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Presents a collection of fifteen stories about finding romance and danger in repressive, futuristic societies by such authors as Steve Berman, Jesse Karp, Diana Peterfreund, and Amanda Downum.
Prelim Review: The interesting thing about this collection is that quite a few of the authors aren't normally YA authors. Amanda Downum for instance writes fantasy and John Shirley writes a lot of media tie-in fiction for games and movies. Also there's about twice as much LGBT fiction in here then any other anthology I've read in genre fiction (not specifically geared in that direction). In that, I found this worth reading.
It fails however in that yes its a dystopic future, but very few of the stories give us plausible reasons why, implausible but at least entertaining reasons why or even any reason why. "Otherwise" implies its because everyone began taking the drug (which may have been legal at one point?). "In the Clearing" likewise implies that its because of the drug...but we're only given a very small idea of this drug's effects on the population. Is everyone using this drug to keep the people docile? Is this a government thing or is it a corporation thing? Why?
Many of these stories fail to give a reason how the story got to be in a bleak (or at least strictly controlled totalitarian regime) future. And that's frustrating. I also wish there was a more unified approach to length of story. I read this on my Kindle, so I don't know the exact amount of pages, but some really seemed to drag on while others just abruptly ended (which may have more to do with the writing then the length).
Good anthology of dystopian/post-apocalyptic stories and the relationships found within them. Some stories were better than others but all managed to successfully create unique worlds and diverse characters. I was hoping for more LGBT content though only 5/15 contained such relationships. But overall Brave New Love was an entertaining read. ( )
Presents a collection of fifteen stories about finding romance and danger in repressive, futuristic societies by such authors as Steve Berman, Jesse Karp, Diana Peterfreund, and Amanda Downum.
It fails however in that yes its a dystopic future, but very few of the stories give us plausible reasons why, implausible but at least entertaining reasons why or even any reason why. "Otherwise" implies its because everyone began taking the drug (which may have been legal at one point?). "In the Clearing" likewise implies that its because of the drug...but we're only given a very small idea of this drug's effects on the population. Is everyone using this drug to keep the people docile? Is this a government thing or is it a corporation thing? Why?
Many of these stories fail to give a reason how the story got to be in a bleak (or at least strictly controlled totalitarian regime) future. And that's frustrating. I also wish there was a more unified approach to length of story. I read this on my Kindle, so I don't know the exact amount of pages, but some really seemed to drag on while others just abruptly ended (which may have more to do with the writing then the length).
Full review to be posted at Poisoned Rationality
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