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Bezig met laden... The River of Heaven: The Haiku of Bashō, Buson, Issa, and Shiki (2011)door Robert Aitken (Redacteur), Bashō, Buson, Issa, Masaoka Shiki (Medewerker)
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Known to many as the study of quiet stillness and introspection, Zen Buddhism distinguishes itself through brilliant flashes of insight and its terseness of expression. InRiver of Heaven these concepts and pillars lend themselves to an exploration of Haiku, one of the most delicate and interpretive poetic forms in the world. The haiku verse form, with its rigid structure and organic description is a superb means of studying Zen modes of thought because its seventeen syllables impose a limitation that confines the poet to vital experience. In Haiku as in Buddhism, the silences are as expressive as the words. In this volume, American Senior Zen Roshi Robert Aitken gives new insight into Haiku by poetic masters Basho, Issa, Buson, and Shiki. In presenting themes from Haiku and from Zen literature, Aitken illuminates the relationship between the two. Readers are certain to find this an invaluable and enjoyable experience for the remarkable revelation it offers. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)895.61008Literature Literature of other languages Asian (east and south east) languages Japanese Japanese poetry CollectionsLC-classificatieWaarderingGemiddelde:
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Whether it requires it or not, each poem is accompanied by a paragraph or more of only marginally useful notes. Well, notes is probably not entirely correct, as that would suggest that they help to explain the meaning of obscure terms or references. Sometimes, perhaps even the majority of the time, they do. (His note on Basho's famous helmet/cricket poem is an example of a good one, for instance.) But a decent amount of the time they serve as little more than an excuse for the author to meander off on whatever tangent the poem has reminded him of — his travels, his life, what he thinks the poet was feeling at the time. Often this is interwoven into the insightful bits, but sometimes the notes serve no purpose but this meandering stream of consciousness.
Eventually, somewhere in the section on Issa, I just stopped reading them. My enjoyment of the collection went up after that.
My final verdict? Find another anthology instead. ( )