Caroline Overington
Auteur van I Came to Say Goodbye
Over de Auteur
Caroline Overington was born in Melbourne, Australia in 1970. She earned her degree from Deakin University. and is a senior journalist for the Australian. She is the author of Last Woman Hanged which won a Davitt Award 2015 in the True Crime Book category. Her other work includes the bestseller, toon meer The One Who Got Away, published in 2016. (Bowker Author Biography) toon minder
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Looking for Eden: An Audible Original 2 exemplaren
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Tagged
Algemene kennis
- Geboortedatum
- 1970
- Geslacht
- female
- Nationaliteit
- Australia
- Geboorteplaats
- Melbourne, Victoria, Australia
- Woonplaatsen
- New York, New York, USA
Santa Monica, California, USA
Bondi, New South Wales, Australia - Opleiding
- Deakin University
- Beroepen
- journalist
editor - Organisaties
- The Australian
- Prijzen en onderscheidingen
- Walkley Award for Investigative Journalism (2004)
Blake Dawson Prize for Business Literature
Sir Keith Murdoch Prize for Journalism (2006) - Korte biografie
- Caroline Overington is a bestselling Australian author and an award-winning journalist. She has written eleven books, including the top ten bestseller The One Who Got Away, and Last Woman Hanged, which won the Davitt Award for True Crime Writing in 2015. She has profiled many of the world's most famous women, including Oprah Winfrey and Hillary Clinton, and has twice won the Walkley Award for Investigative Journalism. She has also won the Sir Keith Murdoch Award for Journalistic Excellence and the Blake Dawson Prize for Business Literature. Caroline is currently Associate Editor at The Australian and is based in Sydney. [retrieved 6/1/2017 from Amazon.com]
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Statistieken
- Werken
- 16
- Ook door
- 1
- Leden
- 590
- Populariteit
- #42,530
- Waardering
- 3.5
- Besprekingen
- 41
- ISBNs
- 74
Although this novel has strong, clearly-drawn, relatable characters, perfectly-pitched dialogue and some moments of real tension, I found myself increasingly disengaged from it as I reached the final third of the book.
It felt to me that this was a story that twisted in my hands, starting as one thing and ending as something else.
I loved the night-before-Lockdown opening. It was surprising but credible and more than a little menacing. The life of the about-to-turn-seventy widower-of-many-years who copes with loneliness by sticking to a routine that includes daily early-morning swims on Bondi Beach and fishmongers or beans on toast in front of the telly in the evening was described with a nice combination of accuracy and empathy.
For the first couple of hours, this felt like a thriller. There was mistrust, which may or may not have been paranoid and sharing and support that may or may not have been cynical manipulation. The stakes kept getting higher until, eventually, things got physical. I'd expected the story to climax there, releasing the tension and using a short epilogue to tie things up.
That wasn't what happened. As the thriller plot rolled forward, more and more time was spent on the character and history of the various family members. It was good stuff but it was more detailed than a thriller required and I felt it kept dissipating the tension the thriller plot had created. By the end of the book, the family drama part of the story had become dominant and the final chapters were spent not in tying up loose ends in the thriller plot but in fleshing out the history behind the domestic drama and driving rather determinedly towards a more or less happy ending.
This didn't work for me. I ended the book thinking that I'd met some interesting characters but missed out on the chance for a thriller-in-a-time-of-COVID that I would have enjoyed a lot more.… (meer)