Wu Hung
Auteur van Between Past and Future: New Photography and Video from China
Over de Auteur
Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor in Chinese art history at the University of Chicago.
Werken van Wu Hung
Transience: Chinese Experimental Art at the End of the Twentieth Century (1999) — Curator and Author — 32 exemplaren
Waste not : Zhao Xiangyuan & Song Dong = Wu jin qi yong : Zhao Xiangyuan & Song Dong (2009) 6 exemplaren
The First Guangzhou Triennial Reinterpretation: A Decade of Experimental Chinese Art (1990-2000) (2002) 6 exemplaren
Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture (2010) 2 exemplaren
Myth / History / 天人之际 1 exemplaar
Portraying Food (and the Absence of It) 1 exemplaar
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Mixing the idioms and the formality of documentary photography with a subtly foregrounded subjectivity, Yang Fudong is a representative of an exciting new strain in contemporary Chinese photography. Re-Imagining the Real assesses his photographic vocabulariy as expressions of a new 'stance' on contemporary China.
Catalogue for the exhibition "From Six Mile to Three Shadows-New Works by RongRong and inri" held at the Three Shadows Photography Art Centre (Caochangdi, China), July 2008.
This title ties the exhibition to two places in Beijing's east suburbs: Lulitun-Six Mile Village-where the two artists lived together before this traditional village was demolished in 2003, and the Three Shadows Photoraphy Art Centre at Caochangdi, which they together established in 2006. In a general sense, the fate of these two places representes Beijing's ongoing destructio and construction as well as the rapid changes in contemporary Chinese art over the past five years.
(Abstract from foreward by curator Wu Hung)… (meer)
This title ties the exhibition to two places in Beijing's east suburbs: Lulitun-Six Mile Village-where the two artists lived together before this traditional village was demolished in 2003, and the Three Shadows Photoraphy Art Centre at Caochangdi, which they together established in 2006. In a general sense, the fate of these two places representes Beijing's ongoing destructio and construction as well as the rapid changes in contemporary Chinese art over the past five years.
(Abstract from foreward by curator Wu Hung)… (meer)
Catalogue for a touring exhibition held at Sixth Gwangju Biennale (2006), Re-Imagining Asia in Germany and England (2007, 2008) and at MOMA (2009).
'A ritual is compromise of people, objects, and programmed activities; so is Waste Not, whose components include not only displayed objects but also the artists, the audience, and their interactions. Based on this understanding, my discussion in the first part of this essay will proceed from the project's properties to its goals, participants, and programs. The second part of the essay will contextualize "Waste Not" by connecting it to other artistic experiments conducted by Song Dong, and to a "domestic turn" in the development of contemporary art since the mid-1990s.'
(Abstract from Introduction by Wu Hung)… (meer)
'A ritual is compromise of people, objects, and programmed activities; so is Waste Not, whose components include not only displayed objects but also the artists, the audience, and their interactions. Based on this understanding, my discussion in the first part of this essay will proceed from the project's properties to its goals, participants, and programs. The second part of the essay will contextualize "Waste Not" by connecting it to other artistic experiments conducted by Song Dong, and to a "domestic turn" in the development of contemporary art since the mid-1990s.'
(Abstract from Introduction by Wu Hung)… (meer)
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Statistieken
- Werken
- 45
- Ook door
- 1
- Leden
- 363
- Populariteit
- #66,173
- Waardering
- 3.9
- Besprekingen
- 9
- ISBNs
- 55
- Talen
- 2
(Abstract from catalogue by Wu Hong)… (meer)