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Janet Flanner (1892–1978)

Auteur van Paris Was Yesterday: 1925-1939

19+ Werken 980 Leden 14 Besprekingen Favoriet van 6 leden

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Fotografie: Hoyningen-Huehne

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Werken van Janet Flanner

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Tagged

Algemene kennis

Officiële naam
Flanner, Janet
Pseudoniemen en naamsvarianten
Genet (pseudonym)
Geboortedatum
1892-03-13
Overlijdensdatum
1978-11-07
Geslacht
female
Nationaliteit
USA
Geboorteplaats
Indianapolis, Indiana, USA
Plaats van overlijden
New York, New York, USA
Woonplaatsen
Indianapolis, Indiana, USA
New York, New York, USA
Paris, France
Pennsylvania, USA
Opleiding
University of Chicago
Tudor Hall School for Girls
Beroepen
journalist
writer
Relaties
Solano, Solita (partner)
Organisaties
American Academy of Arts and Letters (Literature, 1959)
The New Yorker
Korte biografie
Janet Flanner was born in Indianapolis, Indiana. After a period spent traveling abroad with her family and studies at Tudor Hall School for Girls (now Park Tudor School), she enrolled in the University of Chicago in 1912, leaving the university in 1914. In 1916, she returned to her native city to become the first drama and art critic for the Indianapolis Star. In 1922, she settled in Paris with her companion Solita Solano, and lived there, writing as the Paris correspondent for The New Yorker (except for a gap during World War II) until almost the end of her life. She used the pen name Genêt. She became a prominent member of the American expatriate community that included Ernest Hemingway, F. Scott Fitzgerald, John Dos Passos, e.e. cummings, Hart Crane, Djuna Barnes, Ezra Pound, and Gertrude Stein — the world of the Lost Generation. Flanner played a key role in introducing the American public to new artists in Paris, including Pablo Picasso, Georges Braque, Henri Matisse, André Gide, Jean Cocteau, and the Ballets Russes, as well as places such as Les Deux Magots café and events such as the Stavisky Affair.
Her writing came to epitomize the "New Yorker style." An example: "The late Jean De Koven was an average American tourist in Paris but for two exceptions: she never set foot in the Opéra, and she was murdered." Flanner also was the author of one novel, The Cubical City (1926).

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Ms. Flanner mentions in her introduction that it took a while, through discussions with Harold Ross, to develop her style for these dispatches from Paris. A few of the longer pieces were published in Vanity Fair and Harper's Bazaar but as the years pass a distinctive style emerges - the 'New Yorker Style' that we still enjoy today. So, they begin to have a freshness, despite the passage of 85 years. The pieces on the approaching war are very interesting.
 
Gemarkeerd
heggiep | 7 andere besprekingen | Apr 20, 2024 |
This is different. Some of the entries are very entertaining.. others not so much. Still an interesting look at the time and the mindset of the author. I picked this up at a library sale, definitely worth the dime!
 
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Kiri | 7 andere besprekingen | Dec 24, 2023 |
Original "Paris was yesterday" written for The New Yorker - great to read about an American in Europe during the war
 
Gemarkeerd
betty_s | Sep 17, 2023 |

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Statistieken

Werken
19
Ook door
11
Leden
980
Populariteit
#26,287
Waardering
3.8
Besprekingen
14
ISBNs
28
Talen
5
Favoriet
6

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