John Collier (1) (1901–1980)
Auteur van De dame op de schimmel
Voor andere auteurs genaamd John Collier, zie de verduidelijkingspagina.
Werken van John Collier
Evening Primrose [short story] 8 exemplaren
Back for Christmas 6 exemplaren
Bird of Prey 5 exemplaren
Thus I Refute Beelzy [short story] 5 exemplaren
The Chaser [short story] 4 exemplaren
Wet Saturday [short story] 3 exemplaren
Midnight Blue {short story} 3 exemplaren
Man Overboard 3 exemplaren
The Touch of Nutmeg Makes It 3 exemplaren
Witch's Money 3 exemplaren
Variation On A Theme 2 exemplaren
Are You Too Late Or Was I Too Early 2 exemplaren
Ah, the University 2 exemplaren
Green Thoughts and Other Strange Tales 2 exemplaren
Hell Hath No Fury 2 exemplaren
Little Memento 2 exemplaren
Fallen Star 2 exemplaren
Incident on a Lake [short fiction] 2 exemplaren
Another American Tragedy 2 exemplaren
John Collier, Fancies and Goodnights: Evening Primrose, The Touch of Nutmeg Makes It, read by Vincent Price 1 exemplaar
Blackpool Remembered 1 exemplaar
Blackpool Revisited 1 exemplaar
De stalen kat en andere verhalen 1 exemplaar
A Word to the Wise 1 exemplaar
Not far away, not long ago [short story] 1 exemplaar
Halfway To Hell 1 exemplaar
Night Youth, Paris And The Moon 1 exemplaar
The Frog Prince 1 exemplaar
The Lady on the Grey 1 exemplaar
Mary 1 exemplaar
De Mortuis 1 exemplaar
Three Bears Cottage 1 exemplaar
Squirrels Have Bright Eyes 1 exemplaar
Over Insurance [short story] 1 exemplaar
Old Acquaintance 1 exemplaar
Season Of Mists 1 exemplaar
Romance Lingers, Adventure Lives 1 exemplaar
Great Possibilities 1 exemplaar
Without Benefit of Galsworthy [short story] 1 exemplaar
Collaboration 1 exemplaar
Gavin O Leary 1 exemplaar
If Youth Knew If Age Could {short story} 1 exemplaar
Special Delivery {short story} 1 exemplaar
Rope Enough 1 exemplaar
Sleeping Beauty 1 exemplaar
Gerelateerde werken
American Fantastic Tales: Terror and the Uncanny from the 1940s to Now (2009) — Medewerker — 266 exemplaren
The Best Fantasy Stories from the Magazine of Fantasy & Science Fiction (1985) — Medewerker — 69 exemplaren
The Edge of the Chair: A Superlative Collection, Some Fact, Some Fiction, All Suspense (1967) — Medewerker — 42 exemplaren
Pause to Wonder: Stories of the Marvelous , Mysterious and Strange (1944) — Medewerker — 12 exemplaren
More Murder on Cue: Stage, Screen & Radio Favorites: Stories from Ellery Queen's Mystery Magazine (1988) — Medewerker — 11 exemplaren
Flora Curiosa: Cryptobotany, Mysterious Fungi, Sentient Trees, and Deadly Plants in Classic Science Fiction and Fantasy (2008) — Medewerker — 6 exemplaren
A Hornbook for Witches: Stories and Poems for Halloween — Medewerker — 4 exemplaren
Breakdown and Other Thrillers — Medewerker — 4 exemplaren
Vader is de beste — Auteur — 3 exemplaren
Historier fra andre verdener — Medewerker — 2 exemplaren
Ellery Queen's 1966 Anthology — Medewerker — 1 exemplaar
Best Crime Stories 2 — Medewerker — 1 exemplaar
Rosanna McCoy [1949 film] — Writer — 1 exemplaar
Tagged
Algemene kennis
- Officiële naam
- Collier, John Henry Noyes
- Geboortedatum
- 1901-05-03
- Overlijdensdatum
- 1980-04-06
- Geslacht
- male
- Nationaliteit
- UK
- Land (voor op de kaart)
- England, UK
- Geboorteplaats
- Londen, Engeland, Groot-Brittannië
- Plaats van overlijden
- Pacific Palisades, California, USA
- Woonplaatsen
- Londen, Engeland, Groot-Brittannië
VS - Opleiding
- privately educated
- Beroepen
- writer
screenwriter - Relaties
- Collier, Vincent (uncle)
Leden
Besprekingen
https://fromtheheartofeurope.eu/blackpool-remembered-ed-john-collier/
I remember going to the Doctor Who exhibition in Blackpool in 1977, when I would have been ten; it was a subterranean chamber full of Doctor Who monsters, and I bought the new novelisation of The Dalek Invasion of Earth, the very first Doctor Who book that I bought for myself. My memories of exactly what was on display are dim.
