Edinburgh International Festival 2019
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1antimuzak
Monday 5th August 2019
Time: 11:00 to 13:00 (2 hours long)
Beatrice Rana.
Donald Macleod presents a live recital from the Queen's Hall in which Italian pianist Beatrice Rana performs a programme of Chopin, Ravel and Stravinsky that showcases her poetic and expressive touch as well as a phenomenal technical ability. Chopin: Etudes, Op 25. 11.35 Interval: Donald is joined by Edinburgh International Festival director Fergus Lineha to discuss some of the highly anticipated events happening over the next three weeks illustrated with recordings by the artists (Cohen: Halleluah. Sheku Kanneh-Mason (cello) Haydn: Rondo from Piano Concerto in D, Hob XVIII. Maxim Emelyanychev (piano). Duparc: Extase. Lawrence Brownlee (tenor) Purcell: Fantasy in F. Doric Quartet Bach: Allegro from Brandenburg Concerto No 3. Dunedin Consort). Ravel: Miroirs. Stravinsky: Three fragments from Petrushka. Beatrice Rana (piano).
Time: 11:00 to 13:00 (2 hours long)
Beatrice Rana.
Donald Macleod presents a live recital from the Queen's Hall in which Italian pianist Beatrice Rana performs a programme of Chopin, Ravel and Stravinsky that showcases her poetic and expressive touch as well as a phenomenal technical ability. Chopin: Etudes, Op 25. 11.35 Interval: Donald is joined by Edinburgh International Festival director Fergus Lineha to discuss some of the highly anticipated events happening over the next three weeks illustrated with recordings by the artists (Cohen: Halleluah. Sheku Kanneh-Mason (cello) Haydn: Rondo from Piano Concerto in D, Hob XVIII. Maxim Emelyanychev (piano). Duparc: Extase. Lawrence Brownlee (tenor) Purcell: Fantasy in F. Doric Quartet Bach: Allegro from Brandenburg Concerto No 3. Dunedin Consort). Ravel: Miroirs. Stravinsky: Three fragments from Petrushka. Beatrice Rana (piano).
2antimuzak
Tuesday 6th August 2019
Time: 11:00 to 13:00 (2 hours long)
Cuarteto Casals.
The Barcelona-based Cuarteto Casals perform three highly contrasting quartets; The Bird from Haydn's set of six quartets from Opus 33, which was considered to be ground-breaking and crucial to the development of the string quartet form, written `in a new and special way" according to the composer. Bartok's intense third quartet which makes use of extended technique to dramatic effect, and Beethoven's expansive quartet from his Razumovsky'set commissioned by the Russian ambassador in Vienna at the time and performed live from the Queen's Hall. Presented by Donald Macleod. Haydn: Quartet in C major Op 33 No 3. Bartók: Quartet No 3, Sz 85. Interval at approx 11.45am: Rachel Podger starts her three concert Biber series this afternoon at the Edinburgh International Festival. The Rosary Sonatas - 15 mystical meditations on the life of Christ performed in Edinburgh's oldest concert hall, St Cecilia's Hall. Donald Macleod introduces Sonatas 1, 2 and 3 from her recording of the complete Rosary Sonatas for violin. Beethoven: Quartet in F major Op 59 No 1, 'Razumovsky'. Cuarteto Casals.
Time: 11:00 to 13:00 (2 hours long)
Cuarteto Casals.
The Barcelona-based Cuarteto Casals perform three highly contrasting quartets; The Bird from Haydn's set of six quartets from Opus 33, which was considered to be ground-breaking and crucial to the development of the string quartet form, written `in a new and special way" according to the composer. Bartok's intense third quartet which makes use of extended technique to dramatic effect, and Beethoven's expansive quartet from his Razumovsky'set commissioned by the Russian ambassador in Vienna at the time and performed live from the Queen's Hall. Presented by Donald Macleod. Haydn: Quartet in C major Op 33 No 3. Bartók: Quartet No 3, Sz 85. Interval at approx 11.45am: Rachel Podger starts her three concert Biber series this afternoon at the Edinburgh International Festival. The Rosary Sonatas - 15 mystical meditations on the life of Christ performed in Edinburgh's oldest concert hall, St Cecilia's Hall. Donald Macleod introduces Sonatas 1, 2 and 3 from her recording of the complete Rosary Sonatas for violin. Beethoven: Quartet in F major Op 59 No 1, 'Razumovsky'. Cuarteto Casals.
