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John Ruskin (1819–1900)

Auteur van The King of the Golden River

430+ Werken 7,883 Leden 67 Besprekingen Favoriet van 12 leden

Over de Auteur

Ruskin was one of the most influential man of letters of the nineteenth century. An only child, Ruskin was born in Surrey. He attended Christ Church, Oxford, from 1839 to 1842. His ties to his parents, especially his mother, were very strong, and she stayed with him at Oxford until 1840, when, toon meer showing ominous signs of consumption, he left for a long tour of Switzerland and the Rhineland with both parents. His journeys to France, Germany, and, especially, Italy formed a great portion of his education. Not only did these trips give him firsthand exposure to the art and architecture that would be the focus of much of his long career; they also helped shape what he felt was his main interest, the study of nature. Around this time Ruskin met the landscape artist J. M. W. Turner, for whose work he had developed a deep admiration and whom he lauded in his Modern Painters (1843). In 1848 Ruskin married Euphemia (Effie) Gray, a distant cousin 10 years his junior. This relationship has been the focus of much scholarship, for six years later the marriage was annulled on the grounds of nonconsummation, and in 1855 Effie married John Everett Millais, the Pre-Raphaelite painter and an acquaintance of Ruskin. During the years 1849--52, Ruskin lived in Venice, where he pursued a course of architectural studies, publishing The Seven Lamps of Architecture (1849) and where he began The Stones of Venice (1851--53). It was also during this period that Ruskin's evangelicalism weakened, leading finally to his "unconversion" at Turin in 1858. His subsequent interest in political economy was clearly stated when, echoing his "hero," Carlyle, Ruskin remarked in the last volume of Modern Painters that greed is the deadly principle that guides English life. In a series of essays in Cornhill Magazine attacking the "pseudo-science" of political economists like J. S. Mill, David Ricardo, and Thomas Malthus, Ruskin argues that England should base its "political economy" on a paternalistic, Christian-based doctrine instead of on competition. The essays were not well received, and the series was canceled short of completion, but Ruskin published the collected essays in 1862 as Unto This Last. At the same time, he renewed his attacks on the political economists in Fraser's Magazine, later publishing these essays as Munera Pulveris (1872). From about 1862 until his death, Ruskin unsuccessfully fought depression. He was in love with Rose La Touche, whom he met when she was 11 and he 41. When she turned 18, Ruskin proposed, but the her parents opposed the marriage, and religious differences (she was devout; Ruskin was at this time a freethinker) kept them from ever marrying. La Touche died in 1875, insane, and three years later Ruskin experienced the first of seven attacks of madness that would plague him over the next 10 years. By 1869 Ruskin had accepted the first Slade Professorship of Fine Art at Oxford, begun his serial Fors Clavigera, been sued and found guilty of libel for his attack on Whistler in Fors Clavigera (he was fined a farthing), and resigned his professorship. Ruskin's work was instrumental in the formation of art history as a modern discipline. A capable artist, he complemented his technical understanding of art with insightful analysis and passionately held social ideals. His social writings are of interest today primarily as artifacts of the age, but his art criticism still holds an important place, especially in his appreciation of Turner. There is a vast number of works on Ruskin. From a literary standpoint, John Rosenberg's study, although dated because of many of its assumptions, is still an outstanding book. Jay Fellows's work is interesting and has caused much controversy among Ruskin scholars. (Bowker Author Biography) toon minder
Fotografie: John Ruskin (1863)

