in this play, Ayckbourn does what he does best - shows us the world from multiple viewpoints. In this play, he doesn't do first one viewpoint, then another, he overlaps them. The setting consists of three different bedrooms. occupied by three very different couples. The action is driven by a couple who doesn't belong in any of the bedrooms, but insists on carrying on their dysfunctional marriage in all of them, creating havoc for the three other couples who rightly occupy those bedrooms. As they struggle to come to grips with their own marriage, their problems threaten the marriages of the other three couples. Not as uproariously funny as some of Ayckbourn's plays, but most of the comedy is sight gags, which can be difficult to capture fully in written form. ( )