3antimuzak
Wednesday 7th August 2019
Time: 11:00 to 13:00 (2 hours long)
Sheku and Isata Kanneh-Mason.
Sheku and Isata Kanneh-Mason perform two great cello sonatas by Mendelssohn and Debussy, live at this year's Edinburgh International Festival. Beethoven: Variations in F Major, Op 66. Debussy: Cello Sonata in D minor. Lutoslawski: Grave for Cello and Piano. 11.50 Interval. Fauré: Élégie, Op 24. Mendelssohn: Cello Sonata No 2 in D, Op 58. Sheku Kanneh-Mason (cello), Isata Kanneh-Mason (piano).
Time: 11:00 to 13:00 (2 hours long)
Sheku and Isata Kanneh-Mason.
Sheku and Isata Kanneh-Mason perform two great cello sonatas by Mendelssohn and Debussy, live at this year's Edinburgh International Festival. Beethoven: Variations in F Major, Op 66. Debussy: Cello Sonata in D minor. Lutoslawski: Grave for Cello and Piano. 11.50 Interval. Fauré: Élégie, Op 24. Mendelssohn: Cello Sonata No 2 in D, Op 58. Sheku Kanneh-Mason (cello), Isata Kanneh-Mason (piano).
4antimuzak
Friday 9th August 2019
Time: 11:00 to 13:00 (2 hours long)
Llyr Williams.
Pianist Llyr Williams evokes the fairytale world of Nordic folklore with a selection from Grieg's Lyric Pieces plus some of Liszt virtuosic arrangements of Wagner's greatest hits. Presented live from the Queen's Hall, Edinburgh by Donald Macleod. Llyr Williams (piano). Grieg: Lyric Pieces - Bellringing, Op 54 No 6 `Klokkeklang"; To Spring, Op 43 No 6 `Til våren"; March of the Trolls, Op 54 No 3 `Trolltog"; Puck (Little Troll), Op 71 No 3 `Småtroll"; Vanished Days, Op 57 No 1 `Svundne dager"; The Brook, Op 62 No 4 `Bekken"; Evening in the Mountains, Op 68 No 4 `Aften på højfjellet"; Cradle Song, Op 68 No 5 `Bådnlåt"; Homewards, Op 62 No 6 `Hjemad". 11.50 Interval. Donald Macleod looks at another artist who will appearing at the EIF this year, soprano Joyce Di Donato. c12.10 Handel: Scherza infida (Ariodante). Mozart: Voi che sapete (The Marriage of Figaro). Rossini: Una voce poco fa (The Barber of Seville). Wagner/Liszt: Fantasy on Themes from Rienzi; Spinning Chorus (Flying Dutchman); Wagner/Liszt: Entry of the Guests (Tannhäuser); Liebestod (Tristan und Isolde). Wagner: Sonata for the book of Mrs M W.
Time: 11:00 to 13:00 (2 hours long)
Llyr Williams.
