Timothy Corrigan (1) (1951–)

Auteur van A Short Guide to Writing about Film

Voor andere auteurs genaamd Timothy Corrigan, zie de verduidelijkingspagina.

13 Werken 889 Leden 4 Besprekingen

Over de Auteur

Timothy Corrigan is Professor of Cinema Studies, English, and History of Art at the University of Pennsylvania. He is the author of New German Film and A Cinema without Walls and an editor of Critical Visions in Film Theory.

Werken van Timothy Corrigan

Populair Recent

A Short Guide to Writing about Film (1989) 579 exemplaren

The Film Experience: An Introduction (2004) 137 exemplaren

Film and Literature: An Introduction and Reader (1998) 49 exemplaren

Critical Visions in Film Theory (2010) 26 exemplaren

A Cinema Without Walls: Movies and Culture After Vietnam (1991) 25 exemplaren

New German Film: The Displaced Image (1983) 21 exemplaren

The Essay Film: From Montaigne, After Marker (2011) 17 exemplaren

The Films of Werner Herzog: Between Mirage and History (1986) 15 exemplaren

American Cinema of the 2000s: Themes and Variations (Screen Decades: American Culture/American Cinema) (2012) 13 exemplaren

Coleridge, Language, and Criticism (1982) 3 exemplaren

Film Elestirisi El Kitabi (2008) 2 exemplaren

A Quick Film Terminology Reference Card (2004) 1 exemplaar

Cinema, Media, and Human Flourishing (The Humanities and Human Flourishing) (2023) 1 exemplaar

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Trefwoordvertaling ingeschakeld

Algemene kennis

Geboortedatum: 1951-03-30
Geslacht: male

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Besprekingen

A Short Guide to Writing about Film (Short Guides… door Timothy Corrigan

Comprehensive and really helped me learn how to critically write for the first time about film for a film class this semester. Highly recommend but wish it wasn't so expensive.

Gemarkeerd

WellReadSoutherner | 1 andere bespreking | Nov 17, 2022 |

Film and Literature: An Introduction and Reader door Timothy Corrigan

Textbook from film studies class. Eh.

Gemarkeerd

kedicat | Sep 29, 2011 |

A Short Guide to Writing about Film (Short Guides… door Timothy Corrigan

Slim, steeply-priced volume which deals tidily with the subject promised by the title. Clearly intended for a classroom environment, although general readers wanting more methods for thinking about film might be able to extract something from it as well.