Afbeelding van de auteur.

Ethel Smyth (1858–1944)

Auteur van Impressions That Remained: Memoirs

26+ Werken 82 Leden 2 Besprekingen Favoriet van 1 leden

Over de Auteur

Fotografie: Ethel Smyth (right) and Virginia Woolf. Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Werken van Ethel Smyth

The Memoirs of Ethel Smyth (1987) 11 exemplaren
Streaks of life 5 exemplaren
As time went on (1936) 4 exemplaren
What Happened Next (1940) 3 exemplaren
The Wreckers (1994) 2 exemplaren
A Final Burning of Boats etc. (1928) 2 exemplaren
Maurice Baring (1938) 2 exemplaren

Gerelateerde werken

Ethel Smyth: A Biography (1959) — Associated Name — 11 exemplaren
Little Innocents: Childhood Reminiscences (1932) — Medewerker — 9 exemplaren

Tagged

Algemene kennis

Gangbare naam
Smyth, Ethel
Officiële naam
Smyth, Dame Ethel Mary
Pseudoniemen en naamsvarianten
SMYTH, Dame Ethel Mary
SMYTH, Ethel
Geboortedatum
1858-04-23
Overlijdensdatum
1944-05-08
Geslacht
female
Nationaliteit
UK
Woonplaatsen
Woking, Surrey, England, UK
Leipzig, Germany
Frimhurst, Surrey, England, UK
Opleiding
Leipzig Conservatory, Germany
Beroepen
composer
Prijzen en onderscheidingen
Dame of the Order of the British Empire

Leden

Besprekingen

Ethel Smyth seems to be one of those names that has not endured on lists of great women, great composers, or even the short list of great women of music which is unfortunate as this book remains one of the few remaining accounts of what must be one of the most interesting women of classical music, the suffragette movement or life at the dawn of the twentieth century.

Fortunately Ethel Smyth is as good a writer and biographer as she was a composer and this little volume is filled to capacity with fascinating accounts of her relationships with some of history’s most fascinating names.

Not to say that the stories of her life minus the more recognizable names are nothing short of unforgettable. There’s the fight that she put up to get her father to send her to music school, her early academic life and career in Liepzig Germany and her modest success in music of the day, in spite of being the only woman pursuing a career in the field. Then there’s her work as a suffragette and the act of vandalism with a brick through a window that saw her charged and imprisoned at Holloway during which she was to write the unforgettable anthem of the movement, the March of the Women. Sir Thomas Beecham visited her in prison to find her teaching her fellow inmates the song, enthusiastically conducting the choir with a toothbrush. A later story has a reporter visiting her post release from prison at home for an interview to find that she had tied herself to a tree to practice conducting without moving her body so as to become more subtle a conductor.

In addition to the suffragette anthem Smyth wrote some six operas (including the Wreckers which seems to have been dusted off in recent years and is enjoying a new audience on both sides of the Atlantic) and a Mass in the key of D that is quite unforgettable and which places her amongst the most competent of her contemporaries. And they included Brahms, Schumann (and his wife Clara) and Grieg. Her circle and many of the stories in Impressions that Remained included Emeline Pankhurst, the empress Eugénie and Virginia Woolf. This little book is not easy to find, but if you do, you will be tempted to lock yourself up and read it in one sitting!
… (meer)
 
Gemarkeerd
Antonio_Arch | Mar 14, 2019 |
Record of a journey in primitive pre WW II Greece by the intrepid & distinguished composer and feminist with her great-niece Elizabeth Williamson. Fascinating, but the black and white illustrations by other photographers are undistinguished.
 
Gemarkeerd
gibbon | Nov 5, 2005 |

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Statistieken

Werken
26
Ook door
2
Leden
82
Populariteit
#220,761
Waardering
5.0
Besprekingen
2
ISBNs
5
Talen
1
Favoriet
1

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