Afbeelding auteur
16+ Werken 70 Leden 1 Geef een beoordeling

Over de Auteur

Alastair Johnston, founded Poltroon Press with artist Frances Butler in Berkeley, California. Johnston teaches at the University of California Berkeley Extension.

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Werken van Alastair Johnston

Gerelateerde werken

Parenthesis 25 (2013) — Medewerker — 5 exemplaren
Parenthesis 33 (2017) — Medewerker — 5 exemplaren
Parenthesis 27 (2014) — Medewerker — 4 exemplaren
Bookways, number 2, January 1992 (1992) — Medewerker — 2 exemplaren
Dark Ages Clasp the Daisy Root #5 — Medewerker — 1 exemplaar
Jimmy & Lucy's House of "K", #5 — Medewerker — 1 exemplaar

Tagged

Algemene kennis

Pseudoniemen en naamsvarianten
Johnston, Alastair M.
Geboortedatum
1950
Geslacht
male
Nationaliteit
UK (birth)
Geboorteplaats
Glasgow, Lanarkshire, Scotland, UK
Woonplaatsen
Berkeley, California, USA
Beroepen
printer
publisher
writer
editor
book designer
translator (of Max Jacob)
Organisaties
Poltroon Press (co-founder | 1975 | operator)
The Ampersand (editor)
Korte biografie
Alastair Johnston began his career as a letterpress printer in California in 1970. In 1975, he formed Poltroon Press with the artist Frances Butler. Their first collaboration Confracti Mundi Rudera was later seen as a key work in the emerging artists' book movement. Since 1979, he has taught university-level courses in typography and graphic design. He wrote bibliographies of three Bay Area literary small presses, Auerhahn (1976), White Rabbit (1985) and Zephyrus Image (2003). His study of the literature of 19th-century typefounders’ specimens, Alphabets to Order, was published by the British Library in 2000. He co-edited William E. Loy's Nineteenth-Century American Designers & Engravers of Type with Stephen O. Saxe (Oak Knoll, 2009) and most recently published Typographical Tourists: Tales of the Tramping Printer (Poltroon, 2012). He has just completed a biography and bibliography of Richard Austin, the type cutter, and his son Richard T. Austin, the wood engraver.

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This isn't a bibliography in the classic sense, but it does use the works of people connected to Zephyrus Image to frame and guide the telling of the story. It is entirely possible to read this book straight through, for pleasure, and enjoy the story. This is actually how I read it, and my attention was captivated throughout. I doubt that there are many bibliographies for which this is true, so I was happy to have found this book for section 015 of my Dewey Decimal Challenge.
 
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blueskygreentrees | Jul 30, 2023 |

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Statistieken

Werken
16
Ook door
6
Leden
70
Populariteit
#248,179
Waardering
3.0
Besprekingen
1
ISBNs
12

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