Wanda Coleman (1946–2013)
Auteur van A War of Eyes and Other Stories
Over de Auteur
Wanda Coleman was born in Los Angeles, California on November 13, 1946. She attended Los Angeles Valley College and California State Los Angeles but did not earn a degree. In the early 1970s, she embarked on a journalism career with an assignment from the Los Angeles Free Press to write about a toon meer fundraiser for Black Panther supporter Angela Davis. However, her sarcastic coverage caused consternation in the Davis camp, and she was blackballed by the underground paper for a decade. In 1975 she landed a job writing for the NBC soap opera Days of Our Lives and won a daytime Emmy for her work the following year. She took writing workshops around Los Angeles. Her first book of poetry, Art in the Court of the Blue Fag, was published in 1977. During her lifetime, she wrote more than 20 books including Mad Dog, Black Lady; Imagoes; Heavy Daughter Blues; Mercurochrome; and The Riot Inside Me: More Trials and Tremors. She won the Lenore Marshall National Poetry Prize from the Academy of American Poets in 1999 for Bathwater Wine. In 2012, she received the Shelley Memorial Award from the Poetry Society of America. She died after a long illness on November 22, 2013 at the age of 67. (Bowker Author Biography) toon minder
Fotografie: BEYOND BAROQUE
Werken van Wanda Coleman
Poetry NZ (Volume XVIII) 1 exemplaar
Buying Primo Time 1 exemplaar
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Tagged
Algemene kennis
- Geboortedatum
- 1946-11-13
- Overlijdensdatum
- 2013-11-22
- Geslacht
- female
- Nationaliteit
- USA
- Geboorteplaats
- Los Angeles, California, USA
- Plaats van overlijden
- Los Angeles, California, USA
- Beroepen
- Writer
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editor (production)
proofreader
editor (magazine)
waitress (toon alle 8)
recruiter (Peace Corps/Vista; 1968-75)
staff writer (Days of Our Lives, National Broadcasting Co. [1968]) - Relaties
- Straus, Austin (husband)
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- PEN
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- 26
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- 23
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- 389
- Populariteit
- #62,204
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- 4.0
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- 7
- ISBNs
- 48
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- 1
I wrote down lots of favorite poems to return to and read again, but a few highlights were the anxiety/vulnerability of "Giving Birth," the heartbreak of "Emmett Till," the playfulness/wistfulness of "Thiefheart."
What people talk about when they call poetry powerful.… (meer)