Rachel Swirsky
Auteur van Eros, Philia, Agape
Over de Auteur
Werken van Rachel Swirsky
Lightspeed Magazine, Issue 49 • June 2014 (Women Destroy Science Fiction! special issue) (2014) — Redacteur — 160 exemplaren
Fields of Gold 13 exemplaren
Grand Jeté (The Great Leap) 6 exemplaren
Again and Again and Again 6 exemplaren
Great, Golden Wings 5 exemplaren
The Woman at the Tower Window 3 exemplaren
Captain Blackheart Wentworth 3 exemplaren
Destroyed by the Waters {short story} 2 exemplaren
Abomination Rises on Filthy Wings 2 exemplaren
Where Shadows Meet Light 2 exemplaren
No longer you [short fiction] 2 exemplaren
A Monkey Will Never Be Rid Of Its Black Hands 2 exemplaren
Marrying The Sun 2 exemplaren
Also, the Cat: A Tor.Com Original 2 exemplaren
Needle And Thread 1 exemplaar
Dispersed by the Sun Melting in the Wind 1 exemplaar
The Sea Of Trees 1 exemplaar
If you were a Dinosaur my Love and Other Stories 1 exemplaar
Seven Months Out And Two To Go 1 exemplaar
Tea Time (short story) 1 exemplaar
Monstrous Embrace [short story] 1 exemplaar
Endless [short fiction] 1 exemplaar
Detours on the Way to Nothing 1 exemplaar
Heartstrung 1 exemplaar
The Stable Master's Tale [short fiction] 1 exemplaar
Undocumented 1 exemplaar
Skyscrapers 1 exemplaar
Silence 1 exemplaar
Single Card Spread 1 exemplaar
Mirror Images 1 exemplaar
Scene From A Dystopia 1 exemplaar
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Climbing Lightly Through Forests: A Poetry Anthology Honoring Ursula K. Le Guin (2021) — Medewerker — 3 exemplaren
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Tagged
Algemene kennis
- Geboortedatum
- 1982-04-14
- Geslacht
- agender
- Nationaliteit
- USA
- Geboorteplaats
- San Jose, California, USA
- Opleiding
- Clarion West (2005)
- Korte biografie
- Rachel Swirsky uses she/they/ze pronouns.
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- Populariteit
- #28,084
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- ISBNs
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UBI is definitely a principle that is shown in poor light here. There are maybe a FEW ways it's presented positively, but typically by a character shown as being in the wrong or untrustworthy in some way. Any positives seem vastly outweighed by the negatives. Since there's a storyline specifically with a journalist/activist angle on the subject, some of that comes in direct discourse rather than leaving the reader to draw their own conclusions. Granted, there is some back and forth in those sections on the different sides to the argument, but it felt like there was a clear "right answer" being presented. I don't even necessarily disagree, it just felt very one-sided in reading it.
Since this is split into four totally separate narratives, you could probably just choose one character and read their sections all the way through, then do the same with another character. This might help if you prefer less jumping between people and places. It took me 2 or 3 times with each to really place them, which was tough when there was only about 5 chapters for each character (short story). There might be some historical notes and nuance that would be missed until you went to the next character, but I think overall each of them is pretty discrete and coherent on their own.… (meer)