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Fiction (523), Literary Fiction (497), English Language Literature (452), American Literature (275), Genre Fiction (267), Speculative Fiction (169), The Most Difficult (121), Satire (121), Banned Books (117), Adventure (115), Esoterica (114), Mythology (114), The Outsider (112), British Literature (112), Realism (105), Postmodernism (103), Allegory (96), Science Fiction (94), Paranormal Phenomena (88), Nonfiction (88), Greek Mythology (80), Murder (80), Philosophical Introspection (78), Poetry (76), Soft Science Fiction (76), Mysticism (73), The Honorable Mention Most Difficult List (68), Religion (68), Cult Classic (68), Philosophy (67), What Is Real? Who Is Real?/Appearance vs. Reality Motif (66), Gothic (66), Maximalism/Encyclopædism (65), Metaphysics (65), Intertextuality (64), Occult Allseeing Eye Referenced In or Artfully Snuck In to the Text (63), Supernaturals as Characters (63), Horror (62), Bildungsroman (62), Metafiction (62), Drama/Dramatic Poetry (61), Spiritual Journey (56), Love Story (55), Poetry within a Play (54), The Fifty-something Most Difficult Reads (53), Modern Library’s One Hundred Best Novels List (53), Existentialist Despair (53), Addiction (52), Dystopian (51), The Labyrinth/the Matrix (50), Individualist Quest for Self-knowledge (50), Poetry within Prose (49), Social Commentary (48), Christianity (48), Mystery (47), Gnosis: Transcending Religion (46), Magickal Realism (46), Epic Novel (46), Stream of Consciousness/Free Indirect Speech and/or Interior Monologue (45), Legend (45), Parody (44), Nonlinear Narrative (44), Expatriate Authors (43), Essential SciFi Read (43), Story within a Story (43), Stichomythia as a Literary/Rhetorical Device (42), Ergodic Text (40), Modernism (40), Social Science Fiction (40), Experimental Fiction (39), In Medias Res (39), Fantasy (38), History (38), Tragedy (38), Minimalism (38), Extradimensionals/“Extraterrestrials” (“ET”s) (37), Frame Narrative/Framing Device (37), Autobiographical/Semiautobiographical Fiction (36), Classical Greek (36), Renaissance (36), ¡Viva México! (35), Ancient Greek Literature (35), Humanism (35), Ancient Greek Language Literature (35), Crime Fiction (35), Telepathy/“Mindspeech”/“Paraverbal” Communication (34), Essential Pomo Read (33), Structural Metastory/Metanarrative: the Design/Layout/Sequencing of the Story Becomes Part of the Story Itself (33), Shapeshifters (33), Composite Novel/Short Story Cycle or Interrelated Novellas (32), Southern Gothic (32), Victorian (32), Paranoia (32), Good vs. Evil (32), Governmental Abuse (31), Roman Mythology (30), Suicide (30), Short Story (and/or Novella) Collection (30), Early Modern English Period (30), Deconstructionism (29), Detective Fiction (29), Laugh-out-loud Comedy (29), Hysterical Realism/Recherché Postmodernism (28), Free Will vs. Determinism (28), Transgressive Fiction (28), The Chorus as a Character in Drama (27), Anaphora as a Literary/Rhetorical Device (27), Play Which Begins with a Prologue (27), Cuckold Motif (27), Neologisms (27), Witchcraft (27), Black Humor (26), Whores (26), Bacon (26), Alcoholism (26), Hard Science Fiction (26), Regionalism (26), Individualism (26), Horrific Violence (26), Play Which Follows the Aristotelian Classical Unities (25), Simulated (Programmed) Reality (25), Exploration of Sexual “Identity” (25), Historical Fiction (25), Golden Age Science Fiction (25), “God” of This World Metaphor/Story (24), Conspiracy Theory (24), Nature vs. Nurture (24), Popculture (24), Proverbs (24), Drug Addiction (24), French Language Literature (23), Transhumanism (23), Tudor Period (23), Classical Greek Drama (23), New Wave (23), Linguistics (23), Self-referential Metafiction (23), Romanticism (23), French Literature (23), Metempsychosis/Transmigration of Souls (23), Virtual Reality/Technoculture/Hyperreality (22), Reptilians Referenced In or Artfully Snuck In to the Text (22), Exile (22), Metatheatre/Metadrama (21), Hardboiled Fiction (20), Theogony (20), (Both Fiction and Nonfiction) (20), Elizabethan (20), Historiographic Metafiction (19), Narrative Poetry (18), Anti-war Fiction (18), Castilian Language Literature (18), Brotherly Conflict Theme (18), Paganism (18), Multiple Plotting Structure (18), Postapocalyptic (18), Elimination of All False Realities Reveals “Real” Reality (17), Roman à Clef (17), Latin American Literature (17), Human Impostors/Human Simulacra/Replicas/Replicants/NonPlayer Characters (NPCs) (17), The Creation Myth (17), The Age of Cyberculture/Cyberspace (17), Elements of Horror If Not in the Genre Outright (17), Haunted House (17), A Helluvə Slog (16), Human Desire as a Destructive Force (16), Alternate Realities/Parallel Universes (16), Epistolary (16), Postpostmodernism/Metamodernism/Neomodernism/New Sincerity (16), Agharta/the Hollow Earth/Hyperborea/Subterranean Fiction (16), German Language Literature (16), Picaresque (16), Apocalyptic (16), Ethnography/“Cultural” Theory (16), Naturalism (15), The “Trickster” Archetype (15), Economics (15), Reincarnation (15), It Ain’t Happenən on the First Attempt (15), Anti-consumerism (15), Technological Singularity/Posthumanism/Cyborgization/Assimilation into the Borg (15), Gnosticism (15), Deus ex Machina Plot Device (15), Phenomenal Word Play (15), Imaginary Drugs in Literature (15), Rabelaisian (15), Fairytales (15), Hemistichomythia as a Literary/Rhetorical Device (15), Mythopœia (15), Juvenalian Satire (15), Parables (14), Ritual Sacrifice (14), Artificial Intelligence (AI) (14), The Trojan War/the Trojan Cycle (14), Multiperspectivity/Polyphonic Narrative (14), Mesopotamian/Sumerian Mythology (14), Chiastic Disordered Pairing as a Literary/Rhetorical Device (14), Anthropology (14), Bilingual Dialogue (14), Authorial Self-insertion as a Fictional Character (14), Faustian (14), The Futility of Religion (14), German Literature (13), Psychological Fiction (13), Metatextuality (13), Platonism (13), The Impact of Belief Systems on Society (13), Western (13), Theosophy (13), Magick (13), Pantheism (13), Anti-religion Fiction (13), Künstlerroman (13), Buddhism (12), Approach with Caution Because jew Authors Are Not to Be Trusted (12), Holograms (12), Propaganda Used to Deceive the Masses (12), Incest (12), No Punctuation Used to Denote Dialogue (12), Chocked Full of Sexual Double Entendres (12), All the World’s a Stage (12), Comedy (12), Rationality vs. Human Desire (12), Critique of Entertainment/Infotainment/Television (12), Protopostmodernism (12), What Does It Mean to Be Human? (12), The Worship of Mammon (12), Epic Poetry (12), Retromodernism (12), Russian Language Literature (12), The Counterculture (12), Anti-materialism (12), Lacunæ/Missing Text (12), Sorterouters/Searchers “Bring the Most Sorrow on Themselves” (12), Longing for the Rustic/Bucolic/Simple Life (12), Vignettes (11), Surrealism (11), “Multicultural” Fiction (11), Propaganda to Convince Humans to Accept “Justice” and “Order” (11), Includes a Morality Play-type Vice Figure (11), Roman Catholicism (11), “Culture” Clash/“Culture” Shock (11), Time Travel/“Timejumping” (11), Father/Son Conflict Theme (11), The Tree of Knowledge Metaphor/Story (11), Visiting the Dead in the Underworld (11), Urban vs. Agrarian (11), Southern Renaissance (11), Dirty Realism (11), Future History (11), A One-day Affair (11), Absurdism (11), Circular