Afbeelding van de auteur.

Claes Oldenburg (1929–2022)

Auteur van Claes Oldenburg: An Anthology

82+ Werken 531 Leden 5 Besprekingen

Over de Auteur

Fotografie: Claes Oldenburg, 2012.

Werken van Claes Oldenburg

Claes Oldenburg: An Anthology (1995) 70 exemplaren
Notes in hand (1971) 54 exemplaren
Claes Oldenburg: Drawings and Prints (1969) — Samensteller — 32 exemplaren
Claes Oldenburg: Early Work (2005) 16 exemplaren
Claes Oldenburg (2012) — Fotograaf — 9 exemplaren
Images a la Carte (2004) 6 exemplaren
Claes Oldenburg: Shelf Life (2017) 4 exemplaren
Zeichnungen von Claes Oldenburg (1976) 4 exemplaren
Notes 4 exemplaren
Inverted Collar and Tie (1994) 3 exemplaren
Store Days (1967) 2 exemplaren
The European desktop (2010) 2 exemplaren
The Haunted House (1987) 1 exemplaar
Claes Oldenbug : SM 1 exemplaar
Claes Oldenburg (1964) 1 exemplaar
The Multiples Store. (1996) 1 exemplaar

Gerelateerde werken

Theories of Modern Art: A Source Book by Artists and Critics (1968) — Medewerker — 754 exemplaren
Pop Art Redefined (1969) — Medewerker — 66 exemplaren
In Memory Of My Feelings (1967) — Illustrator — 64 exemplaren
Il Corso del coltello = The Course of the knife (1986)sommige edities22 exemplaren
Claes Oldenberg and Coosje Van Bruggen (2002) — Medewerker — 12 exemplaren

Tagged

Algemene kennis

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Besprekingen

First edition of 1.000 copies, reprinted in 2007. Offered on the internet in February for prices from USD 20,-.
 
Gemarkeerd
FlipBool | Mar 9, 2024 |
This breezy and acerbic collection of early writings and illustrations by Oldenburg presents gnomic visions of an earlier America. Oldenburg’s hand shines through in the loose, vivid prose and in the overall presentation. The pamphlet includes “Two Scenarios from an Incomplete Pageant of America,” a pair of excerpts from the longer, unfinished narrative “Faustina,” and a postscript.

Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet series was envisioned by founding editor Dick Higgins as a “poor man’s keys to the new art,” or a means of exposing the most vital work of the time to a mass-market audience, and vice versa. The series made uncompromisingly radical work maximally accessible, with slim, chapbook-like publications of a mostly uniform, pared down design. Taken together, the pamphlets constitute a firsthand survey of the sixties avant-garde (Higgins, Barbara Moore, and Emmett Williams all had a hand in the editorial process) that is both sweeping and utterly unique, transmitting a still-vibrant signal of expanded possibility in art, music, and poetry. Presented here in a facsimile edition, the Great Bears epitomize the utopian vision of Higgins and Something Else.… (meer)
 
Gemarkeerd
petervanbeveren | Jan 22, 2023 |
Claes Oldenburg kept a series of pressure binders in which he mounted scraps of paper and drawings, and made notes. This selection of fifty pages from his notebooks is colorful and playful, with his scribblings decoded on the facing pages. At the end of the book, there are notes on which of the pages were eventually the inspiration for completed works.
 
Gemarkeerd
petervanbeveren | Jul 14, 2022 |
Claes Oldenburg, multiples 1964 - 1990 : [erscheint anlässlich der Ausstellungen: Claes Oldenburg: Multiples 1964 - 1990 ; Portikus, Frankfurt am Main, 22. Februar - 31. März 1992 ; Lenbachhaus München, 8. April - 10. Mai 1992 ; Hochschule für Angewandte Kunst in Wien, 6. Oktober - 21. November 1992] / [Katalogkonzeption und -bearb.: Martin Hentschel. Übers.: Christoph Hollender]
 
Gemarkeerd
vecchiopoggi | Oct 16, 2016 |

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Statistieken

Werken
82
Ook door
5
Leden
531
Populariteit
#46,874
Waardering
4.1
Besprekingen
5
ISBNs
42
Talen
4

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