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Bezig met laden... Art of love + Cosmetics + Remedies for love + Ibis + Walnut-tree + Sea Fishing + Consolation [bilingual Latin English]door Ovid
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Onderdeel van de uitgeversreeks(en)Loeb Classical Library (232) Loeb Classical Library: Ovid (Ovid : Volume II) BevatMinnekunst door Ovid
In the didactic poetry of Face Cosmetics, Art of Love, and Remedies for Love, Ovid (43 BCE-17 CE) demonstrates abstrusity and wit. His Ibis is an elegiac curse-poem. Nux, Halieutica, and Consolatio ad Liviam are poems now judged not to be by Ovid. Geen bibliotheekbeschrijvingen gevonden. |
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The first two books contain advice for the predatory male, but the third Ovid devotes to the opposite sex, to avoid, as he affects to say, any charge of partiality. The whole is in the mode of the erotic Alexandrian elegy, but leavened with Ovid's wit. The tradition appears to be rooted in Asia Minor due to the nature of the diction. While the elegy was originally primarily made of laments there were erotic elegies before Ovid. Among the Greeks Mimnermus and Theognis were considered great elegiasts.
The book is filled with stories and advice, here is a sample:
“You ask perhaps if one should take the maid herself? Such a plan brings the greatest risk with it. In one case, fresh from bed, she’ll get busy, in another be tardy, in one case you’re a prize for her mistress, in the other herself. There’s chance in it: even if it favors the idea, my advice nevertheless is to abstain. I don’t pick my way over sharp peaks and precipices, no youth will be caught out being lead by me. Still, while she’s giving and taking messages, if her body pleases you as much as her zeal, make the lady your first priority, her companion the next: Love should never be begun with a servant.”
Ovid gives a sympathetic insight into a society that was becoming consumed with a moral laxity. By contrast Horace provided a more moralistic tone of censure in his Satires. The work has enjoyed a continuing popularity ; Ovid's knowledge of human, particularly of feminine, nature, the brilliant picture of the social life of Rome, the studied artlessness of the comparisons he draws from animals and from pursuits such as hunting, farming, or sailing, the narratives that he cannot resist interweaving with his teaching---all these elements, together with a considerable degree of humor and irresistible wit, have combined to give the work a unique attractiveness. However the result of Ovid's sympathetic eroticism was the arousal of the disfavor of Augustus; Ovid was exiled for life to the coast of the Black Sea, and felt that his poetry was at least partially responsible for his misfortune. We are fortunate that the text has endured.
"But avoid men who profess elegance and good looks, and who arrange their hair in its proper place. What they tell you they have told a thousand women; their fancy wanders, and has no fixed abode." - The Art of Love, Book III, 433-36. ( )