Lidia Storoni Mazzolani (1911–2006)
Auteur van The Idea of the City in Roman Thought
Over de Auteur
Fotografie: Lidia Storoni Mazzolani
Werken van Lidia Storoni Mazzolani
Sul mare della vita 3 exemplaren
Le sacre sponde: storie e miti del mondo greco 1 exemplaar
Geen titel 1 exemplaar
Profili Omerici 1 exemplaar
Gerelateerde werken
The Annals of Tacitus: Volume 2, Annals 1.55-81 and Annals 2 (Cambridge Classical Texts and Commentaries) (1981) — Vertaler, sommige edities — 19 exemplaren
Tagged
Algemene kennis
- Gangbare naam
- Storoni Mazzolani, Lidia
- Geboortedatum
- 1911-01-30
- Overlijdensdatum
- 2006-09-11
- Geslacht
- female
- Nationaliteit
- Italy
- Geboorteplaats
- Rome, Italy
- Plaats van overlijden
- Rome, Italy
- Woonplaatsen
- Rome, Italy
- Opleiding
- Sapienza Università di Roma
- Beroepen
- Writer
Journalist
Translator
Historian - Korte biografie
- Lidia Mazzolani Storoni was born in Rome. Her father Ulderico Mazzolani was a lawyer and member of Parliament. She attended the Ennio Quirino Visconti di Roma liceo. In 1931, she married Enzo Storoni, an anti-Fascist politician, with whom she had two daughters. She graduated with a degree in arts from the University of Rome, La Sapienza. She became an historian of the ancient Roman world, specializing in the Imperial era. Her best known work is probably Empire Without End (1976). She also wrote other nonfiction, including biographies and essays. She also translated Latin classical texts by writers such as Livy, Cicero and Tacitus, and modern works by authors such as Margaret Yourcenar into Italian. She also contributed articles to magazines and newspapers, including La Stampa, Il Giornale, and La Repubblica. Her interests extended to archaeology and she collaborated on the documentary film De immortalitate (1990), directed by Luigi Bazzani, about the ancient Etruscans and early Christians.
Leden
Besprekingen
Statistieken
- Werken
- 19
- Ook door
- 6
- Leden
- 136
- Populariteit
- #149,926
- Waardering
- 3.9
- Besprekingen
- 1
- ISBNs
- 22
- Talen
- 2
L'epigrafe latina di una donna romana, Turia, una domina di tutto rispetto di cui, per ironia della sorte, si è tramandata conoscenza fino ad oggi.
"Essi hanno fermato nel marmo un momento del tempo; non rappresentano soltanto, come tutte le iscrizioni biografiche, i fatti personali, i sentimenti del defunto e dei superstiti; dietro i loro volti, ripresi in primo piano, nello sfondo si vedono muovere gli altri, i grandi, quelli che facevano storia."… (meer)