Malcolm Cowley (1898–1989)
Auteur van Exile's Return: A Literary Odyssey of the 1920s
Over de Auteur
Malcolm Cowley, critic, poet, editor, and translator, was an influential figure in American letters. The son of a Pittsburgh physician, Cowley studied at Harvard University and the University of Montpelier, "starved" in Greenwich Village, and lived in France, where he met the Dada crowd and worked toon meer on two expatriate magazines, Secession and Broom. From 1929 to 1944, he was associate editor of The New Republic. Perhaps the most famous work he wrote was his early book of poetry entitled, Blue Juniata (1929). As an editorial consultant to Viking Press, he pushed for the publication of Jack Kerouac's On the Road. His book The Faulkner-Cowley File: Letters and Memories, 1944-1962 documents his early recognition of William Faulkner. The Portable Faulkner was published at Cowley's instigation and under his editorship in 1946, when all 17 of Faulkner's books were out of print. Its publication had a profound effect -- virtually creating Faulkner's literary revival. Cowley died in 1989. (Bowker Author Biography) toon minder
Fotografie: From Wikipedia, Malcolm Cowley photographed by Carl Van Vechten, March 26, 1963.
Werken van Malcolm Cowley
A Many-Windowed House: Collected Essays on American Writers and American Writing (1970) 13 exemplaren
Great Tales of the Deep South 3 exemplaren
The Lesson of the Masters: An Anthology of the Novel from Cervantes to Hemingway (1971) 2 exemplaren
The Viking Critical Library Sherwood Anderson's WINESBURG, OHIO - Text and Criticism Edited by John H. Ferres (1965) 1 exemplaar
The Complete Poetry and Prose of Walt Whitman 1 exemplaar
Perspectives USA no. 5, Fall 1953 1 exemplaar
Perspectives USA: Number Five, Fall 1953 1 exemplaar
Facetas de la crítica 1 exemplaar
Marshall A. Best 1 exemplaar
The Long Voyage [poem] 1 exemplaar
Literatur in Amerika 1 exemplaar
Gerelateerde werken
Teder is de nacht (1934) — Voorwoord, sommige edities; Redacteur, sommige edities — 12,910 exemplaren
The Cabala | The Bridge of San Luis Rey | The Woman of Andros (1956) — Introductie, sommige edities — 762 exemplaren
A Sense of History: The Best Writing from the Pages of American Heritage (1985) — Medewerker — 464 exemplaren
American Poetry: The Twentieth Century, Volume Two: E. E. Cummings to May Swenson (2000) — Medewerker — 407 exemplaren
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Medewerker — 132 exemplaren
Years of Protest: A Collection of American Writings of the 1930's (1967) — Medewerker — 39 exemplaren
The Sun Also Rises / A Farewell to Arms / The Old Man and the Sea (1962) — Introductie, sommige edities — 32 exemplaren
New World Writing: Fifth Mentor Selection - Fiction, Drama, Poetry, Criticism (1954) — Medewerker — 8 exemplaren
Tagged
Algemene kennis
- Officiële naam
- Cowley, Malcolm
- Geboortedatum
- 1898-08-28
- Overlijdensdatum
- 1989-03-27
- Geslacht
- male
- Nationaliteit
- USA
- Geboorteplaats
- Belsano, Pennsylvania, USA
- Plaats van overlijden
- New Milford, Connecticut, USA
- Woonplaatsen
- Belsano, Pennsylvania, USA (birth)
Pittsburgh, Pennsylvania, USA
Paris, France - Opleiding
- Harvard University
- Beroepen
- novelist
poet
literary critic
journalist
ambulance driver (WWI) - Relaties
- Crane, Hart (friend)
Fitzgerald, F. Scott (friend)
Tate, Allen (friend) - Organisaties
- American Academy of Arts and Letters (Literature ∙ 1949)
American Field Service (WWI)
The New Republic
Harvard Aesthetes - Prijzen en onderscheidingen
- American Academy of Arts and Letters Academy Award (Literature ∙ 1946)
Fellow of the American Academy in Rome (1958)
Leden
Besprekingen
Skipped around in this a lot because some interviews are more compelling than others. On the whole, though, it's an outstanding series of interviews that reveal many insights into the craft of writing.
"The 1920s were an age of islands, real and metaphorical. An age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Sea or the West Indies, or better still for Paris."
What a joy this book was for me. Like sitting for a long chat with someone who 'was there' and able to tell you all about it in the most interesting and illuminating way.
Escape from machines, and assembly lines, and expected ways of living. The effects of war, bohemianism, individualism, and perceptions of art. Experiencing and realizing the world tilting on its axis. By accident I learned so much more about a time in world history that was missing from my body of knowledge. Might there be a Roaring Twenties 2.0 waiting in the wings?… (meer)
What a joy this book was for me. Like sitting for a long chat with someone who 'was there' and able to tell you all about it in the most interesting and illuminating way.
Escape from machines, and assembly lines, and expected ways of living. The effects of war, bohemianism, individualism, and perceptions of art. Experiencing and realizing the world tilting on its axis. By accident I learned so much more about a time in world history that was missing from my body of knowledge. Might there be a Roaring Twenties 2.0 waiting in the wings?… (meer)
1 
mortalfool | 2 andere besprekingen | Jul 10, 2021 |
mortalfool | 2 andere besprekingen | Jul 10, 2021 | 
Quite interesting. Written from the point of view of demonstrators. Just sometimes it got boring.
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Fontos tudnivaló, hogy Cowley nem számba veszi a múltat, hanem látleletet írna a pillanatnyi állapotról. Következésképpen a szöveg nem dinamikus eseményfűzér, hanem statikus elmélkedés. Konklúzióját talán az általa említett képpel lehet legjobban ábrázolni, ami szerint az öregség olyan, mint hajótöröttnek lenni egy lakatlan szigeten: az ember örül, hogy eddig megúszta a vihart, de várja a következőt. Ebben a metaforában benne van némi csendes fatalizmus, ugyanakkor az óvatos remény is - hogy a fennmaradt időt akár hasznosan is eltölthetjük. Cowley-t idézve:
"Az öregkorban megvan az a kiváltságunk - amely néha álmatlan éjszakák kínjává válik -, hogy ítéletet mondhatunk saját szereplésünkről. De mielőtt kimondanánk az ítéletet, ki kell bogoznunk a darab cselekményét."
Finoman kidolgozott szöveg - de talán túl finom is. Azon gondolkodtam olvasás közben, hogy vajon erősebben hatna-e rám, ha jobban érintve érezném magam - nos, talán, ezt nyilván nem tudhatom. Ám nekem per pillanat túl levegős volt, túl lágy: kedvvel időzött el a súlytalan általánosságokon, nagy tudással formálta azokat tetszetős struktúrákba, de nem ment bele a kínzó konkrétumokba. Van hiányérzetem a kötettel kapcsolatban - mindenesetre elolvasom majd nyolcvan évesen is, hátha akkor jobban tetszik.… (meer)