Chinelo Okparanta
Auteur van Under the Udala Trees
Over de Auteur
Chinelo Okparanta was born in Port Harcourt, Nigeria. She was ten years old when her family moved to the United States. She is a graduate of Pennsylvania State University (Bachelors of Science), Rutgers University (Master of Arts), and the Iowa Writers' Workshop (Masters of Fine Arts). Her short toon meer stories have been published in Granta, The New Yorker, Tin House, The Kenyon Review, The Southern Review TriQuarterly, Conjunctions, Subtropics and The Coffin Factory. Her first short story collection, Happiness, Like Water, won the 2014 Lambda Literary Award for Lesbian Fiction and was named one of The Guardian's Best African Fiction of 2013. Her essays have appeared in Granta AGNI, The Story Prize blog, and the University of Iowa International Writing Program blog. Her first novel, Under the Udala Trees, was published in 2015 and won the 2016 Lambda Literary Award in the General Lesbian Fiction category. (Bowker Author Biography) toon minder
Fotografie: lithium.com Rolex/Bart Michiels
Werken van Chinelo Okparanta
Sotto gli alberi di udala (Italian Edition) 1 exemplaar
Gerelateerde werken
New Daughters of Africa: An International Anthology of Writing by Women of African Descent (1992) — Medewerker — 88 exemplaren
Tagged
Algemene kennis
- Geboortedatum
- 1981
- Geslacht
- female
- Nationaliteit
- Nigeria
- Geboorteplaats
- Port Harcourt, Nigeria
- Agent
- Jin Auh
Leden
Besprekingen
Lijsten
Best Young Adult (1)
Prijzen
Misschien vindt je deze ook leuk
Gerelateerde auteurs
Statistieken
- Werken
- 5
- Ook door
- 7
- Leden
- 870
- Populariteit
- #29,419
- Waardering
- 3.8
- Besprekingen
- 39
- ISBNs
- 32
- Talen
- 3
A word of warning that the synopsis on the back of this book of being a 'coming of age' story and about 'young love' is misleading. The young love plotline is treated as a matter-of-fact stepping stone summed up in 25 pages of a 300+ page book and as a flashback. There is more focus and time spent in the book quoting biblical stories and sayings and rhetoric that pushes anti-queer love.
All that being said, I understand the strong sense of religiosity portrayed as Nigeria is a highly religious country and the story itself was well written with a good pacing structure to keep the reader moving despite the heavy content.
It is a beautifully written book, but also incredibly disheartening and ends with a sense of hopelessness. A strong impact to remind others that queer love is something still illegal, highly victimized, and punishable by death in some places.… (meer)