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Apocalypse Cow (2012)

door Michael Logan

Andere auteurs: Zie de sectie andere auteurs.

Reeksen: Apocalypse Cow (1)

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23016116,145 (3.36)11
"Forget the cud. They want blood. It began with a cow that just wouldn't die. It would become an epidemic that transformed Britain's livestock into sneezing, slavering, flesh-craving four-legged zombies. And if that wasn't bad enough, the fate of the nation seems to rest on the shoulders of three unlikely heroes: an abattoir worker whose love life is non-existent thanks to the stench of death that clings to him, a teenage vegan with eczema and a weird crush on his maths teacher, and an inept journalist who wouldn't recognize a scoop if she tripped over one. As the nation descends into chaos, can they pool their resources, unlock a cure, and save the world? Three losers. Overwhelming odds. One outcome . . . Yup, we're screwed"--… (meer)
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1-5 van 16 worden getoond (volgende | toon alle)
So much fun. This story is an absurd spoof layer cake. The characters are somehow both caricatures and also fully realized in a way that I could understand and empathize while laughing at them. There is plenty of explicit blood and gore to supplement the silliness. I usually avoid zombie monster stories, but this one was a pleasure to read. ( )
  Doodlebug34 | Jan 1, 2024 |
Zombie cows, nuff said. ( )
  cdaley | Nov 2, 2023 |


The premise of 'Apocalypse Cow' is inspired. A weaponised virus escapes from a government lab and turns cows and other animals into crazed carnivores.

The mechanics of the virus and its spread had been carefully thought through, as had the chaos that it would cause and the difficulty the army would have in containing the spread of the infection while dealing with large numbers of displaced people.

The structure of the story was also promising. Three initially separate storylines that eventually twist around each other, each one centring on an uninspiring hero: a journalist whose not very good at her job, a slaughterhouse work who is depressed by the killing that he does, and the much put-upon son of hippy parents whose commitment to veganism results in their son having to wear clothes made of hemp (which he is allergic to.

Yet, by the 70% mark, I abandoned the book rather than spend another two hours and forty minutes watching the plot unfold.

What was the problem? The humour, the pace and the people.

Humour's a funny thing. You get it or you don't. It works or it doesn't. For me, the humour in this book didn't work. Why? I didn't like that most of the humour was tainted either by cruelty or by a puerile sleaziness. For the most part, the situations and the reactions of the characters had a lot of potential for humour. I was reminded of the kind of situations that Tom Sharpe would set up. But time after time the humour slid from exploiting the potential of a chaotic situation to poking fun at the characters for their weaknesses or adding in little bits of sleaze that may have been meant to be titillating or ironic but which just seemed puerile to me.

The middle of the book, when the three storylines have become one, seemed to lose all forward motion. There was action. Bloody, violent action. Some of the main characters died in spectacular ways. But I felt that the story wasn't going anywhere.

I think this feeling of being stalled was added to because none of the characters felt real to me so, when they died, it didn't have anything like the impact it could have done. It was more like a piece being taken off the board than the death of a person. Even by the 70% point, I wasn't invested enough in the characters to care about what happened to any of them.

If the humour in this works for you then I'm sure you'd have a lot of fun and the pace and the shallowness of the characterisation would be easy to gloss over. But it's not for me.
  MikeFinnFiction | Oct 2, 2022 |
So this was an adventure. This book was as funny as I expected, but also serious, which I did not anticipate. It follows several people separately as a government made virus is accidentally released and infects cows at an abattoir in Scotland. A terrifying government agent is sent to clean up the mess and tie up any loose ends. But a lone cow manages to escape the slaughter and sets off infecting animals along to countryside.

The various characters' stories all merge until they are one group trying to escape Britian and avoid capture, torture and death at the hands of secret government assassin. All while trying to avoid slavering animals who were hell bent on screwing and then eating the uninfected to death.

There were some parts with the slaughtering that turned my stomach and made me put the book down for a bit. But this was a good read. I actually connected with some of the characters and was rooting for them to survive and get the true story out about how the virus was actually spread. This book was a mess in the good sense. I'm looking forward to diving into the sequel. ( )
  ViragoReads | Dec 20, 2019 |
Apocalypse Cow is a good summer read, with plenty of action and wry humor to keep it moving through an otherwise standard 'zombie apocalypse' plot. It is a tad predictable, following the well-rutted path of all of the other zombie stories that have been published. That is a shame, as the title suggests a tie-in with Conrad's Heart of Darkness (via the movie Apocalypse Now), which never materializes. With a little work, the story could have leveraged that classic work and elevated itself well above the rest of the genre like a pole vaulter fleeing a herd of mad holsteins. Of course, in that case I would have demanded better character development with less reliance on stock character types. ( )
  G-Morrison | Nov 18, 2019 |
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» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Michael Loganprimaire auteuralle editiesberekend
Poland, TomOmslagontwerperSecundaire auteursommige editiesbevestigd

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"Forget the cud, they want blood...." (from the cover)
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"Forget the cud. They want blood. It began with a cow that just wouldn't die. It would become an epidemic that transformed Britain's livestock into sneezing, slavering, flesh-craving four-legged zombies. And if that wasn't bad enough, the fate of the nation seems to rest on the shoulders of three unlikely heroes: an abattoir worker whose love life is non-existent thanks to the stench of death that clings to him, a teenage vegan with eczema and a weird crush on his maths teacher, and an inept journalist who wouldn't recognize a scoop if she tripped over one. As the nation descends into chaos, can they pool their resources, unlock a cure, and save the world? Three losers. Overwhelming odds. One outcome . . . Yup, we're screwed"--

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