A perfect blend of fantasy and realism. ( )

A boy visiting Wales while his father has a visiting teaching position there finds Taliesin's harp key. The key somehow shows Peter events in Taliesin's life, as he (Peter) struggles to come to terms with being away from home and the tensions between him and his father and sisters. It's a lovely tale, both the story of the Morgan family and the bits about Taliesin in the past. I particularly enjoyed the homey feel to their interactions with their Welsh neighbors and descriptions of the countryside. However, Peter's sister, Jen, through whose view much of the modern plot was told, was irritating and not at all likable. Also, the story seemed to get bogged down somehow in the middle and the going was painfully slow for a good while. Could have been the narrator (I listened to an audio version); I may have had a better go of it in print. ( )

This won a Newbery award in the '70s, but it is not a book for the ages. You could make a pretty rowdy drinking game out of this book, if you drank whenever David, the father, known by his first name, smiles "ruefully" to indicate that he knows that even though he is an adult he has not got all the answers, or whenever Jen, one of the POV characters, speaks "drily". It is reminiscent of "A Wrinkle in Time", because the family is essentially well off and the members of the family are all well-disposed toward each other, somehow. There is, in each case, an injury to the family, in one, a mother is dead and in another the father has gone missing. But these injuries affect only the feelings of the characters, and otherwise do not upset their lives. There is some terrible philosophizing in which people assert that they may not believe what Peter is telling them, but they believe _Peter_. They believe that Peter sincerely believes something which they know is completely untrue, and so everything is OK?

It's clear that the author really enjoyed her stay in Wales, and it is nice that she was able to write about it. The same thing happened to Lloyd Alexander, and that's great, because I really like his books. But the only value of this book to me was it reminded me of how powerfully novels can work on young childrens' minds to make them believe pretty dumb things, i.e, that is right and proper for parents and children to believe, think, and act like they do in these books.

I would say that like so many books from the 70s this describes a Wales that is quite gone. There are probably no doughty Welsh shepherds anywhere in Wales any more, it just doesn't pay enough.

The character of Taliesin as he appears to Peter is distant, but actually quite interesting. But the events in his world had little bearing on the events in the modern world.

Jen calls the "laundromat" the "washeteria". ( )

I liked the part of the book that was in the present, but when they went back in time I found it hard to follow ( )

I read this 1977 Newbery Honor Book shortly after [b:Enchantress from the Stars|4580|Enchantress from the Stars|Sylvia Engdahl|http://photo.goodreads.com/books/1165446820s/4580.jpg|8205] and found myself wondering why the Newbery Committees hate mothers so much. Surely anybody's who's looked into the "dead mother book" phenomenon can attest to the fact that the mothers of Newbery book protagonists have an amazingly short life expectancy and a high tendency to die even before the first chapter starts. Likewise the stars of most Disney animated films and every fairytale character with an evil stepmother. My current pet theory is that a motherless main characters tend to be instantly sympathetic, are forced to be more self-reliant, and don't have as much of a support network to fall back on when things go bad--which kicks the story up a notch but still, it's a tough sacrifice on the part of all those fictional mothers.

In ASitH, Jen Morgan is not only motherless, but recently so, and members of her family are still coping with Mom's loss. At the same time, Jen's father probably isn't making things any better by moving the family from Massachusetts to the Welsh countryside, away from their friends and familiar surroundings, and then distancing himself from the children by burying himself in his work. When Jen's younger brother, Peter, starts spacing out and talking about a magical Sixth Century harp key, Jen has to believe it's an act in order to earn a ticket back home. This is the promising premise to a fantasy novel that mostly fails to deliver.

Slogging through this travelogue of a book, I learned much about the climate, culture, history, and ornithology of Wales--yes, there are frequent bird-watching expeditions. Family drama frequently weaves in and out, Jen learns how to cook and clean house, and every once in a while the fantasy elements reassert themselves.

Bang! A magical artifact is found! Zam! Strange things begin to happen! Kapow! Our modern world is bumping up against Wales of the past! We can expect an exciting collision of worlds any time now... any time now... any time now... Or not. The end?!!

ASitH is the rare time travel story in which characters from the present and characters from the past move around the timeline but never actually interact. If this book were a movie, I'd demand a refund. But since it's a book, I'll just do another Book Review Theather!



INTERIOR - DRAFTY OLD WELSH HOUSE DURING A BAD STORM AT NIGHT, CIRCA 1976

Professor David Morgan stands in the doorway, looking out at the bog.

DAVID: Say, it's sure a bad storm. What do you suppose all those people are doing out on the bog?

JEN: Probably looking for a lost cow.

DAVID: With torches and swords?

JEN: Those cows can be deadly if they sneak up on you. It certainly has nothing to do with magical time-altering harp keys.

Jen looks over at her brother Peter, who is staring intently into the glowing metal harp key he has taken to wearing around his neck.

DAVID (peers harder into the gloom): Maybe it's a festival, like a Welsh version of Guy Fawkes Day or the Fourth of July.

A Sixth Century Welsh warrior stumbles toward the house, wearing armor, bleeding profusely from a battleaxe stuck into his back.

WARRIOR (pleadingly): [Something we can't understand because it's in Welsh.:]

DAVID: How exciting! Their festival incorporates costumes and trick-or-treating like Halloween! Jen, run and fetch us some chocolate bars!

review theater>

In this case, Book Review Theater is only a slight exaggeration. During the book, an entire Sixth Century battlefield is magically transported to the Twentieth Century complete with hundreds of corpses and rivers of blood and people barely take notice. Sure, television has made us jaded about violence, but come on!

Bottom Line: If you're looking for a fun time travel story that perhaps features a living, breathing mother, this is not the book for you. But I would recommend it to anyone who needs to write a report on Wales in the 1970s, keeping in mind that things have surely changed a lot in the past three-plus decades. "Torchwood", a BBC series I particularly like, is set in modern 21st Century Wales and you'd hardly know it's the same place! ( )