Narrative (11), Ontological Investigation (11), Political Theory (11), Elements of Science Fiction If Not in the Genre Outright (11), Parody of Religion (11), As Above So Below (11), Interaction with Other-dimensional Beings (11), Linguistic Play (11), Thriller (11), Totalitarianism (11), The Tower of Babel Myth/the Ziggurat/“Stairway to Heaven” (10), Linguistically Valid Rendering of Archaic/Antedated Text (10), Out-of-body Experiences (OBEs) (10), Aposiopesis as a Literary/Rhetorical Device (10), Space Opera (10), Conjuring/the Harnessing of Magickal Powers (10), The Great Flood/Deluge Story (10), Implausible Nonsense (10), Irish Literature (10), Revenge Play (10), Historical Tragedy (10), Sorcery (10), Essay(s) (10), Isocolon as a Literary/Rhetorical Device (10), Epizeuxis/Diacope as a Literary/Rhetorical Device (10), Utopian (10), Begins with a Homeric Invocation to the Muse (10), Stuart Period (10), Mathematics (10), Em Dashes Used to Denote Dialogue (10), Quest (10), Ubiquity of Groupthink/Weininger’s Henidical Mental Process (10), The Author Pulls a Fast One (10), Predictive Programming (10), Machiavellianism (10), Scientific Romance Era (10), Socratic Dialogue (9), Mediæval Literature (9), Inequities/Insecurities from Tribal/Class Distinctions (9), Omnivision of the “King of the Gods” as Metaphor for the Occult Allseeing Eye Observing Everything from the Fourth Dimension (9), Allegory of Plato’s Cave = the Labyrinth/the Matrix (9), Vampires (9), Egyptian Mythology (9), Scatological Humor (9), Satanism (9), Hypertext Fiction (9), Norse Mythology (9), Disembodied Spirits (9)
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1001 Books to read before you die, 18th-19th Century Britain, 19th Century Decadent Literature, 50-Something Library Thingers, 9/11 Truth, A Shakespeare Play-by-Play, American Postmodernism, Arthurian Legends, Books that made me think, Bookshelf of the Damned, Copyright law : A Modern Disgrace, Country & Bluegrass, Cthulhu Mythos, Cyberpunks, Dalkey Archive, Dante's Sitting Room, Deep South, Dystopian novels, Edgar A. Poe, Elizabethan England, English majors!, Existentialism, Famous voluminous novels, French literature, 19th & 20th century, Geeks who love the Classics, German literature and poetry, Ghost Stories, Past and Present, Gnostic Readers, Gnosticism, Gothic Literature, Gravity's Rainbow Support Group, Greek and Roman Mythology, Greek Poetry and Literature, Group Reads - Literature, Happy Heathens, Hardboiled / Noir Crime Fiction, Heavy Metal, Hellas, History of the Novel, Horror Book Club, Houses of Suspense: Gothic novels and Romantic Suspense, I Survived the Great Vowel Shift, Infinite Jesters, Language, Literary Escapism, Literary Snobs, Literatura en Espanol, Lovers of the Paranormal, México / Mexico, Narrativa decadente, New Wave Science Fiction and Fantasy, Non-Fiction Readers, Pagan Knowledge, Parapsychology, Pedants' corner, Philosophy and Theory, Postmodernism, metafiction and experimental literature, Practical Magick, Pulp Tales!, Pynchon Pandæmonium, Readers Who Write, ReJoyce, Romanticism, Science Fiction Fans, SF & Fantasy, Shakespeare, The Avant-Garde, The Freaks Club, The Great American Novelist, The Library of Babel Book Club, The Weird Tradition, Top 100 Novels of All time, Transilvanian Dark Romanticism, Vampire Fiction, Victoriana, Weird Fiction, What the Dickens...?, William Blake, William Faulkner and his Literary Kin, xaos at heart
Lid sinds
Jan 28, 2013
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Brian S.
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http://www.librarything.com/profile/brian5764

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