Afbeelding van de auteur.

Katherine Anne Porter (1890–1980)

Auteur van Middagwijn en andere verhalen

64+ Werken 4,494 Leden 74 Besprekingen Favoriet van 20 leden

Over de Auteur

Katherine Anne Porter is known for her subtle and delicate perception; her careful, disciplined technique; and her precision of word and phrase. She wrote slowly and with restraint but achieved an impression of ease and naturalness that is close to perfection. She was born in Texas, schooled in toon meer Louisiana convents, and, working as a newspaper reporter and freelance journalist, traveled to such places as Paris, Majorca, Berlin, Vienna, and Mexico. Her Collected Stories (1965), which won both the Pulitzer Prize and the National Book Award in 1966, was written over a long lifetime. It includes works that have been a standard part of high school and college literature courses for a half-century. Among the best are "Noon Wine," "The Jilting of Granny Weatherall," and "Flowering Judas." "Pale Horse, Pale Rider," long enough to be considered a novelette, is one of several stories about a character named Miranda who as a girl and young woman undergoes experiences not unlike those of Porter. Other Miranda stories are "Old Mortality" and a group of seven gathered under the title "The Old Order" that deal with her childhood. Her one and only full-length novel, Ship of Fools (1962), 20 years in the writing, "is the story of a voyage... . A novel of character rather than of action, it has as its main purpose a study of the German ethos shortly before Hitler's coming to power in Germany... ."Ship of Fools' is also a human comedy and a moral allegory" (New Yorker). To some critics, the book was a disappointment, but all recognized its importance and it appeared on the bestseller list for 28 weeks in 1962. "In my view," wrote Robert Penn Warren in a tribute published in Saturday Review after Porter's death in 1980, "the final importance of Katherine Anne Porter is not merely that she has written a number of fictions which have enlarged and deepened the nature of the story, both short and long, in our time, but that she has created an oeuvre---a body of work including fiction, essays, letters, and journals---that bears the stamp of a personality, distinctive, delicately perceptive, keenly aware of the depth and darkness of human experience, delighted by the beauty of the world and the triumphs of human kindness and warmth, and thoroughly committed to a quest for meaning in the midst of the ironic complexities of man's lot." Much of the nonfictional part of that body of work was gathered into The Collected Essays and Occasional Writings of Katherine Anne Porter. (Bowker Author Biography) toon minder
Fotografie: UPress, University Press of Mississippi

Werken van Katherine Anne Porter

Middagwijn en andere verhalen (1964) 1,158 exemplaren
Het narrenschip (1962) 1,137 exemplaren
Flowering Judas and Other Stories (1935) 202 exemplaren
The Never-Ending Wrong (1977) 63 exemplaren
Letters of Katherine Anne Porter (1990) 37 exemplaren
Seven Contemporary Short Novels [second edition] (1969) — Medewerker — 35 exemplaren
Ship of Fools [1965 film] (1965) — Original book — 29 exemplaren
Noon wine (1937) 28 exemplaren
A Christmas Story (1958) 24 exemplaren
Ship of Fools 2 (1981) 24 exemplaren
Ship of Fools 1 (1981) 21 exemplaren
The Days Before (1952) 16 exemplaren
Old Mortality (1983) 7 exemplaren
A defense of Circe (1955) 7 exemplaren
Los Premios Pulitzer de Novela Vol.VIII (1971) — Medewerker — 4 exemplaren
Hacienda (1934) 4 exemplaren
The Grave 2 exemplaren
A Day's Work 2 exemplaren
María Concepción 2 exemplaren
[No title] 1 exemplaar
Brod budala 1 exemplaar
Antologia do conto moderno — Auteur — 1 exemplaar
Det skæve tårn 1 exemplaar
Rope 1 exemplaar
Theft 1 exemplaar
He 1 exemplaar
The Fig Tree (1990) 1 exemplaar
Amerikan Kısa Öyküleri (2018) — Medewerker — 1 exemplaar

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An Anthology of Famous American Stories (1953) — Medewerker — 137 exemplaren
Read With Me (1965) — Medewerker — 129 exemplaren
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The Experience of the American Woman (1978) — Medewerker — 46 exemplaren
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The Secret Self: A Century of Short Stories by Women (1995) — Medewerker — 33 exemplaren
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Stories of Initiation. (Lernmaterialien) (1978) — Medewerker — 12 exemplaren
31 Stories (1960) — Medewerker — 12 exemplaren
American Short Stories, Vol.5, The Twentieth Century (1957) — Auteur, sommige edities11 exemplaren
Gringos in Mexico: An Anthology (1988) — Medewerker — 10 exemplaren
A New Southern Harvest (1957) — Medewerker — 10 exemplaren
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Husbands and Lovers (1949) — Medewerker — 2 exemplaren
Enjoying Stories (1987) — Medewerker — 2 exemplaren
The PL book of modern American short stories (1945) — Medewerker — 1 exemplaar
The Ethnic Image in Modern American Literature, 1900-1950 (1984) — Medewerker — 1 exemplaar
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Besprekingen

5 STARS for "The Source," " The Witness," and "The Old Order" - 2 stars for the rest with
really slow plots and no characters to connect with.

