Tommy Lee Edwards

Better late than never, I suppose. I meant to review the first volume of Jody Houser's Mother Panic back when it came out a few weeks ago, but life gets in the way sometimes. So here we go. Mother Panic is one of the several new comics from the Young Animal line from DC, headed by Gerard Way.

Written by Jody Houser and illustrated by Tommy Lee Edwards, Mother Panic: A Work in Progress tells the story of Violet Paige, a rich young celebutante with a bad attitude and a worse reputation. No one would ever suspect that this tabloid-fodder wild child has a secret hidden beneath her spoiled heiress exterior—a secret that has driven her to become the terrifying force of vengeance against her privileged peers known as Mother Panic! But even as Violet launches her all-out assault on the rich and twisted, her shaky allies threaten to betray her, and every one of Gotham’s guardians—from Batwoman to the Dark Knight himself—is hot on her trail. Will Mother Panic continue to strike terror into her enemies’ hearts? Or will her violent quest for justice reach an equally violent end?

At first, I wasn't really sold on Tommy Lew Edwards' artwork. It was a bit hard to follow and just didn't really work for me. Partially because I didn't have a good grip on the characters that were being illustrated, so it just made everything a bit of a muddled up mess. But as I learned more about Violet and the others, his artwork began to click for me. He excels at his background work, really making Gotham City feel dark and grimy. Once you get used to his style and become acquainted with the characters, his facial expressions really stand out as well, giving further depth to the characters than they were already written with.

As for the writing itself, Jody Houser crafts a really gripping story. It's possibly my favorite of the Young Animal line so far, though the fact that it's set in the Batman universe might make me a bit biased. I just love how Houser has written the character of Violet Paige/Mother Panic. She feels so layered and real. I mean, her backstory isn't the most original. It sort of boils down to "woman takes revenge on those who abused her earlier in life", but that's fine. It's the way that backstory is used and molded around her character and the characters of her family that makes it work as well as it does.

The plotline itself revolves around Violet tracking down two people from her past: the first being her dad's working partner who was somehow involved in his death. The second being the man who steered her brother towards the boarding school she was sent to (and later, essentially, tortured at.) There are two separate story arcs in the novel, the first being about her dad's working partner and the second focusing on the man who influenced her brother. However, the two arcs work seamlessly as one whole arc that explores Violet's character and follows her as she navigates through solving the mysteries and interacting (briefly) with members of the Bat-family.

There's a backup story, that runs through all the issues, that tells the story of radio producer Debbie Stoner whose boss, Danny Ruby, was murdered live on air while he was praising Batman. In the aftermath of Ruby's murder, a new presenter is found in Cory Edgars, a podcaster who is vehemently anti-costumed vigilantes. However, Debbie is contacted by a mysterious man who claims that Edgars is not who he says he is and that all costumed vigilantes, current or former, (which includes her dad, the now retired Odd Man) are in danger. It's a fun supplement to the main plotline of Mother Panic and it goes a long way towards continuing the process of fleshing out Gotham City as a real place.

All in all, Mother Panic: A Work in Progress is an excellent graphic novel. It's a great introduction to an interesting character and a great addition to the Batman/Gotham City mythos. I give it four and a half out of five stars.… (meer)

Since comic books became respectable, more or less, there are many films based on that medium in our modern era: ‘From Hell’, ‘V For Vendetta’ and all the super-hero stuff that’s taken over the cinema. ‘Vandroid’ is something different, a comic based on a film that was never made. A studio fire and other disasters kept the ‘cursed’ production from completion. It would probably have been a straight to video B movie but such things are not at all bad. ‘Vandroid’ is of that breed, even if he is named after the van he drives. Muscle men and androids with really big guns fire millions of rounds of ammunition at each other while large explosions tear the scenery to pieces. It’s all good fun.

Vandroid is a human form robot built by Chuck Carducci, a genius down on his luck who is offered the job by an old friend with mob connections. It’s equipped with the very latest in artificial intelligence and powered by a plutonium-iron battery. It has Chuck’s own personality, after being dead early in the story. It looks out for Chuck’s friends. It’s a super-strong robot Chuck with all his flaws and virtues. Things get interesting when Vandroid decides to take down the organisation that funded his creation.

The story by Tommy Lee Edwards and Noah Smith rolls along at the pace of a good action movie. Dan McDaid’s art is stylised rather than accurately illustrative which is fine. My favourite artist is the very stylised Jack Kirby. Actually, the figures resemble Frank Miller’s drawing on Batman while the layouts are reminiscent of Carmine Infantino’s sixties DC work with many narrow, horizontal panels. It was brightly coloured and pleasant to look at while telling the story in a clear, coherent fashion. All in all, this is a solid piece of light entertainment that kind of makes you wish they had finished the film.

It’s a rollicking roller coaster of madness and mayhem, and wait until you see the Vanettes. Phwoar!

Eamonn Murphy
This review first appeared at https://www.sfcrowsnest.info/… (meer)

It's hard to call any of this wholly, or even partially, original... in many ways it steals directly from other bat-titles, and perhaps most of all from X-23's origin and other Marvel comics - but the (first part of the book's - see below) art is fantastic, the character design is slick, and the action is well-paced and well written.

It's a crying shame that Young Animals aren't getting the support from DC that gives any kind of confidence that these characters will be anything more than a blip on the radar, and a footnote in bat-history. We have too many bat-books, after all... half of DC is bat-books... but I like Mother Panic, and I'll keep an eye out for more (beyond the virtual dissolution of Young Animals in summer '18).

Caveat: the first three issues are beautiful - Tommy Lee Edwards illustrates them. It's a huge disappointment that they couldn't get his work into the book for the rest of the line. The second story, issues 4-6 are... sort of... illustrated - by Shawn Crystal. There is no comparison between either their styles or skill sets. Crystal is really not very good at this. Pages and pages go by w/o backgrounds - and he seems to be attempting some sort of cartoonish look that would be at home in a middle schooler's notebook margin doodles.… (meer)

There was a lot going on in this TPB and so it took me awhile to get into who is who and what in the world is going on.

There was Violet aka Mother Panic who seems even more violent than usual for Gotham (and her costume was definitely unique). She seems to be going after those who are somehow affiliated with something called the Gather House.

Mother Panic also had a meeting on the Gotham rooftops with Batwoman that was tense, though I wasn't sure why it was Batwoman who did the meet and greet and not one of the other Bat Family members.

And then there was Violet's mother's storyline, which had some unique characters in it and I thought was the most interesting part of the TPB.

This was my first foray into the Young Animal imprint of DC Comics and it was definitely different.

I was given this galley through Netgalley on behalf of DC Entertainment.… (meer)