courage, I fling myself clumsily forwards," Page 270
Having said that, I had to begin to suspend my belief when it came to the powers of the book. I should say that this isn't a dual narrative, and there's no part of the plot set in contemporary times where the book is being decoded. The Book of Eve is inspired by the Voynich manuscript, but isn't about decoding the book. It's an origin story of sorts and I was firmly in a four star frame of mind within the closing pages - one star being lost along the way to the influence of ancient powers. Putting it another way, the creep of urban fantasy into this tale went a little too far for my liking.

However, it was the use of the word 'meaningless' just three pages from the end that saw a further star slip away. The denouement regarding the origin story of the book was a little ambiguous and while I often dislike ambiguity, this one was rather fitting until that one word threw one of my interpretations under the convent's cart wheels, splashing me right in the face.

The Book of Eve by Meg Clothier is a well written feminist tale set in Italy during the Renaissance period and readers without any knowledge of the Voynich manuscript will enjoy this immensely.

* Copy courtesy of Hachette *… (meer)

On carnival night two women approach a small convent and before they die they entrust the librarian with a book. The women are chased by a vengeful priest and the book is apparently heresy. However for the abandoned and disfigured daughter of the recently dead Duke, books are her life and this book is powerful. As the book's powers are revealed, the convent becomes the target of religious zealotry.
I really enjoyed the magical nature of this story and the links to the early days of Christianity and the power of the early Church to control the narrative. It does become confusing in places but is a great read.… (meer)

This is a beautifully produced book and there is much of interest on board, but it has two serious flaws. A miscellany such as this most certainly needs a Contents List and also needs an Index. There are eight blank pages at the end of the book, enough for a decent index - perhaps the publisher had in mind that the reader could add their own index in manuscript. Of course, this means that there really was room for two pages of Contents before page 1 and six pages of Index at the end of the book. Why are the publishers and authors so lazy? In our modern times, it's easier than ever to search a text and produce Contents and Index pages! I have, therefore, spent time doing the publisher's job and all the main subject headings are listed in the tags below.

I applaud the authors in their attempt to answer "What's the difference between a Boat and a Ship?". There is no exact answer to the conundrum but they are right with one suggested answer (with the qualifications they state) - Ships carry Boats.

Given the surname of the two authors, it is a surprise that they did not include a section about nautical clothing - Slops, Naval Uniform, Cap Tally, Blue Collar, Bell Bottom, Sou-wester, Steaming Boots and so on.… (meer)