Afbeelding auteur

Shulamith Hareven (1930–2003)

Auteur van Dorst de woestijntrilogie

7+ Werken 141 Leden 3 Besprekingen

Over de Auteur

Shulamith Hareven, who lives in Jerusalem, is one of the best-known writers in Israel and the only woman member of the Academy of Hebrew Language. In her work, she often brings the biblical past to life. (Bowker Author Biography)

Werken van Shulamith Hareven

Dorst de woestijntrilogie (1996) 38 exemplaren
City of Many Days (1977) 31 exemplaren
Twilight and Other Stories (1656) 21 exemplaren
The Miracle Hater (1988) 20 exemplaren
Prophet: A Novel (1990) 18 exemplaren
Twilight 2 exemplaren

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Tagged

Algemene kennis

Pseudoniemen en naamsvarianten
Yaeri, Tal (pseudonym)
Geboortedatum
1930
Overlijdensdatum
2003-11-25
Geslacht
female
Nationaliteit
Israel
Geboorteplaats
Warsaw, Poland
Woonplaatsen
Warsaw, Poland (birth)
Jerusalem, Israel
Beroepen
author
essayist
journalist
radio producer
poet
translator (toon alle 8)
novelist
autobiographer
Relaties
Hareven, Gail (daughter)
Organisaties
Haganah (combat medic, war correspondent)
Peace Now (activist)
Korte biografie
Shulamith Hareven was born to a Jewish family in Warsaw, Poland. Her parents Abraham Ryftin, a lawyer, and Natalia Wiener, a teacher, were Zionists, and the family emigrated to the British Mandate of Palestine in 1940. In 1948, at age 17, she served as a combat medic during the siege of Jerusalem in Israel's War of Independence. She was then assigned to establish Israel Defense Forces Radio, opening the station's broadcasts in 1950. She worked as a war correspondent in Israel's subsequent wars. In 1962, she published her first book, a collection of poems called Predatory Jerusalem. Jerusalem was also the subject of her first novel, City of Many Days (1972). She wrote essays, plays, and translations of books, and contributed articles about Israeli society and culture to national magazines and newspapers. She also published a thriller under the pen name "Tal Yaeri." She was the first woman inducted into the Academy of the Hebrew Language. In 1995, the French weekly L'Express listed her among the "100 women who move the world" for her peace activism. Her last book was Many Days, Autobiography (2002). She married Alouph Hareven, a social activist. Their daughter is the writer Gail Hareven.

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Besprekingen

Hareven, in her lifetime an esteemed Israeli author/activist, in this novella reimagines the Exodus story from the point of view of a jaded outsider among the wandering Hebrews. From this vantage point we get a different version of the Exodus, an entirely human one, and a view of Moses as a remote, aloof, inscrutable leader, rarely seen and little understood but yet with an unshakeable authority as the man capable of miracles.

In this version of the story the prosperous Egyptians are glad to be rid of the ever-increasing numbers of poor Hebrews, many of whom have been gradually streaming off to scratch out a bare existence in the nearby desert for quite some time before Moses leads them all away, including those well integrated into Egyptian society. Moses is presented as less concerned with where they go than just that they go, to become one people on their own, apart from the Egyptians.

Like many a leader with a grand vision, what happens individually to the little people seems beneath Moses’ concern. He spends most of his time in his tent, shielded by the arrogant Joshua. Hareven presents a harrowing scene when Moses strikes the rock to create water for his people dying of thirst, showing a man who seems to resent being bothered, and who with his entourage stalks past two women holding their dead babies in their arms without taking any notice of them.

Eshkhar is the titular “miracle hater”, beginning as a young man who keeps to himself just outside the camps during the years of wandering, who cynically regards all of his compatriots, yet can’t break from them. He alone (besides Moses presumably) seems to know the constrained boundaries of the desert they wander and can’t understand the purpose of all this wandering. Of course, the reader may well know that in the Bible story the wandering is God’s punishment for the Hebrews being afraid to enter the “Ancestral Land” when they first arrive at its boundary, but this explanation is absent from Hareven’s version. It seems to be down to the harsh will of one human ruler.
[Eshkhar] knew things that they did not: that the desert was inhabited, that it had limits, that it could be crossed from end to end in a matter of weeks. The deception of miracles was keeping them purblind and lost… None of this was known in the camp. They wandered on. No one asked anymore why they lingered so long in the desert. No one knew why they camped in one place for two weeks and in another for two or five years. If no rains fell, they sowed in dry ground and pounded the meager yield into a coarse flour. It was hard to imagine that there once had been a world apart from this desert, their only home, their only love, their birthplace and burial ground. Most of those who had left Egypt were no longer alive. The others, like doorless and windowless houses, had no other memories. Life in the desert consumed them utterly and left nothing over. Was there really any place else?


Although this is a telling of Exodus that strips out all accounts of God’s direct intervention, it is not the case I think that God is entirely absent. Rather, the ancient conception of God(s) actively intervening in human affairs is replaced with the modern conception of an ineffable God whose presence can at times be felt, who may offer comfort in an unembodied way. Who watches. When Eshkhar views the Ancestral Land near the end of the story, before the crossing of the Jordan,

He sensed a strange presence behind him, unfamiliar yet perfectly clear… Something, someone, was calling laughingly to him from the wind, from the mountains, perhaps from the long-remembered years of wandering, someone smiling and forebearing who expected something of him without his knowing what it was… you are close now, Eshkhar, very close; just one more little effort and you will understand… He shook his head, as if trying to rid himself of a bothersome thought; then, all at once, like a man who has not done so for years, he began to laugh.


Eshkhar feels a deep peace, and “he knew that with peace, compassion would come back too”, a line which I wonder if it is Hareven’s comment on the contemporary political situation in Israel as well as a comment on a character in a story from thousands of years ago. This is after all a very contemporary retelling of an ancient story, not just in its understanding of God but in its presentation of a cynical loner as the hero of the story.
… (meer)
 
Gemarkeerd
lelandleslie | Feb 24, 2024 |
Essentially biblical fan fiction...felt like an unnecessary piece of writing.
 
Gemarkeerd
thatotter | 1 andere bespreking | Feb 6, 2014 |
Nicely produced book, good design. It has Hareven's usual good description of the desert and desert life. She also places the early Hebrews within the moral context of their time - the confusion of a stranger who learns about Thou shalt not kill.

Otherwise, I am not sure what the book is about. Maybe if I re-read it another time...
 
Gemarkeerd
michalsuz | 1 andere bespreking | Dec 6, 2009 |

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Statistieken

Werken
7
Ook door
2
Leden
141
Populariteit
#145,671
Waardering
3.0
Besprekingen
3
ISBNs
15
Talen
4

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