Afbeelding auteur

Ezekiel Mphahlele (1919–2008)

Auteur van Down Second Avenue

18+ Werken 355 Leden 4 Besprekingen

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Werken van Ezekiel Mphahlele

Gerelateerde werken

Vertel mij (2004) — Medewerker — 346 exemplaren
Against Forgetting: Twentieth-Century Poetry of Witness (1993) — Medewerker — 334 exemplaren
Afrika indruk Afrikaanse verhalen (1985) — Medewerker — 147 exemplaren
Under African Skies: Modern African Stories (1997) — Medewerker — 92 exemplaren
An African Treasury (1960) — Medewerker — 69 exemplaren
The Penguin Book of Southern African Stories (1985) — Medewerker — 49 exemplaren
An African Quilt: 24 Modern African Stories (2012) — Medewerker — 17 exemplaren

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A 1979 novel about tyranny by a South African writer. It's divided into three sections, named for each of the three main characters:
  • Chirundu, the ambitious government minister, convinced he is “destined for great things”
  • Tirenje, Chirundu’s devoted wife, who divorces him after he takes a second wife in secret
  • Moyo, Chirundu’s nephew, a trade union activist who leads a strike against his uncle’s transport ministry

Trust me, I have not spoiled the plot; the facts given above are all revealed quite early in the book.

The three sections are bracketed by chorus-like comic passages involving two refugee prisoners, from Zimbabwe and South Africa. Sometimes they converse with their visitors, Moyo or a South African teacher called Studs Letanka. The tale is set in a fictionalized Malawi immediately before and after independence, in the 1950s and '60s. There is a python motif throughout the book. The characters come from a kaleidoscope of ethnic groups: Bemba, Lozi, Tumbuka, Tonga [Chi]Nyanja, etc. History is invoked, and there are memories of wars with Ngoni and with Yao slave raiders. Studs Letanka says:
…we must know where we came from to understand where we are — where we’re going — we must remember — that’s a tremendous gift — memory — you know what I mean? Not to forget. But we cannot now hold ceremonies over the millions dead and gone during the long journey in slavery — the journey across the seas. Memory should strengthen us, it should not detain us in the funeral parlour or at the graveside — it gets tiresome to have to keep going to funerals without corpses — I am tired, God! —
That’s a good sample of Mphahlele’s loquacious, unpolished, introspective style. This is a book of thoughts and anxieties about the future.
… (meer)
 
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Muscogulus | Feb 4, 2024 |
Stories about ordinary people in 1960s/70s South Africa (plus a couple about Nigerian life). His stories are often subtle and very, very telling observations on the price of apartheid on specific individuals while illustrating the horrors and costs of that system.
 
Gemarkeerd
Gypsy_Boy | Aug 26, 2023 |
In this memoir, Mphahlele describes the first 38 years of his life, up to the moment when he went into exile in 1957 to teach in Nigeria. He talks about his early childhood living with his father's parents in a village in a "tribal area" of northern Transvaal, then his teens when he lived with his mother in Marabastad township ("Second Avenue") outside Pretoria, the most detailed section of the book, and the part that reads most like a novel. We move on to his difficult struggle to get an education, always haunted by the knowledge of the sacrifices his single mother was making to pay his fees (she works as a domestic servant, does white people's laundry, and brews and sells illegal beer), and his determination not to fail at any point. He qualifies as a teacher, and, after a spell in a clerical job at an institution for the blind, goes to teach at Orlando High School just in time to get swept up in the campaign against the Bantu Education Acts of the 1950s. As secretary of the Transvaal Teachers' Association, he is sacked and blacklisted by the Education Department, and eventually finds work on Drum magazine until he can get permission to leave South Africa.

Although this is the story of an ambitious self-improver who is transformed by circumstances into a community activist who comes close to destroying his family's livelihood through the work he is doing for others, Mphahlele's modesty (plus perhaps legitimate concerns for colleagues still in South Africa) means there isn't much emphasis on how this transformation in his character happened, or on the actual political work he was doing. We have to follow his political development indirectly, through the many little descriptions of incidents in his life that make clear the nastiness of the mid-20th century South African system and the way it made internalised racism inevitable for both black and white South Africans.

A wonderfully-written, warm, sympathetic account of growing up in difficult conditions in a lively, dangerous community, but also a chilling, clear-sighted indictment of the racism, self-interest and inequality that underlay that situation.
… (meer)
 
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thorold | 1 andere bespreking | Jun 8, 2020 |
An interesting book. (Auto)biography. The first part I found the most interesting, when Mphahlele was young(er).
For me it added another voice telling me one of the many stories there are to tell about South Africa & apartheid like it used to be.
½
 
Gemarkeerd
BoekenTrol71 | 1 andere bespreking | Jan 22, 2017 |

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Statistieken

Werken
18
Ook door
9
Leden
355
Populariteit
#67,468
Waardering
3.8
Besprekingen
4
ISBNs
43
Talen
1

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