Pianist Llyr Williams evokes the fairytale world of Nordic folklore with a selection from Grieg's Lyric Pieces plus some of Liszt virtuosic arrangements of Wagner's greatest hits. Presented live from the Queen's Hall, Edinburgh by Donald Macleod. Llyr Williams (piano). Grieg: Lyric Pieces - Bellringing, Op 54 No 6 `Klokkeklang"; To Spring, Op 43 No 6 `Til våren"; March of the Trolls, Op 54 No 3 `Trolltog"; Puck (Little Troll), Op 71 No 3 `Småtroll"; Vanished Days, Op 57 No 1 `Svundne dager"; The Brook, Op 62 No 4 `Bekken"; Evening in the Mountains, Op 68 No 4 `Aften på højfjellet"; Cradle Song, Op 68 No 5 `Bådnlåt"; Homewards, Op 62 No 6 `Hjemad". 11.50 Interval. Donald Macleod looks at another artist who will appearing at the EIF this year, soprano Joyce Di Donato. c12.10 Handel: Scherza infida (Ariodante). Mozart: Voi che sapete (The Marriage of Figaro). Rossini: Una voce poco fa (The Barber of Seville). Wagner/Liszt: Fantasy on Themes from Rienzi; Spinning Chorus (Flying Dutchman); Wagner/Liszt: Entry of the Guests (Tannhäuser); Liebestod (Tristan und Isolde). Wagner: Sonata for the book of Mrs M W.
5antimuzak
Wednesday 14th August 2019
Time: 11:00 to 13:00 (2 hours long)
Amber Wagner and Malcolm Martineau.
Live from the Queen's Hall, American soprano Amber Wagner joins Edinburgh-born pianist Malcolm Martineau for a selection of rich romantic song. They begin with a selection of Bellini's three small arias, followed by Strauss' Four Last songs, written when he was in his 80s. After the interval Amber performs songs by fellow Americans Barber and Ives, before closing the recital with Wagner's five song settings of poetry by Mathilde Wesendonck. Presented by Donald Macleod. Bellini: Il fervido desiderio; Dolente Imagine di Fille mia; Vaga luna, che inargenti. Strauss: Four Last Songs (version for voice & piano). Op post. Hesse/von Eichendorff 11.30 Interval - Mahan Esfahani plays Rameau Suite No 1 in A minor. 11.50 Barber: Nocturne Op 13 No 4; Sure on this shining Night Op 13 No 3. Ives: The Children's Hour 'from 114 songs'. Ives/Macfarren: Songs my mother taught me. Wagner: 5 Wesendonck Lieder. Amber Wagner (soprano), Malcolm Martineau (piano).
Time: 11:00 to 13:00 (2 hours long)
Amber Wagner and Malcolm Martineau.
Live from the Queen's Hall, American soprano Amber Wagner joins Edinburgh-born pianist Malcolm Martineau for a selection of rich romantic song. They begin with a selection of Bellini's three small arias, followed by Strauss' Four Last songs, written when he was in his 80s. After the interval Amber performs songs by fellow Americans Barber and Ives, before closing the recital with Wagner's five song settings of poetry by Mathilde Wesendonck. Presented by Donald Macleod. Bellini: Il fervido desiderio; Dolente Imagine di Fille mia; Vaga luna, che inargenti. Strauss: Four Last Songs (version for voice & piano). Op post. Hesse/von Eichendorff 11.30 Interval - Mahan Esfahani plays Rameau Suite No 1 in A minor. 11.50 Barber: Nocturne Op 13 No 4; Sure on this shining Night Op 13 No 3. Ives: The Children's Hour 'from 114 songs'. Ives/Macfarren: Songs my mother taught me. Wagner: 5 Wesendonck Lieder. Amber Wagner (soprano), Malcolm Martineau (piano).
6antimuzak
Tuesday 20th August 2019
Time: 11:00 to 13:00 (2 hours long)
Doric Quartet and Brett Dean.