Not so for the contributors to Blackpool Remembered, a lovely full-colour commemoration of the exhibition which ran from 1974 to 1984. There’s a loving recreation of the exhibition space, which was updated each year to bring in more recent monsters – and these were genuine BBC props, with only a couple of Daleks specially made for Blackpool. There are extensive memories by fans who kept more careful notes and photographs than I did, including a couple who have gone on to become bigger names in the Whoniverse, such as Steve Cole and Matt Fitton. It’s a great example of how to reconstruct a purely physical and temporary display space after almost four decades.
There is a great interview with Julie Jones, the Doctor Who production office staffer who masterminded the whole thing; but disappointingly, we don’t get much from the female fan perspective. Lots of mums and sisters and a few girlfriends appear in the photographs; I don’t think we hear directly from any of them. I guess that reflects the resources available to the editor, but it’s an unfortunate gap. (Also everyone seems to be white.)
Still, it’s a lovely production.… (meer)
I remember going to the Doctor Who exhibition in Blackpool in 1977, when I would have been ten; it was a subterranean chamber full of Doctor Who monsters, and I bought the new novelisation of The Dalek Invasion of Earth, the very first Doctor Who book that I bought for myself. My memories of exactly what was on display are dim.
Not so for the contributors to Blackpool Remembered, a lovely full-colour commemoration of the exhibition which ran from 1974 to 1984. There’s a loving recreation of the exhibition space, which was updated each year to bring in more recent monsters – and these were genuine BBC props, with only a couple of Daleks specially made for Blackpool. There are extensive memories by fans who kept more careful notes and photographs than I did, including a couple who have gone on to become bigger names in the Whoniverse, such as Steve Cole and Matt Fitton. It’s a great example of how to reconstruct a purely physical and temporary display space after almost four decades.
There is a great interview with Julie Jones, the Doctor Who production office staffer who masterminded the whole thing; but disappointingly, we don’t get much from the female fan perspective. Lots of mums and sisters and a few girlfriends appear in the photographs; I don’t think we hear directly from any of them. I guess that reflects the resources available to the editor, but it’s an unfortunate gap. (Also everyone seems to be white.)
Still, it’s a lovely production.… (meer)
Peterson, un famoso cacciatore, è incaricato di catturare alcuni elefanti selvaggi. La spedizione viene organizzata e, tra gli altri, parte il piccolo Toomai con il suo splendido elefante ma alcuni incidenti inducono il piccolo a fuggire. Nella notte egli assiste alla mitica danza degli elefanti liberi. (fonte: film tv)
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A 600-page sequel to the Blackpool Remembered volume, also going back to memories of the Doctor Who exhibition in Blackpool which ran from 1974 to 1984, but this time also with material on the Doctor Who museum that was open in the same town from 2004 to 2009, and an account of some of the spinoff merchandise that was available to fans in the Good Old Days.
Like the previous volume, it’s a beautifully assembled set of photos with literate commentary. Every corner of both the earlier exhibition (again) and David Boyle’s Doctor Who Museum is described in loving detail. There is a feature on Boyle’s life and career, including some very sad photos from his final years of ill health. He was also the maker of the Dapol models which were the authorised miniatures of characters from the TV series. Short sections also look at Jon Pertwee’s Whomobile, and at Maginty, the Blackpool double of the Doctor’s car Bessie. Again, the perspective is very male and white, which is unfortunate; but it’s a labour of love, and there’s a lot of love here.… (meer)