Sine Van Mol
Auteur van Mina lieverd
Over de Auteur
Werken van Sine Van Mol
Emilio 1 exemplaar
Wat zit er in die doos? 1 exemplaar
Tagged
Algemene kennis
- Geboortedatum
- 1945-05-02
- Nationaliteit
- België
- Woonplaatsen
- Kalmthout, België
Leden
Besprekingen
Prijzen
Misschien vindt je deze ook leuk
Gerelateerde auteurs
Statistieken
- Werken
- 12
- Leden
- 58
- Populariteit
- #284,346
- Waardering
- 3.2
- Besprekingen
- 19
- ISBNs
- 14
- Talen
- 2
Originally published in Belgium as Mina lieverd, (literally: "Mina Sweetheart"), Meena is a book that I initially sought out due to my interest in witchy picture-books - a perennial pet project of mine. It wasn't clear to me, from the book description, whether the eponymous figure was actually a witch (perhaps just a nicer one than the children believed), or simply an old woman mistaken for a witch by frightened and silly young children. Either way, I thought it would be interesting, especially as translated children's literature is another pet project of mine. As it happens, it is an example of the latter story type, and addresses themes of intergenerational mistrust and (eventually) friendship. Another picture-book example of this story type would be Carol Carrick's Old Mother Witch, while a classic children's novel to explore the theme would be Elizabeth George Speare's The Witch of Blackbird Pond. Given my general interest in the the depiction of witches in children's literature, I have created two separate tags to track these different but related story-types: "witchy-witches" for tales of actual witches, and "the crone" for those featuring old women who are mistaken for witches. Although Meena belongs more fully to the latter category, I have also retained the "witchy-witches" tag, given some of the early illustrations in the book, which depict the children's imaginary visions of Meena in witchy garb.
Leaving all of that aside, as interesting as I found this book, from a story-type perspective, and as much as I appreciated the eventual message of friendship between the young and old that it promulgated, I had some mixed feelings about the way in which the story itself was told. I suppose that it is realistic that children can sometimes be very mean-spirited, but I found Christa, Klaas and Thomas terribly unsympathetic, and therefore had difficulty entering fully into the pleasure that the happy ending was no doubt meant to evoke. While their fear of Meena might have been natural, the trio's persistent nastiness to her felt very unpleasant. I have vivid memories of the elderly woman who lived in my own neighborhood, growing up, and how we local children believed she was a witch, living in her massive house on the hill, with its dark brown wooden shingles. Truth be told, we were all a little frightened of her, and yes, we sometimes told stories about her, amongst ourselves. That said, our parents would have had something to say, had we gathered outside her house, writing things on the sidewalk about her, and chanting nasty refrains outside her window. This seems to cross more into the terrain of bullying and elder abuse, than simple fear of the elderly, which is (alas) sometimes present in the very young. Despite my distaste at the behavior of the children - and after all, young people can behave in these ways, so Sine van Mol's narrative is in no way unbelievable - I did find this story engaging overall. The artwork from Carianne Wijffels, which looks to have been done in a variety of media, including collage, is quite interesting. I liked the vivid use of color, and how this was contrasted with the elements created in a more restrained blue outline. All in all, an interesting and engaging picture-book, one that I would recommend to readers seeking children's stories about relations between the young and the elderly.… (meer)