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Werken van John Ruskin

The King of the Golden River (1850) 851 exemplaren
On Art and Life (2004) 642 exemplaren
The Seven Lamps of Architecture (1849) 548 exemplaren
The Elements of Drawing (1904) 301 exemplaren
The Stones of Venice (1900) 177 exemplaren
Unto This Last (1899) 169 exemplaren
Traffic (1600) 166 exemplaren
Selected Writings (John Ruskin) (2004) 149 exemplaren
The Crown of Wild Olive (1885) 129 exemplaren
Modern Painters (1856) 114 exemplaren
The Lamp of Memory (2008) 109 exemplaren
Mornings in Florence (1875) 107 exemplaren
The Queen of the Air (1869) 107 exemplaren
Praeterita/Dilecta (2005) 99 exemplaren
The Ethics of the Dust (1865) 92 exemplaren
Ruskin Today (1964) 71 exemplaren
Selections and Essays (1918) 48 exemplaren
The Bible of Amiens (1997) 42 exemplaren
The Two Paths (1859) 42 exemplaren
Precious thoughts (1897) 30 exemplaren
The Nature of Gothic (1899) 28 exemplaren
The art criticism of John Ruskin (1987) 27 exemplaren
Mensch en maatschappij (1899) 27 exemplaren
Time and tide (1872) 26 exemplaren
The works of John Ruskin (1885) 25 exemplaren
Selections From the Works of John Ruskin (1908) — Auteur — 25 exemplaren
The Poetry of Architecture (1893) 23 exemplaren
Stones of Venice: Selections (1879) 21 exemplaren
The Harbours of England (2007) 18 exemplaren
Pre-Raphaelitism (1906) 18 exemplaren
The Order of Release (1947) 15 exemplaren
Little Masterpieces: John Ruskin (1901) 15 exemplaren
Selected writings 11 exemplaren
Frondes Agrestes (1893) 11 exemplaren
Modern Painters [abridged edition] (2000) — Auteur — 10 exemplaren
Ruskin on Turner (1990) 10 exemplaren
Poems (1900) 10 exemplaren
On Genius (On Series) (2011) 10 exemplaren
Stones of Venice [introductions] (1900) 10 exemplaren
The Eagle's Nest (2009) 9 exemplaren
Selected prose of John Ruskin (1972) 7 exemplaren
Beauty and Nature (2010) 7 exemplaren
The Elements of Perspective (1859) 7 exemplaren
Kuninkaitten aarteet (1985) 7 exemplaren
On the old road (2008) 6 exemplaren
Selections from Ruskin (1927) 6 exemplaren
Unto this last, and Traffic (1967) 5 exemplaren
Ecrits sur les Alpes (2013) 5 exemplaren
Verona and Other Lectures (1894) 5 exemplaren
Venice Approached (1992) 5 exemplaren
TEXTOS SOBRE NATURALEZA (1900) 4 exemplaren
Titian (1911) 4 exemplaren
The King of the Golden River [play] (1992) — Original story — 4 exemplaren
Fors Clavigera Volume I- II (1880) 4 exemplaren
Viaggio in Italia (2002) 4 exemplaren
Modern Painters, Vol. 1 & 2 (2010) 3 exemplaren
Praeterita, vol. 1 3 exemplaren
Fors Clavigera. Vol. II (1896) 3 exemplaren
Unto this last & Other essays (1941) 3 exemplaren
Susam ve Zambaklar (2013) 3 exemplaren
The Drawings of John Ruskin (1972) 3 exemplaren
Letter to young girls 3 exemplaren
Work 2 exemplaren
Opere (1987) 2 exemplaren
Natura 2 exemplaren
Of queens' gardens (2010) 2 exemplaren
How to See (2013) 2 exemplaren
The Pocket Ruskin (1907) 2 exemplaren
Ruskin as literary critic (1969) 2 exemplaren
Turner (2023) 2 exemplaren
Thoughts from Ruskin 2 exemplaren
Die Steine von Venedig (2018) 1 exemplaar
Työ, talous ja sielu (2021) 1 exemplaar
Sur Turner (1983) 1 exemplaar
Turner e i Preraffaelliti (1992) 1 exemplaar
The Works of Ruskin 1 exemplaar
Sesamo e gigli 1 exemplaar
Essays And Belles Lettres (2006) 1 exemplaar
Sarvodaya ( Gujarati Edition ) (2017) 1 exemplaar
The Ruskin Birthday Book (1883) 1 exemplaar
Niewinne oko : szkice o sztuce (2011) 1 exemplaar
Diario italiano, 1840-1841 (1992) 1 exemplaar
Vrednosti 1 exemplaar
Art in England 1 exemplaar
Mystery of life 1 exemplaar
Pittori moderni 2 1 exemplaar
A book of Ruskin 1 exemplaar
Worte Ruskins 1 exemplaar
Výklady o umění 1 exemplaar
Ruskin's works 1 exemplaar
John Ruskin (2012) 1 exemplaar
Selected Works 1 exemplaar
Banen der kunst 1 exemplaar

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Ruskin, O Ruskin, how oft I find
Thy languid musings echo in my mind!
 
Gemarkeerd
therebelprince | 3 andere besprekingen | Apr 21, 2024 |
I've been reading essays from this bit by bit for quite some time. I really wish I'd made updates for each essay, because some were really extraordinary (commentaries on Gothic architecture), some were fascinating insights into the history of economics (Ruskin was an Adam Smith contemporary), and some were... just... huh (his fiction).
 
Gemarkeerd
mmparker | Oct 24, 2023 |
Ruskin, again, came across to me as an opinionated bigot who was very pleased with himself and whom I would not have liked at all. Yes, he wrote and lectured some 150 years ago, and our social mores have changed considerably, but he annoyed me. Perhaps I might have enjoyed him as a lecturer, but the way these essays were presented (presumably "as Written") I very quickly got so disturbed that I could not follow his points. His continued use of phrases and clauses in apposition ruined any flow of information. They made the essays virtually unreadable. Even the book's editor added 28 pages of notes to explain what Ruskin was saying. The "Brief Sketch of the Author's Life" include was somewhat illuminating. The added commentary "Ruskin as Economist" was needed - to explain why Sir Arthur Quiller-Couch added the collection of essays to his Kings Treasuries of Literature.… (meer)
 
Gemarkeerd
gmillar | 2 andere besprekingen | Oct 22, 2023 |
 
Gemarkeerd
ELockett | Sep 26, 2022 |

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Werken
430
Ook door
36
Leden
7,883
Populariteit
#3,080
Waardering
3.9
Besprekingen
67
ISBNs
845
Talen
19
Favoriet
12

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