Live from the Queen's Hall in Edinburgh, the Doric String Quartet perform Haydn's Joke quartet, a piece that caused Clara Schumann to laugh out loud. Then follows the European premiere of Hidden Agendas by Australian composer Brett Dean, written specifically for the Doric String Quartet and inspired by the extreme personalities in the current political climate. After the interval, Brett Dean joins the ensemble to perform what was to be Brahms' swan song, his second String Quintet Op 111. After the first rehearsals, Brahms' surgeon friend Theodor Billroth wrote to him saying `I have often reflected on the subject of what happiness is for humanity. Well, today in listening to your music, that was happiness." Haydn: String Quartet in E flat Hob 33 2, The Joke. Brett Dean: String Quartet No 3, Hidden Agendas. 11.50 Interval: Richard Egarr and Andrew Manze perform Corelli's Violin Sonata No 1 Op 5, followed by Padre Antonio Soler's Sonata's No 1 & 2 performed by Spanish harpsichordist Diego Ares. 12.10 Brahms: String Quintet No 2 in G Op 111. The Doric String Quartet, Brett Dean (viola).
Time: 11:00 to 13:00 (2 hours long)
Doric Quartet and Brett Dean.
Live from the Queen's Hall in Edinburgh, the Doric String Quartet perform Haydn's Joke quartet, a piece that caused Clara Schumann to laugh out loud. Then follows the European premiere of Hidden Agendas by Australian composer Brett Dean, written specifically for the Doric String Quartet and inspired by the extreme personalities in the current political climate. After the interval, Brett Dean joins the ensemble to perform what was to be Brahms' swan song, his second String Quintet Op 111. After the first rehearsals, Brahms' surgeon friend Theodor Billroth wrote to him saying `I have often reflected on the subject of what happiness is for humanity. Well, today in listening to your music, that was happiness." Haydn: String Quartet in E flat Hob 33 2, The Joke. Brett Dean: String Quartet No 3, Hidden Agendas. 11.50 Interval: Richard Egarr and Andrew Manze perform Corelli's Violin Sonata No 1 Op 5, followed by Padre Antonio Soler's Sonata's No 1 & 2 performed by Spanish harpsichordist Diego Ares. 12.10 Brahms: String Quintet No 2 in G Op 111. The Doric String Quartet, Brett Dean (viola).
7antimuzak
Thursday 22nd August 2019
Time: 11:00 to 13:00 (2 hours long)
John Butt and the Dunedin Consort.
The Dunedin Consort is joined live by music director John Butt on harpsichord for a selection of Bach's iconic work for keyboards, from the Queen's Hall. Joining them are three further leading harpsichord players - Richard Egarr, Diego Ares and Olga Pashchenko - for performances of Bach's concertos for three and four harpsichords, alongside his lively Brandenburg Concerto No 5 and his Italian Concerto, which forced one critic to admit it 'is to be regarded as a perfect model'. Presented by Kate Molleson. Bach: Concerto for Three Harpsichords in C BWV 1064; Brandenburg Concerto No 5 in D BWV 1050. 11.40 Interval. 12.00 Bach: Concerto for Three Harpsichords in D minor BWV 1063; Italian Concerto (arranged for four harpsichords); Concerto for Four Harpsichords in A minor BWV 1065. John Butt, Richard Egarr, Diego Ares, Olga Pashchenko (harpsichord). Dunedin Consort.
Time: 11:00 to 13:00 (2 hours long)
John Butt and the Dunedin Consort.
The Dunedin Consort is joined live by music director John Butt on harpsichord for a selection of Bach's iconic work for keyboards, from the Queen's Hall. Joining them are three further leading harpsichord players - Richard Egarr, Diego Ares and Olga Pashchenko - for performances of Bach's concertos for three and four harpsichords, alongside his lively Brandenburg Concerto No 5 and his Italian Concerto, which forced one critic to admit it 'is to be regarded as a perfect model'. Presented by Kate Molleson. Bach: Concerto for Three Harpsichords in C BWV 1064; Brandenburg Concerto No 5 in D BWV 1050. 11.40 Interval. 12.00 Bach: Concerto for Three Harpsichords in D minor BWV 1063; Italian Concerto (arranged for four harpsichords); Concerto for Four Harpsichords in A minor BWV 1065. John Butt, Richard Egarr, Diego Ares, Olga Pashchenko (harpsichord). Dunedin Consort.
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