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The Ottoman Motel

door Christopher Currie

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Shortlisted, Commonwealth Book Prize and the Queensland Literary Award 2012 When Simon and his parents arrive in the small town of Reception and check in to the Ottoman Motel, things between them are tense but normal. Then, while Simon is asleep, his mother and father disappear. Are they lost? Has something terrible happened to them? Have they simply driven away and left him? All Simon knows is that he is alone in a strange town. Madaline, the local police constable, is kind. Ned Gale and his kids give Simon a place to stay. In the bar down at the Ottoman, Jack Tarden and the other locals are sympathetic. But why does it seem as if no one is trying to find Simon's parents? More than just an intriguing mystery, The Ottoman Motelis a novel about fear and loss, and human fallibility. With this assured, emotionally sophisticated debut, Christopher Currie proves himself to be one of the brightest young novelists in Australia. 'Disturbing and exhilarating...A bold, assured and exciting debut.' Matthew Condon 'Currie gets the blurring of the creepy-friendly small town just right: as if an eleven-year-old boy walked into his own Wake In Fright.' Malcolm Knox 'Christopher Currie's novel creates a brilliant atmosphere, layering superficial small-town charm over dangerous paranoia and criminal depravity. If its tautness slackens slightly later on, it remains an engrossing and deeply creepy read.' Cameron Woodhead, Age 'There is a Hitchcock-like eerie calm to this novel, a difficult mood that Currie captures well...As small plot points emerge, drip by drip, from Currie's wonderful writing, the story takes on a chilling edge.' Sunday Mail 'The Ottoman Motelis an assured debut.' Canberra Times 'Chris Currie has written an excellent first novel in The Ottoman Motel, part thriller, part crime story and part analysis of the meaning of loss, all told through the eyes of a small boy.' Otago Daily Times… (meer)
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Simon Sawyer is 11 years old when he and his parents travel to Reception, a small town on the east coast of Australia, to visit Simon’s grandmother who the family have been estranged from for some years. On the advice of one of the locals Simon’s parents decide to do some sightseeing before their visit to grandma and Simon stays at their motel by himself. He dozes off when he wakes at 10:00pm that night he realises his parents have not returned and he soon learns that no one has seen them since the afternoon. Taken in by a widowed B&B owner

As a born and bred city girl it is the small town with its thin veneer of civility hiding an evil heart that is always guaranteed to scare me witless and Currie has created yet another atmospheric excuse for me to stay safely within the confines of my anonymous urban sprawl. Reception is not the kind of town tourist bureaus would highlight, harbouring all manner of dark secrets and people who have fled other, mostly problem-filled lives to settle there. There’s a real sinister mood to the novel as readers are introduced to a succession of gloomy characters such as the ageing and secretive crab fisherman, the guilt-ridden policewoman, the widowed B&B owner and his peculiar children. This family takes in Simon while the search for his parents gets underway which introduces Simon to his grandmother, a permanent guest at the B&B and yet another Reception resident with secrets to hide.

I’m not a huge fan of books which feature children as main characters as they are often given more adult traits than the average kid. However Simon is believably drawn, capturing the mixture of burgeoning independence and fear at possibly being all alone in the world quite beautifully. His interactions with the B&B owner’s two children, still recovering from the loss of their mother several years earlier, and Pony, an orphan boy who lives there too, are also very believable. These relationships and the children’s’ reactions to unfolding events add an interesting perspective to this story which is, in essence, the opposite of the more traditional missing child mystery.

The story itself is good though for me it was a slightly weaker element of the book than the excellent characters and atmosphere. Although I found it compelling enough to want to read on quickly there were just a few too many implausible happenings for me to be wholly sucked in. The resolution in particular was not quite as satisfying as I’d have liked; I didn’t mind the loose ends but felt a little cheated by the very vaguely described outcome of the main plot thread. Overall though I thought this a solid debut novel and will be keen to read more from its young author. Its mixture of influences, which clearly include some horror and science fiction in addition to mysteries, and evocative writing style made for a quick, engaging and unpredictable read.

My rating 3.5/5 ( )
  bsquaredinoz | Mar 31, 2013 |
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Shortlisted, Commonwealth Book Prize and the Queensland Literary Award 2012 When Simon and his parents arrive in the small town of Reception and check in to the Ottoman Motel, things between them are tense but normal. Then, while Simon is asleep, his mother and father disappear. Are they lost? Has something terrible happened to them? Have they simply driven away and left him? All Simon knows is that he is alone in a strange town. Madaline, the local police constable, is kind. Ned Gale and his kids give Simon a place to stay. In the bar down at the Ottoman, Jack Tarden and the other locals are sympathetic. But why does it seem as if no one is trying to find Simon's parents? More than just an intriguing mystery, The Ottoman Motelis a novel about fear and loss, and human fallibility. With this assured, emotionally sophisticated debut, Christopher Currie proves himself to be one of the brightest young novelists in Australia. 'Disturbing and exhilarating...A bold, assured and exciting debut.' Matthew Condon 'Currie gets the blurring of the creepy-friendly small town just right: as if an eleven-year-old boy walked into his own Wake In Fright.' Malcolm Knox 'Christopher Currie's novel creates a brilliant atmosphere, layering superficial small-town charm over dangerous paranoia and criminal depravity. If its tautness slackens slightly later on, it remains an engrossing and deeply creepy read.' Cameron Woodhead, Age 'There is a Hitchcock-like eerie calm to this novel, a difficult mood that Currie captures well...As small plot points emerge, drip by drip, from Currie's wonderful writing, the story takes on a chilling edge.' Sunday Mail 'The Ottoman Motelis an assured debut.' Canberra Times 'Chris Currie has written an excellent first novel in The Ottoman Motel, part thriller, part crime story and part analysis of the meaning of loss, all told through the eyes of a small boy.' Otago Daily Times

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