Michael Reaves (1) (1950–2023)

The novel is not bad, but it's not great, either. The new characters are -- with a decent exception or two -- largely forgettable tropes (the ace fighter pilot, the attractive bartender, the conscripted surgeon, etc.), and the established ones ring slightly off to me. Particularly Tarkin is not quite as I know him from the films and cartoons -- though in fairness, this might be due to established EU personality traits I'm not aware of. Vader is better, though his sections suffer from the bending over backwards to make sense of his actions and dialogue in light of both the prequel films and the vast EU continuity largely grown before those films were made.

I was hoping for a political thriller about the creation of the galaxy's most horrific invention, and instead I got a street-level-view of said invention's launch and demise. But it's decent, and once the novel hit the halfway point, it picked up a lot of steam carrying through to the end, which I enjoy as a reader.… (meer)

Pretty average, except for A Study in Emerald, which works as an affectionate tribute to Sherlock Holmes with a decent twist. It plays a bit loose with Lovecraft but in a good way - some of the stories don't seem to get Lovecraftian horror at all.

The big problem is that the Holmes format and Lovecraft format are totally at odds with each other. Lovecraft stories end with a horror ending where people lose their sanity, nothing is understandable and there's no hope for the future. In a Holmes story the ending is (usually) happy, everything is resolved and everything is explained as being entirely logical, while clues throughout the story make the ending satisfying. These stories typically follow a pretty unhappy medium. Even attempts to portray some permanent effect on Holmes' or Watson's mind falls flat when the next story has them yet again baffled and confused about the idea of Lovecraftian cults existing, despite them having just confronted them. Obviously that's somewhat unavoidable in a short story collection like this but it is a little silly. Most of the stories have unpleasant things happen to the characters yet Holmes and Watson escape mostly unscathed. Multiple stories seem to have a very loose handle on Holmes' character and speaking style, which is pretty jarring. One story dedicates pages to a lovingly described firefight in the London sewers, which is neither very Lovecraftian or Sherlockian. One story is based on Moriarty recording his plans to control the world on a wax cylinder, live, while he's doing them. There's a story that featured something from Jewish folklore that almost felt anti-semitic because of the weird way it was handled.

I feel like more stories could have done with trying to break away from some of the Lovecraft mythology while still keeping some of the spirit. Some of them quote Lovecraft stuff but make it incredibly mundane.

I guess I feel most of the stories failed to work as either a Lovecraft story or a Holmes story and ended up not making much of an impact. It was alright enough but just not exciting and too much repetition of basic story premises.… (meer)