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The Dancing Years

door Cynthia Harrod-Eagles

Reeksen: Morland Dynasty (33)

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422596,352 (4.29)2
1919. As the euphoria of the Armistice fades, the nation counts the cost: millions dead or disabled, unemployment, strikes and shortages. As prices and taxes rise, it becomes harder to remember what the war was for. Teddy tries to recreate balance but then a trip to France to see the place where Ned fell has unforeseen consequences; Polly, grieving for Erich Kuppel, persuades her father to send her to New York. Despite Prohibtion, the great city, pulsing with life, promises her a fresh start; Jessie and Bertie, detained in London by Bertie's job, long to start their new life together; Jack becomes a pioneer of civil aviation, but when the company fails he's faced with unemployment, with a growing family to support. The generation that saw things no man should see must find relief from their own memories. A new world is struggling to be born out of the ashes; but as long as the music lasts, they will keep on dancing.… (meer)
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I have read this whole series which walks us through so much English history. I loved this book and look forward to the next one. ( )
  alisonb60 | Jun 20, 2012 |
Thirty three books into the series and the Morlands have just been through the War to End All Wars (soon to be followed by World War II). This is a saga, but one that is worth the time and effort (in my case, more effort was expended in obtaining the books than reading them! They are quite difficult to purchase in Australia). The Dancing Years covers a longer time period than the WWI books, covering from 1919 until 1925 (the war books covered one year each).
Returning to Morland Place is as much a welcome home for the reader as for the Morland family. We are reunited with favourite characters, such as Bertie and Jessie, Jack and Helen and of course Teddy. Polly, as she grows into a young lady, has a stronger storyline than previous books and Emma also plays a leading role. The book covers the years that I had always thought were happy – post-war, into the 1920s, glamour and fun with a more realistic note. It was an eye-opener to read about the state of the English economy and how so many soldiers were unemployed (Jack being one of them) and the unsettled feeling that remained. Of course, there is Emma’s set – the Bright Young Things who dance and dance, mainly to hide the lurking shadows of the war. Cynthia Harrod-Eagles is more daring in this novel, with some very unexpected twists unfolding. Characters will face tragedy (not for the first time), happiness (but suspicion from the point of view of others) and finally, happiness. I am really interested to see what happens in #34 with the Depression approaching.
The question that I should probably answer to this book is ‘can you read this as a stand-alone or must it be read as part of a series?’ I’ve thought quite deeply about this. I think it will make a lot more sense if it is read as part of the series (starting from the WWI books at least) but you could read it as a stand-alone. The characters are warm and engaging and in these internet days, you could more than likely Google any missing strands.

http://samstillreading.wordpress.com ( )
  birdsam0610 | Feb 21, 2012 |
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Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
BOOK ONE
The Aftermath


Men remember alien ardours
As the dusk unearths old mournful odours.
In the garden unborn child souls wail
And the dead scribble on walls.
Though their own child cry for them in tears,
Women weep but hear no sound upstairs.
They believe in loves they had not lived
And in passion past the reach of the stairs
To the world's towers or stars.

Wilfred Owen: 'The Roads Also'

BOOK TWO
The Cost


O my brave brown companions, when your souls
Flock silently away, and the eyeless dead
Shame the wild beast of battle on the ridge,
Death will stand grieving in that field of war
Since your unvanquished hardihood is spent.
And through some mooned Valhalla there will pass
Battalions and battalions, scarred from hell;
The unreturning army that was youth;
The legions who have suffered and are dust.

Siegfried Sassoon: 'Prelude: The Troops'

BOOK THREE
The New Shoots


I cried for madder music, and for stronger wine,
But when the feast is finish'd and the lamps expire,
Then falls thy shadow, Cynara! The night is thine;
And I am desolate and sick of an old passion.

Ernest Dowson: 'Non sum qualis eram bonae sub regno Cynarae'
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To Tony, with love
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May 1919
In the housekeeper's room at Morland Place there was a large, ancient desk with a big leather chair, where generations of housekeepers had prepared their accounts, written letters, scrutinised tradesmen's bills, and rebuked erring servants.
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1919. As the euphoria of the Armistice fades, the nation counts the cost: millions dead or disabled, unemployment, strikes and shortages. As prices and taxes rise, it becomes harder to remember what the war was for. Teddy tries to recreate balance but then a trip to France to see the place where Ned fell has unforeseen consequences; Polly, grieving for Erich Kuppel, persuades her father to send her to New York. Despite Prohibtion, the great city, pulsing with life, promises her a fresh start; Jessie and Bertie, detained in London by Bertie's job, long to start their new life together; Jack becomes a pioneer of civil aviation, but when the company fails he's faced with unemployment, with a growing family to support. The generation that saw things no man should see must find relief from their own memories. A new world is struggling to be born out of the ashes; but as long as the music lasts, they will keep on dancing.

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