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Belinda Lyons-Lee

Auteur van Tussaud

2 Werken 6 Leden 2 Besprekingen

Werken van Belinda Lyons-Lee

Tussaud (2021) 4 exemplaren
Tussaud (2021) 2 exemplaren

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Other than being French, I didn't know anything about the life of Madame Tussaud prior to reading this book other than the legacy of her wax museums. Australian author Belinda Lyons-Lee has changed all of that with the release of her historical fiction debut novel Tussaud.

Marie Tussaud barely managed to escape the French Revolution with her life, during which thousands were incarcerated and executed. Marie herself was accused of being a royal sympathiser, arrested and her head was shaved in preparation for execution by guillotine. Marie's release came as a shock, although it also came at a cost. In exchange for her life, Marie was forced to make death masks and wax recreations of the heads belonging to those famously executed, including Marie Antoinette.

This work would stay with Marie for life and Lyons-Lee does an amazing job of drawing from known facts to imagine her life from that point forward. Marie teams up with a famous magician by the name of Philidor and together they create a show called the Phantasmagoria. It's this show that attracts the attention of the eccentric 5th Duke of Portland, William Cavendish who will go on to make an interesting business proposal.

Tussaud is a gothic story that takes place first in Paris before shifting to London and the rambling and isolated estate of Welbeck Abbey. Peopled with characters yearning to fill a void and each with their own agenda, Tussaud is full of secrets, deception, greed, desire and exploitation with plenty of characters keen to take advantage of Marie and her creations for their own purposes. Tussaud also has a sense of 'other' that reminded me a little of the subtle supernatural elements running through The Silent Companions by Laura Purcell. If you loved that, I think you'll also love this.

The writing effectively evoked the time period and here's an example of a scene featuring Philidor in early 1800s London:

"He stood in the middle of the alleyway and lit a cigar, content to let the unseen eyes watch him further, his exposed back like a challenge. But he knew the wretches who haunted these spots were not pickpockets or murderers: they were living skeletons who crawled into the gloom of doorways and corners to curl up and waste away in soft grey clouds of rags and sighs." Page 217

Presented in a stunning green cover design, I enjoyed an interview recently in which the author shared her fascination with the toxic green wallpaper of the era and how she wanted the book cover to capture the deadly association. This is one of my favourite facts from history (covered several times here on Carpe Librum) so I was overjoyed to learn she was fascinated by it too.

Tussaud has opened my eyes to the amazing and troubling life of this household name and while the life portrayed was fictional, it was certainly entertaining. Highly recommended.

* Copy courtesy of Transit Lounge *
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Gemarkeerd
Carpe_Librum | Apr 25, 2021 |
Gothic historical novels are not usually my thing, but there's a lot to like about Tussaud, the debut novel of Belinda Lyons-Lee.

As you can tell from the cleverly designed cover art, the title alludes to Marie Tussaud who was famous for making death masks of victims of the guillotine in revolutionary France. I first read about her in one of those children's annuals that I used to receive at Christmastime. I loved reading them... brief snippets about all sorts of topics but often about heroic women. I read about Marie Curie, Nurse Cavell, Florence Nightingale, and yes, Marie Tussaud—who made a career out of creating wax portraits of celebrities such as Jean-Jacques Rousseau, Benjamin Franklin and Voltaire, and was then forced to immortalise the dead during the Reign of Terror.

Belinda Lyons-Lee's story which is based on these real events begins in the aftermath. Still traumatised by her own brush with death because she'd been judged a royalist, Marie agrees to go to London with Philidor as side-kick to his automaton shows. She knows he is a charlatan, but it's a chance to make a fresh start in safety and to make a home for herself and her two boys. It is her job to make the wax models, and Philidor's to automate them, bringing the dead back to life. But from the start they have very different perceptions about who will have control: creative control; control of the money; control of the publicity, and control of managing the show itself. Philidor's refusal to listen to Marie results in catastrophe on their first night because he doesn't understand that wax can't be exposed to light and heat for too long. 'Marie Antoinette' melts because the show goes for longer than the stipulated hour.

This disaster, however, is the catalyst for the Gothic elements to enter the story. The eccentric Duke of Cavendish hires the pair, stipulating bizarre conditions and a contract which compels them to create an automaton to his strict instructions. In return, he provides the venue for their new show underneath his mansion at Welbeck Abbey, amid fifteen miles of tunnels and rooms, including a ballroom. Before long, Marie is doing the things that characters do in Gothic novels, which is not to say that these things are clichés, it's to say that the author has the atmospherics right.

To read the rest of my review please visit https://anzlitlovers.com/2021/04/20/tussaud-by-belinda-lyons-lee/
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Gemarkeerd
anzlitlovers | Apr 20, 2021 |

Statistieken

Werken
2
Leden
6
Populariteit
#1,227,255
Waardering
4.0
Besprekingen
2
ISBNs
7