Margaret Wilson (1) (1882–1973)
Auteur van The Able McLaughlins
Voor andere auteurs genaamd Margaret Wilson, zie de verduidelijkingspagina.
Werken van Margaret Wilson
The Devon Treasure Mystery 3 exemplaren
The Law and the McLaughlins (The McLaughlins, #2) 3 exemplaren
The painted room 2 exemplaren
Tagged
Algemene kennis
- Geboortedatum
- 1882-01-16
- Overlijdensdatum
- 1973-10-06
- Geslacht
- female
- Nationaliteit
- USA
Leden
Besprekingen
Lijsten
Prijzen
Misschien vindt je deze ook leuk
Statistieken
- Werken
- 8
- Leden
- 188
- Populariteit
- #115,783
- Waardering
- 3.4
- Besprekingen
- 7
- ISBNs
- 45
- Talen
- 3
Tears were running down Isobel McLaughlin’s face as she finished. Though she never doubted that God was infinitely kind, she wondered at times why that something else, called life, or nature, should be so cruel.
It isn’t that you cannot understand what Margaret Wilson hopes to achieve with this novel. She would like us to think about the nature of revenge and forgiveness. She intends, I think, to highlight the responsibility of the strong to the weak, the nature of self-sacrifice. She means to promote Christian values.
She is not particularly effective in her efforts, because she is strangely inconsistent. Her main character is a young man by the name of Wully McLaughlin. Wully returns from the Civil War to find things at home are not as he left them. Wully is, by turns, very strong, determined and angry, and very weak, wavering and sentimental. I had a hard time reconciling the early image of the young soldier with the later images Wilson paints. At the end of the book, I had little sense of who Wully really was.
There are chapters of little or no forward movement, in which, I assume, we are expected to build some affinity with the characters. Sadly, for me, this did not happen. There is an almost side narrative that seems to never fit within the main storyline. Reactions are overblown to the point of hyperbole, and often do not seem to fit with the situation. I found some of the feelings of the characters simply impossible to understand, not the least of these being those of the young girl who is at the heart of the plot.
In my final complaint, I wonder what world-shaking activity Margaret Wilson felt she had to run off to when she wrote the ending to this novel. After building to what should have been a climactic end, she simply folds her tent and exits with a whimper. I’m sure Wilson intended to show Wully struggling with himself and his feelings, but what was left to me was a confused sequence of antithetical emotions that seemed unrealistic, if not impossible. I felt faintly dissatisfied.
Had this book not won the Pulitzer prize I would have simply counted it as a mediocre read. One cannot help expecting more from a Pulitzer. Not every winner is a winner.
… (meer)