The book begins by displaying a stereotypical narrative of lazy and watermelon eating negroes,
then quickly advances to the opposite with the tales of Grandmother and Aunt Nannie.

Nannie originally was gifted to Grandmother as a slave, then emancipated.
Their friendship and sewing were a joy to read, as was Nannie's eventual freedom to live alone and happy.… (meer)
 
Gemarkeerd
m.belljackson | 1 andere bespreking | Feb 14, 2024 |
This book contains 3 short novellas (as so described) from a very famous, highly regarded author who died in 1980. It was the first of her works I had read, and I was impressed & glad this had been recommended to me. Each of the 3 stories is interesting, and the last was fantastic.

Here is a wonderful composition of words in Pale Horse, Pale Rider, by Katherine Anne Porter: “It is like turning a corner absorbed in your painful thoughts and meeting your state of mind embodied, face to face.”


That is the quality of writing and insight I found here.
… (meer)
 
Gemarkeerd
RickGeissal | 13 andere besprekingen | Aug 16, 2023 |
I haven’t previously read anything by this author, and hope not to read any more stories by her.

I will first admit that from the beginning I didn’t like this story – I liked nothing about it.

Neither did I understand the point of it.

Laura is the protagonist. She is visited by Braggioni almost every night; he strums his guitar and sings to her.

Laura is tired when she comes home and wants to lie down but she doesn’t say so; she says “Have you a new song for me this evening?” (She sounds like a woman who loves too much.)

Laura listens “with pitiless courtesy”. “--- she does not smile at his miserable performance.”

Braggion is sensitive to slights and it is dangerous to offend him.

He is a skilled revolutionist with an excess of self-love.

He has a “gluttonous bulk”.

There is a “disunion between her way of living and her feeling of what life should be”.

It is not explained how Laura comes to end in this situation with the unwanted visits of the obese, singing Braggioni, and why she cannot do something to get rid of him.

She is in Mexico, where she teaches children English. She visits prisoners and brings them food, cigarettes, money and messages.

The author states that the “scarlet blossoms” of the Judas tree are “dull purple”. How can they be both?? But we are not told where the Judas tree is.

The scrawny Braggione is a poet and a leader of men. How can he be both scrawny and have a gluttonous bulk? Or perhaps he once was scrawny and later grew gluttonous and obese?

He has “good food and abundant drink”. He has a wife. He confesses “One woman is really as good as another for me, in the dark.”

Braggione loves pistols, cannon and, best of all, dynamite.

We are told that Eugenio’s body has not yet been discovered by the guard, but we have not been introduced to Eugenio, and don’t know who he is.

It turns out Eugenio had taken tablets given to him by Laura, all of them. Why does she give him tablets that can kill him, whoever he is?

Braggioni’s wife weeps constantly – he is the cause of all her sorrows. I would also weep constantly if I were married to Braggioni.

This is such a confused story: we are not told things clearly.

Yet it was much appreciated when first published and probably still is. In 1966 the author received a Pulitzer Prize.

In the final paragraph Laura has a dream where she is told to leave the house. She reaches for Eugenio’s hand. The Judas tree is in the dream and sets her upon the earth and finally to a sea that is not water but a desert of crumbling stone.

Eugenio says he is taking her to Death and they must hurry as it is a long way off. He strips the “warm, bleeding flowers” from the Judas tree and Laura eats the flowers greedily. Eugenio calls her ”Murderer” and ”Cannibal!”

I assume the dream means she quickly has to get away from Braggioni, but she is going to Death, nonetheless. And I fail to understand the significance of the Judas tree.

Read the story at your peril!
… (meer)
 
Gemarkeerd
IonaS | Dec 2, 2022 |
It wasn't perfect, but it was interesting. Seeing everything from the granny's point of view was both fascinating and frightening.
 
Gemarkeerd
BooksbyStarlight | Oct 25, 2022 |

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Statistieken

Werken
64
Ook door
80
Leden
4,494
Populariteit
#5,575
Waardering
3.8
Besprekingen
74
ISBNs
139
Talen
10
Favoriet
20

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