Leo A. Frankowski (1943–2008)

The book is about two engineeres, one of whom is the first-person narrator. After a rather long, although not boring, exposition, the two engineeres ship-wreck on a floating (as in: moving about on currents) island. On the island, they find a community of ~12000 people, living in a feudal christian society. The community existed since BC times (IIRC) and has had no contact with the outside world for ~1000 years (apart from the occasional ship or plane chrash survivors).

The book concerns itself with the island's unique social structure and technology, and how these are influenced by the special situation and environmental conditions the islanders find themselves in. The author describes the parallelities and differences of the islanders' culture to western society, mostly from the perspective of the main protagonist. The dynamics between secular government, religious institutions and science are also within the scope of the book, as well as the relation between "magic" and science.

While the book is not thrilling or exciting for the most part, I have found it very interesting. The culture and technology of the islanders, altough fictional, is plausible and well explained. I have found the exploration of how culture and technology are influenced by the requirements of a people's environment to be the distinctive feature of the book.

Most reviews here argue that the author uses the book to dictate his own views on the world to the reader, often in a very "my-opinion-is-correct-and-your's-is-wrong" sort of way. While such passages exist (which I, too, found irritating), it should be noted that because the book is written in the first person, any of the described trains of thought reflect views of the narrator/protagonist, and can only indirectly be said to reflect the opinion the author, which I think is the wrong interpretation here (see spoiler).


The main character often argues that all opinions, views, thoughts and actions of a person are caused by that persons perception of the world and are thus only sensible/valid within this persons personal "bubble". He observes that people often build walls within their minds and refuse to think about (or even to acknowledge) certain issues, so to keep their own personal views (seemingly) consistent with the world.

On the very last pages of the book, the protagonist learns that this also applies to himself.

I think that the often criticised "opinion-passages" are a means of emphasising this point, as they identify the protagonist as a very opinionated character, who is in the end confronted with his own hippocricy, when he comes to realise that he is not better suited to analyse and evaluate the world than others.


My major point of critique on this novel is that the author often resort to simply explaining many of the aspects of the island's society (in the form of an explanation by a character in the book or the narrator himself), instead of showing the the island and having the reader figure it out (See: Show, don't tell). This may be appropriate, as it is only a short book, but then again, maybe it should have been longer.… (meer)

Honestly, I should not even be attempting to reviewing this book. I read it for...you guessed it...a challenge. There is absolutely nothing wrong with the writing or the topic...IF you are into sci-fi, which I am 10,000% NOT. This was ten million miles out of my element. I did find the character of Conrad very brave and actually smarter than some of the characters in other genres that I've recently read. At least he wasn't messing up good relationships or hob-knobbing with possible serial killers. I even found myself rooting for him several times. I could easily see some of my friends eating this up and asking for more. I gave it 3 -stars because, while I can't say that I actually liked it...I didn't hate it either and I felt that was only fair to Leo Frankowski for the effort that he put into producing this. I haven't seen my name gracing the cover of a book recently.… (meer)

I bet the author was a short, unattractive geek. And possibly a pedophile. I bet you half my house.

The protagonist, an engineer who finds himself in the past, is tall and perfect and the (mostly 14 year old) ladies are throwing themselves at him. Like David Brin's [b:The Practice Effect|101893|The Practice Effect|David Brin|http://photo.goodreads.com/books/1171482101s/101893.jpg|1771225], our hero finds himself in a relatively uncivilized place where he can show his technology to the natives. Unlike The Practice Effect, The Cross-Time Engineer reads like a fat boy's dream diary. This book wasn't about the plot, it was about the other characters loving and being in awe of the protagonist.

That being said, it was fun. If you hate Mary Sue and the 'women are objects' point of view, stay far away. I'm going to classify this one as a guilty pleasure and vehemently deny ever giving it more than one star if you ask me about it to my face.… (meer)